Offset Prints and Multiples

Mark di Suvero Venice Art Walk (Hand Signed), 2001 Offset Lithograph Poster (Hand Signed) Boldly signed by Mark di Suvero in marker on the front 36 × 24 inches Unframed Very rare whe...

Richard Serra Richard Serra Drawing: A Retrospective (hand signed by Richard Serra), 2011 Hardback monograph with dust jacket (hand signed by Richard Serra) Hand signed by Richard Serra on the title page 12 × 10 × 1 1/2 inches Provenance Strand bookshop New York, official signed copy (see cover) This is the official signed copy from Strand bookshop, NY. bearing the "Signed Copy" stamp on the cover. Makes a superb gift! Published on the occasion of these exhibitions: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12–06/10/12) Book information: Published by Yale University Press, CO, and The Menil Collection, Houston. English; Hardback; 232 pages with 160 quadratone illustrations Publisher's blurb: As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. More about Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Original SHALAKO vintage movie poster, 1sheet, 1968 great art of Sean Connery as Shalako, sexy Brigitte Bardot! This collectible poster, printed in 1968 to promote the theatrical re...

Original 'U. S. SAVINGS BONDS will help you get there! NOW Back Your future. Linen-backed, excellent condition. Archival linen backed with original government-issued fold ma...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

Original BOAC Africa, unfolds the world vintage travel poster. Archivally linen backed in fine condition, ready to frame. British Overseas Airline Corporation This poster ‘unfold the world’ with travel to Africa. The image of a mother elephant with her baby create a cloud of dust as they come into a face to face view. This is one of the seldom if ever seen, original BOAC posters...

In a style similar to Modigliani, Boulanger depicts a saint holding a baby and crossing the water on the back of a ram (Belier in French). This poster was printed as a reproduction o...

Paper Size: 35 x 24 inches ( 88.9 x 60.96 cm ) Image Size: 35 x 24 inches ( 88.9 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Handlin...

Claes Oldenburg Chinati Foundation, Marfa Texas (Hand Signed), 2003 Offset Lithograph poster. Hand signed by Claes Oldenburg 23 1/2 × 13 1/2 inches Exceedingly rare when hand signed....

Original WWII poster: YOU CAN LICK RUNAWAY PRICES ORIGINAL VINTAGE WWII POSTER BY JAMES MONTGOMERY FLAGG Distributed originally by OWI for the Office of Economic Stabilization. 1. Buy and hold War Bonds. 2. Pay willingly our share of taxes. 3. Provide adequate life insurance and savings for our future. 4. Reduce our debts as much as possible. 5. Buy only what we need and make what we have last longer. 6. Follow ration rules and price ceilings. 7. Cooperate with our Government's wage stabilization program. Publisher: [S. l.]: Distributed by O.W.I. for the Office of Economic Stabilization. Linen backed fine condition. Restored original Government fold marks (on all World War 2 American vintage posters) James Montgomery Flagg is best known for depicting Uncle Sam in recruitment and public service announcement posters of both World War I and II. You Can Lick Runaway Prices? Features a new painting created by Flagg in c.1942. The poster emphasizes seven steps that the average American could take to prevent inflation. Among these points include significant themes of buying war bonds, conservation, and food rationing. The seven steps correspond to the seven letters that spell Victory. The imagery references Flagg's iconic I Want You poster...

Original 37th Annual Toyota Grand Prix of Long Beach 2011 original racing poster. The event was April 15 - 17, 2011 in Long Beach, Californi...

This poster, titled Interiors, was created by Richard Hamilton to advertise his exhibition at Galerie Maeght, held from January 22 to March 6, 1981, at 14 rue de Teheran, Paris, Fran...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 17.75 x 13.25 inches ( 45.085 x 33.655 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible m...

This  Fassianos, Erotikon - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by  Alekos Fassianos held at Galerie Di Meo in Paris in 2008....

Paper Size: 30 x 20 inches ( 76.2 x 50.8 cm ) Image Size: 20 x 16.5 inches ( 50.8 x 41.91 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental Co...

