Offset Prints and Multiples

Paper Size: 35.5 x 20 inches ( 90.17 x 50.8 cm ) Image Size: 35.5 x 20 inches ( 90.17 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details...

Olivetti Information Service is an original offset advertising by an anonymous artist of the 20th Century. The state of preservation of the artwork is very good except for some smal...

Original French Line Normandie horizontal cruise line shipping lithograph. Artist Albert Sebillle with signature in the plate, lower right corner. Arch...

Paper Size: 55 x 16.5 inches ( 139.7 x 41.91 cm ) Image Size: 55 x 16.5 inches ( 139.7 x 41.91 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supple...

Original “All About Eve” Happy 50th Anniversary vintage movie poster. Archivally linen backed in excellent condition, ready to frame. All About Eve, the classic 1950 Joseph L. Ma...

Paper Size: 5.25 x 7.75 inches ( 13.335 x 19.685 cm ) Image Size: 5.25 x 7.75 inches ( 13.335 x 19.685 cm ) Framed: Yes Frame Size: Condition: A-: Near Mint, very light signs of han...

The signed and numbered lithograph by Saul Steinberg, limited to an edition of 150, is a valuable and collectible piece that encapsulates the artist’s unique blend of political and s...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Moshe Gat, Israeli (1935 - ) - People in Israel, Year: 1975, Medium: Poster, signed and dedicated in pencil, Edition: Dedicated to Dr and Mrs. George Heller, Size: 30 x 21.25 i...

Original exhibition poster published for Sherman’s solo show at Gagosian Gallery, June–September 2009. The image features a collage of Sherman in various personas, showcasing her si...

Paper Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Image Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Framed: Yes Frame Size: Condition: A-: Near Mint, very light signs of handling A...

Paper Size: 48 x 31.25 inches ( 121.92 x 79.375 cm ) Image Size: 39.25 x 28 inches ( 99.695 x 71.12 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Additional Details: Original exhibition poster for Kurt Trampedach...

Original Sabena vintage travel poster. Archivally linen —backed in very fine condition, A, ready to frame. The image comprises three surfboard-style sections depicting New York to Brussels and to the Heart of Paris via Sabena, Belgian World Airlines. Sabena, short for Société Anonyme Belge d'Exploitation de la Navigation Aérienne, was Belgium's national airline from 1923 until its bankruptcy in 2001. Sabena produced numerous vintage travel posters during its operational years to promote tourism and its flight routes. One notable poster is titled "Fun Brussels, Helicopter to Paris." This poster likely depicts Brussels as a vibrant and exciting destination, highlighting the convenience of traveling from Brussels to Paris via helicopter. Sabena was known for its innovative approach to air travel, and the depiction of a helicopter flight to Paris would have been cutting-edge at the time. One of the surfboard-style images features New York, the next the World’s Fair in Brussels, and, of course, the Eiffel Tower...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Algiers Uprising is an artwork realized after the Italian artist Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1960. Phototype print..  Good condition. Italian title on the bac...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Scandinavia by SAS - Storks. Original vintage European travel poster created by the artist Otto Nielsen. This poster features the prop plane and would be SAS's earliest printing of the image. Archival linen-backed, fine condition, ready to frame. Beautiful travel poster for Scandinavian Airlines. Excellent condition with wonderful artistry and soft warm colors. SAS was founded in 1946 as a consortium of the national airlines of Denmark, Norway, and Sweden. Over the years, it has played a crucial role in connecting Scandinavia with the rest of the world. Otto Nielsen was a Danish artist known for contributing to Scandinavian Airlines System (SAS) posters. Born on December 29, 1916, in Copenhagen, Denmark, Nielsen became a prominent figure in the world of graphic design and illustration, particularly for his work with SAS. Otto Nielsen created a series of iconic posters for SAS during the mid-20th century. His artwork often featured stylized and colorful depictions of Scandinavian landscapes, culture, and landmarks. These posters were part of SAS's marketing campaigns to promote air travel to and from Scandinavia. This is an Original Lithograph Vintage Poster; it is not a reproduction. The Vintage Poster has been working with collectors worldwide, helping them with their original vintage poster collections...

Paper Size: 14 x 7.5 inches ( 35.56 x 19.05 cm ) Image Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Framed: Yes Frame Size: H: 15.625 x W: 12.625 x D: 1 in. Condition: A-: Near Mint, ...

George Segal (signed and inscribed by George Segal), 1989 Hardback monograph with dust jacket (signed, dated and inscribed for Tera by George Segal) Warmly signed, dated 3/27/1998 an...

Paper Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Image Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details:...

Zodiac sign Pisces is a vintage poster on silvery paper realized by after Sergio Barletta. In good conditions except for consumed edges. The artwork represents the zodiac sign of fish. Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography...

Paper Size: 38.5 x 26.25 inches ( 97.79 x 66.675 cm ) Image Size: 38.5 x 26.25 inches ( 97.79 x 66.675 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible m...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

This is an original, limited edition exhibition poster by Leni Riefenstahl, hand-numbered out of 250 in pencil. The poster is a rare collectible due to its limited print run and hist...

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.

Paper Size: 19.75 x 27.5 inches ( 50.165 x 69.85 cm ) Image Size: 17.75 x 27.5 inches ( 45.085 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Richard Prince It's a Free Concert (Hand Signed by Richard Prince), 2014 Offset Lithograph (hand signed by Richard Prince) Hand signed by the artist on the front Unnumbered 33 × 23 3...

