Lithograph Prints and Multiples

Takashi Murakami "Bouquet in a basket" 2024 4 Colors Offset print, cold stamp and high gloss varnishing 23 3/5 × 23 3/5 in 60 × 60 cm Edition XX/300 Hand signed and numbered by the...

The 1988 poster for “David Hockney: A Retrospective” at The Metropolitan Museum of Art is a vibrant and visually striking representation of the artist’s distinct style. Featuring Hoc...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. II, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This is a lifetime edition - hand signed and numbered by Jean-Michel Basquiat himself in Basquiat's lifetime. Many younger collectors don't appreciate the difference between the numerous posthumous estate authorized prints...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Taureau (The Bull), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Suite des prints des eaux-fortes de Pablo Picasso pour illustrer les textes de Buffon (Original Etchings for the Texts of Buffon, Natural History: Suite of the Prints of the Etchings by Pablo Picasso to Illustrate the Texts of Buffon), originates from the 1970 edition published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, with the authorization and permission of Martin Fabiani, Editeur, Paris, 1970. The composition reflects Picassos mastery of line, wit, and natural form, harmonizing artistic imagination with the scientific and poetic spirit of Buffon’s zoological texts. Executed as a lithograph on papier bouffant des Papeteries de Casteljoux paper, this work measures 12.99 x 9.84 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Production Edito-Service S.A., Le Grand-Saconnex. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Le Taureau (The Bull), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Suite des prints des eaux-fortes de Pablo Picasso pour illustrer les textes de Buffon (Original Etchings for the Texts of Buffon, Natural History: Suite of the Prints of the Etchings by Pablo Picasso to Illustrate the Texts of Buffon) Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Dimensions: 12.99 x 9.84 inches (33 x 25 cm) Inscription: Unsigned and unnumbered as issued Date: 1970 Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, with the authorization of Martin Fabiani, Editeur, Paris Printer: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Suite des prints des eaux-fortes de Pablo Picasso pour illustrer les textes de Buffon (Original Etchings for the Texts of Buffon, Natural History: Suite of the Prints of the Etchings by Pablo Picasso to Illustrate the Texts of Buffon), published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, 1970 Notes: Excerpted from the folio (translated from French): Picasso, eaux-fortes originales pour des textes de Buffon. At the expense and care of Martin Fabiani, this book was completed to be printed in Paris on May XXVI MCM XLII. Pablo Picasso's original XXXI eaux-fortes were drawn by R. Lacouriere and the printing of texts by M. Fequet and P. Baudier. Justification of the draw. CCXXVI examples. N°1. — single example on papier verge Ancien with a suite on papier Ancien bleute; II to VI. V examples on Japon Super-Nacre with a sequel on Chine; VII to XXXVI. XXX examples on Japon Imperial with a suite on Chine; XXXVII to XCI. LV examples on velin of Montval; XCII to CCXXVI. CXXXV examples on velin de Vidalon. This second edition, 25 x 33 cm, was created with the permission of Martin Fabiani, publisher in Paris, on papier bouffant des Papeteries de Casteljoux. About the Publication: The 1970 edition of Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Suite des prints des eaux-fortes de Pablo Picasso pour illustrer les textes de Buffon (Original Etchings for the Texts of Buffon, Natural History: Suite of the Prints of the Etchings by Pablo Picasso to Illustrate the Texts of Buffon), published by Production Edito-Service S.A. of Geneva with the permission of Martin Fabiani, revisited one of Picasso’s most elegant and intellectual collaborations. The original 1942 Paris edition paired Picassos thirty-one etchings with the naturalist writings of Georges-Louis Leclerc, Comte de Buffon, uniting art and science in a meditation on the beauty of the animal world. This authorized 1970 suite preserved the integrity of the original concept while making it accessible to a broader audience, rendered on fine papier bouffant des Papeteries de Casteljoux. Each image reveals Picassos deft, economical line—transforming Buffon’s zoological observations into lyrical visual poetry. The folio stands as a testament to Picasso’s reverence for nature, intellect, and the printed page, bridging Enlightenment knowledge and modern artistic genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Le Taureau...

An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). Printed and published by Arte Adrien Maeght, Paris. Nicely framed. Artist: Joan Miro, Spanish...

Françoise GILOT (1921) Caress, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francoise G...

This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...

Sam FRANCIS Color explosion, 1992 Original lithograph Unsigned On Arches vellum 86.5 x 29.5 cm Numbered on the back Authenticated by Moulot blind stamp INFORMATION : Edited by Gale...

'Blandfordia Flame - Flame-flowered Blandfordia' Botanical lithograph of an Australian native plant with original hand-colouring , 1854, by Walter Hood Fi...

Woman is a vintage Lithograph realized by Claude Garache in the 1975. Cover for Derrière Le Miroir. Maeght Editor, France on the rear. Good conditions.

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

This exquisite lithograph by Alexander Calder (1898–1976), titled Formulaire noir et rouge (Black and Red Form), originates from the historic 1973 folio Derriere le Miroir, No. 201. ...

Greek Sculpture is an artwork realized in 19th century. Lithograph on paper.

Artist: Romare Bearden Title: Conversation Year: 1979 Print - Lithograph on Somerset Paper Paper size: 22'' x 30'' inches Edition: signed & numbered in pencil, HC 5/15 Image Size ...