CPT.OLF Paradox x CPT.OLF 16-19 (II)- The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

Ecstasy is an original offset and lithograph realized by George Grosz. The artwork is the platen.16 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

This exhibition poster, designed using Roy Lichtenstein’s Reflections on Minerva (1990), was created for a retrospective held at the National Gallery of Australia (NGA). The show cel...

Poster designed by Tabboo for the American Dance Festival in 1996. Hand signed and numbered out of 139 in pencil. Printed on thick paper. This poster by Tabboo!, created for the Amer...

Yuyake chan Miss Sunset (2006)
Offset lithograph
Signed, dated and numbered 
72.5 × 65.0 cm (28½ × 25⅝ in.)
ED. 195/300

Pablo PICASSO (1881-1973) Lady with Glasses (Nouveaux chefs-d'oeuvre) Original poster High quality offset print Unsigned On glossy paper 60 x 40 cm (c. 23.6 x 15.7 in) INFORMAT...

Vintage Exhibition Poster is a vintage Offset print realized for the exhibition of Jean Fautrier held in 2006. Good condition, no signature. The exhibition was held in Galerie Di M...

Original vintage poster: FRENCH LINE cruise line. Archival linen-backed original travel by cruise line vintage poster. "Greet Europe Relaxed & Refreshed by France- Afloat." Frenc...

Original poster created for the American Dance Festival in 1992, designed by Sheila and Jeff Metzner. Hand-signed and numbered in black pen from the limited edition of 150. Printed b...

Ken Moody, photographed by Robert Mapplethorpe, is a powerful and contemplative portrait drawn from a 1994 collector’s set published by teNeues Publishing Company and printed in Germ...

Original Congresso di Parigi vintage poster, linen backed. Cogresso di Parigi Anti Sovient Propaganda original vintage poster. Very fine condition with only slight surface wear....

Title: Friends/Century Ladies Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered,...

Title: Earth Day 2000 Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issu...

Title: Make Every Day Earth Day! Year: 1992 Medium: Offset lithograph in colors on gloss archival paper Size: 28 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumber...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

Book page 125 in Chagall Lithographe II (1957-1962), Andre Sauret, Paris, 1963. Reproduction of lithograph created in 1960. Book text in French by Fernand Mourlot. It is the second...

Paper Size: 39.5 x 26 inches ( 100.33 x 66.04 cm ) Image Size: 39.5 x 26 inches ( 100.33 x 66.04 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental...

Poster of the historic collective exhibition held at Galleria Rondanini in Summer 1976. Offset and screen print on paper. Featuring works by: . Adami - Aricò - Baj - Battaglia ...

Offset print realized in occasion of the exhibition of Giuseppe Viviani's graphic work at Galleria Marino. Edition of 1000. Excellent condition.

Paper Size: 18 x 12.25 inches ( 45.72 x 31.115 cm ) Image Size: 17.5 x 12.25 inches ( 44.45 x 31.115 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Suppleme...

In 2004, to commemorate the Centennial of the New York City Subway System, the Metropolitan Transportation Authority (MTA) commissioned artist Kathy Jakobsen to create a celebratory ...

Françoise Gilot Francoise Gilot Monograph 1940-2000 (hand signed and warmly inscribed to renowned actress), 2000 Hardback monograph in a slipcase, hand signed and inscribed by Franco...

Born in Baltimore, Maryland in 1945 Douglas Hofmann attended grade school through high school in his hometown. After high school he enrolled in a business college in Baltimore only t...

Paper Size: 36.5 x 24.75 inches ( 92.71 x 62.865 cm ) Image Size: 23.75 x 23.5 inches ( 60.325 x 59.69 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

William Eggleston William Eggleston The Democratic Forest Selected Works (Hand signed), 2016 Hardback monograph with dust jacket Hand signed by William Eggleston...