Myron Stout Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper 8 × 8 inches Limited Edition of 1000 Stamped with a...

Paper Size: 33.5 x 24.25 inches ( 85.09 x 61.595 cm ) Image Size: 33.5 x 24.25 inches ( 85.09 x 61.595 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Suppleme...

A vibrant vintage poster in blue, pink, brown, and classic 1960's avocado green, by Scottish Pop art progenitor Eduardo Paolozzi. Machinery extends upward in two arms like a space-age car engine...

This poster reproduces Émile Jean-Horace Vernet’s iconic 1815 portrait of Emperor Napoleon I, capturing the Emperor’s commanding presence and imperial authority. A leading figure in ...

Klaus Basset Reihenbilder Spieltafeln Offset Lithograph 1967 23.62 x 16.53 inches (60 x 42 cm) Unsigned as issued COA provided *Condition: Creasing along the edges. Folded. Otherwis...

Ed Ruscha ‘I DON'T WANT NO RETRO SPECTIVE’: Vintage original, historic 1982 exhibition program to Ed Ruscha’s first major museum retrospective(s): “THE WORKS OF EDWARD RUSCHA”: Sa...

Paper Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Image Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Vintage exhibition poster realized in 1970 in occasion of the exhibition at Galleria Marino, Rome. Offset Print. Good condition.

After Brueghel (Spoleto ) is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1969. Signed o the plate on the lower. The print sui...

Spoleto Festival is an original offset and lithograph on cardboard, realized by Carlo Maria Mariani in 1989. Signed on plate. Good conditions. Carlo Maria Mariani (Rome, 1931) is an Italian painter. Carlo M. Mariani creates works whose conception refers to classical art: from ancient Greece and ancient Rome. Without copying directly from works of the past. This characteristic makes Mariani a painter in line with the characteristics of late seventies painting...

Mon Han Lee - Leopard in Tree, Year: 1980, Medium: Collotype on Canvas, signed and dated lower right, Size: 28 x 22 in. (71.12 x 55.88 cm), Description: Signed "Leehan" lower r...

Paper Size: 19.75 x 17 inches ( 50.165 x 43.18 cm ) Image Size: 19.75 x 17 inches ( 50.165 x 43.18 cm ) Framed: Yes Frame Size: H: 20.75 x W: 18 x D: .75 in. Condition: A: Mint ...

Paper Size: 23.75 x 19.75 inches ( 60.325 x 50.165 cm ) Image Size: 14.5 x 11.75 inches ( 36.83 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Peter Halley, Musée d'art moderne et contemporain - Saint-Étienne Métropole, France (Hand signed), 2014 Offset lithograph (Hand Signed by Peter Halley) 23 1/2 × 16 inches Boldly sign...

Architektur II by Günther Förg is a stunning limited edition print that captures the artist’s distinctive approach to architecture and abstraction. Printed on high-quality Zerkall Ra...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 12 x 16 inches ( 30.48 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Doménikos Theotokópoulos, After, Greek (1541 - 1614) - Head of Christ, Year: Printed: circa 1970, Medium: Poster, Image Size: 23.5 x 18 inches, Size: 29 x 23 in. (73.66 x 58.42 c...

Dennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...

Original London Jet B.O.A.C. British Overseas Airline Corporation vintage poster. Mid-century design from c. 1953. Archival linen backed in ex...

Paper Size: 30 x 20 inches ( 76.2 x 50.8 cm ) Image Size: 24.25 x inches ( 61.595 x cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplemental ...

Vintage Poster is an offset print on paper realized by H. Bodnar Kaczynska in 1974. Colored offset. Good condition and aged. The artwork is a film manifest.

Paper Size: 26.75 x 12 inches ( 67.945 x 30.48 cm ) Image Size: 21.25 x 12 inches ( 53.975 x 30.48 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

Paper Size: 37.5 x 22.5 inches ( 95.25 x 57.15 cm ) Image Size: 22.25 x 16.25 inches ( 56.515 x 41.275 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Still lifeis a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced in the plate. Image Dimensions:...

Very large advertisement poster created by Mobil for the promotion of the Masterpiece Theatre series "All for Love" Designed by Pushpin Lubalin Peckolick, Inc. which consisted of Sey...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 1...

Richard Serra Richard Serra Drawing: A Retrospective (hand signed by Richard Serra), 2011 Hardback monograph with dust jacket (hand signed by Richard Serra) Hand signed by Richard Serra on the title page 12 × 10 × 1 1/2 inches Provenance Strand bookshop New York, official signed copy (see cover) This is the official signed copy from Strand bookshop, NY. bearing the "Signed Copy" stamp on the cover. Makes a superb gift! Published on the occasion of these exhibitions: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12–06/10/12) Book information: Published by Yale University Press, CO, and The Menil Collection, Houston. English; Hardback; 232 pages with 160 quadratone illustrations Publisher's blurb: As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. More about Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Walasse Ting 丁雄泉 Chinese Moonlight (signed, dated and inscribed by Walasse Ting), 1967 Illustrated Softback monograph with four original double-page litho...

Giuseppe Uncini - Drawings and Projects  is an offset on paper realized by the Italian artist Giuseppe Uncini in 1976, for the Exhibition in the Rondanini Art Gallery. Giuseppe Unci...

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 26 x 20 inches ( 66.04 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and ...