Roy De Forest Untitled (Dog), 1981 Color lithograph with deckled edges. Floated and framed. Pencil signed and numbered from the edition of 125 Frame Included: held in original vintage white frame Wonderful whimsical rare 1981 lithograph by the incredibly popular and beloved Roy de Forest, famous for his paintings and prints of dogs...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

This simple still life is a lithograph by Russian Modern artist Marc Chagall. It employs several of Chagall's recurring motifs, such as a bird (in this case a rooster), a bouquet of ...

Pablo Picasso (1881-1973) - Jeu de la Cape Lithograph from 1961. Dimensions of work: 31 x 25 cm. Reference: Bloch 1015; Mourlot 350; Cramer 113.IV. Printed by Atelier Fernand Mour...

Roy Lichtenstein, American (1923 - 1997) - As I Opened Fire. Year: 1964 Year Printed: 1997, Medium: Three Offset Lithograph Posters, Image Size: 24 x 19.5 inches, Size: 25 x 20.5 in...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Salvador DALI Flordali : Surreal Tree (Fingers and Lips), 1969 Original Lithograph and Etching Handsigned in pencil Numbered 142/175 On Japan paper 77 x 57 cm (c. 31 x 22.4 inch) ...

BLUE HORSE, THREE GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese bo...

This first-release lithograph, Spirales, was published by XXe Siècle in an edition above the official release that accompanied a special volume dedicated to Calder’s work. While plat...

Marc CHAGALL Opera Garnier : The Ballet, 1969 Original stone lithograph (Printed in Mourlot workshop) Unsigned and not numbered On paper 35 x 25 cm (c. 14 x 10 inch) Edited by XX Si...

Allan Mardon, Canadian (1931 - ) - Pheasants, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 17 x 23 in. (43.18 x 58.42 cm)

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and issued in a limited edition of 2000 on Arches wove paper. Image size: 3 1/4 x 7 1/2 inches (80 x 185 mm). ...

Sku: CB1505 Artist: Alex Katz Title: American Dance Festival Year: 1976 Signed: No Medium: Offset Lithograph Paper Size: 39 x 30.5 inches ( 99.06 x 77.47 cm ) Image Size: 39 x 30.5 i...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...

Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...

Richard Diebenkorn 1984 Olympic Lithograph (Hand signed deluxe limited edition w/Olympic Committee COA), 1982 Lithograph with offset lettering on 100% cotton Parsons Diploma Parchment paper 24 × 36 inches Edition of 750 Hand signed by Richard Diebenkorn in graphite pencil on the front (unnumbered) Published by Knapp Communications Corporation for Los Angeles Olympic Organizing Committee Accompanied by a letter of authenticity from the publisher. This is one of only 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics . However, the publisher is said to have destroyed many of the works that did not sell in the original marketing period, so only about 200-250 are said t remain. The Olympic Committee commissioned 15 nationally known artists, including West Coast artists like Sam Francis and Richard Diebenkorn, to create unique designs to promote the event. This was Diebenkorn's contribution to the portfolio. Hand signed Richard Diebenkorn prints (with the full signature) like this are extremely elusive and desirable. excellent provenance as it was acquired as part of the complete portfolio of limited edition hand signed Olympic prints, all held in the original box with colophon. All of the works in this rare portfolio, including this Diebenkorn lithograph...

This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

Henri MATISSE Underwater life, 1954 Original lithograph Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Published by San Lazzaro / XXèm...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Obsession of the Heart Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil Edition of 150 Size: 29 x 21 in. (73.66 ...

The 1956 lithography by Jean-Gabriel Domergue Ernestine est à peindre, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a ...

Completed in 1973, this lithograph by Modern master Marc Chagall was printed by Mourlot in Paris for the publication "XXe Siecle". This publication came from San Lazzaro and was a se...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

Henri Matisse Tree Lithograph in colors (printed in Atelier Mourlot) Signed in the plate Edition of 250 copies On Arches vellum 38 x 28 cm (c. 15 x 11 in) Very good condition INFO...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "Le Pieton de Paris" Year: c.1975 Medium: Color lithograph Edition: Numbered 42/175 in pencil Paper: Japan paper Image ...

Jean-Michel Basquiat Downtown 81 / New York Beat: Basquiat created this impossibly rare printed flyer in 1981 to advertise a band performance within his feature acted film: Downtown ...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernhei...

Francis Bacon (British, 1909-1992) Three Studies for Self Portrait, c. 1981 Lithograph in colors on Arches wove paper Edition 81/150 with Arabic numbering. There were also 25 H.C. (...

Hand Signed. Printed in black ink, and part of a limited edition thought to be of 400 specimen. Image Dimensions : 51 x 20 cm  Reference: Bool n. 352 Locher 146.  Very good conditio...

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

Professionally archival linen-backed vintage French poster: pour L'An II COMPAGONS Tous Unis Celebrons, Notre Pain, Notre Sang, Notre Terre. This full lithograph antique poster fe...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VI (Blue Nude VI), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Jean-Michel Basquiat (1960-1988) Crowned T-Rex, 1997 Lithograph Printed signature in the plate On paper 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra Authentica...

This stunning lithograph by Hsia Chin, titled Untitled (Blue), showcases the artist's exceptional command of color and abstract form. Dominated by a rich, deep blue, the piece exudes...