Georg Baselitz (German, b. 1938) Der Berg, 1991/93 Medium: Color offset print Dimensions: 100x 63.5 cm Edition size: Undisclosed (presumably 100-200) Markings: Hand-signed and dated ...

Mary Bauermeister Pittsburgh International Carnegie Museum, 1967 Offset Lithograph Poster 20 × 37 inches Edition of 500 Unframed This is the original, historic poster designed by Mar...

Damien Hirst "I want to spend the rest of my life everywhere with everyone," 1997 Hardback monograph with hand signed ink inscription Fine provenance: Hand signed and inscribed to a...

Jennifer Losch Bartlett Air: 24 Hours, 1994 Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Hand signed and inscribed by the artist on the half title page to Nadine (Witkin) 11 × 9 1/4 × 1 inches Unframed Hand signed and inscribed to Nadine on the title page Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket. Publisher's Blurb: In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...

Original vintage poster: "BUS RILEY'S BACK IN TOWN". Horizontal format theater release movie poster. Very good to excellent condition. Ready to frame. Cleaned and starched.. This is an original 22...

This original invitation card titled Thistle offers a rare glimpse into a memorable 1999 benefit event for The Poetry Project, hosted by acclaimed artists Pat Steir and Donald Baechl...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

This poster, created for Ed Ruscha’s exhibition at Gagosian Gallery in Rome, features a striking image of parts of a tire ripped apart, set against a beige surface. The artwork’s fra...

Tracey Emin Tracey Emin: My Photo Album (Hand signed, inscribed and dated by Tracey Emin), 2013 Hardback monograph (hand signed, inscribed to Kevin and dated by Tracey Emin) Warmly signed, inscribed and dated by Tracey Emin on the title page 9 × 7 1/4 × 1 inches Warmly signed, inscribed to Kevin and dated by Tracey Emin on the title page Tracey signed this for the present owner at an official book signing in New York back in 2013, so provenance is direct. Publisher's blurb: My Photo Album is a journey through the life of British artist Tracey Emin using photographs from her personal collection. Edited from the albums she has kept from an early age, this visual autobiography contains some amazing images: Tracey sharing a pram as a baby with her twin Paul, her bus-pass photo aged 14, a ‘glamour’ shoot as a semi-naked art...

Original vintage movie poster: "The Sundowners" is a 1950 American film directed by George Templeton. Horizontal half sheet U. S. Movie poster. The Sundowners is a 1950 American ...

After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...

The Cathedral is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is...

Paper Size: 38 x 24 inches ( 96.52 x 60.96 cm ) Image Size: 32 x 20 inches ( 81.28 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

London original travel poster; artist Sam Wisnom. Size 25 x 37"; archival linen backed and ready to frame. Original vintage travel po...

Portrait of Fabrizio Clerici is an offset print realized after a drawing by the Sicilian artist Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) in 1974. The drawing presents a d...

Original linen backed one sheet "The Savage Guns". Nss: 62/298. Archivally linen backed with the original issued fold marks restored. Great color, no paper loss, Excellent condition. As close to mint as you will find. Because the original fold marks were restored, it can only be listed as good. Condition: A. The gunfighter and the spitfire meet and love in a wild wind-lashed land where the law ends ... And the one they thought was afraid surprised them the day the banditos came!. Metro Goldwyn Mayer. Starring: Richard Basehart; Don Taylor, Alex Nicol, Pacquita Rico. In Metrocolor and Metroscope. Western movie poster...

Christopher Wool Christopher Wool (Hand signed and dated by Christopher Wool), 2013 Hardback monograph with dust jacket (hand signed and dated by Christopher Wool) Boldly signed and ...

Still Life is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwork ...

Keith Haring Nuclear Disarmament poster 1982: In 1982 Keith Haring created this poster for Nuclear Disarmament, which features his signature Radiant Baby in a mushroom cloud. This hi...

This reproduction of Dali's Moustache by Philippe Halsman is an iconic image that captures the surreal essence of Salvador Dalí, focusing only on his eye and his trademark eccentric ...