Face Prints and Multiples

About this work: Executed in 1952, Portrait de Balzac is a wonderful example of Picasso's extraordinary ability to distill personality into the fewest possible lines. With a continuo...

About this work: Created in 1942-43, this work belongs to one of the most fertile periods of Matisse’s career as a printmaker and draftsman. By this time, Matisse had long since mast...

Medium: lithograph (after the drawing). Printed in 1973 for the art revue Derriere le Miroir (issue number 205) and published in Paris by the atelier Maeght. Sheet size: 15 x 22 inch...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Shepard Fairey Incarnation (Color), 2023 Screen print on thick Cream Speckletone Paper Year: 2024 (published) Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard F...

Medium: lithograph (after the drawing). Printed in 1966 at the Mourlot Freres atelier for the "Ceiling of The Paris Opera" book, exploring Chagall's designs for The Paris Opera. Size...

Medium: original lithograph. Catalogue reference: M 366. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9...

Psycho 1960 Unframed Original Vintage Cinema Lobby Card Extra Large 10x14" inches / 25x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

This elegant composition by Will Barnet, titled Seventh Season, reflects the artist’s mature and highly recognizable style—quietly introspective, balanced, and refined. Barnet, a lea...

A vibrant and whimsical first edition lithograph from Marc Chagall’s celebrated Lithographs Volume II, showcasing the artist’s signature dreamlike composition. Floating figures, play...

Shepard Fairey Ozzy Farewell Tour (Silver), 2019 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed, dated and numbe...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

Immerse yourself in the timeless beauty of this framed black and white heliogravure of Michelangelo's iconic sculpture, David, dating back to around 1940. This artwork captures the...

Offset lithograph postcard Hand signed in ink by Roy Lichtenstein Published by the Museum of Modern Art The original 1963 painting was acquired by MoMA in 1971. This postcard was acq...

Medium: original lithograph. This lithograph was printed for the front cover of the 1958 "Improvisations" portfolio, published by the Artists Equity Association of New York on the oc...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

Vintage postcard published by the Guggenheim Museum. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profile, the artwork is mounted behind a 4-inch m...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

This vivid pink-and-mint impression of Ingrid Bergman as a nun from The Bells of St. Mary’s is one of the most visually charismatic and sought-after variants from Andy Warhol’s celeb...

Remembrance (for Teddy and Arnie) is one of ten silkscreen prints included in Homombre, a portfolio that examines the experiences, identities, and cultural realities of gay Latino me...

Marc Chagall (1887-1985) - Le jardin de pomone (The Garden of Pomona) Lithograph from 1968. The edition of 5/50 on Arches paper. Dimensions of work: 64.1 x 46.4 cm. Hand signed. ...

NICE JAZZ FESTIVAL Razzia Hand-Signed Linen-Backed is an original vintage festival poster hand-signed by Razzia in black ink. This design—dated...

Artist: Theo Tobiasse, French/Israeli (1927 - 2012) Title: J'ai retrouvé mon père sur les rives du Jourdain. Cat. Nahan Year: 1983 Medium: Aquatint Etching with Carborundum, signed i...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Edition Details: Year: 2008 Class: Art Print Status: Official Technique: Offset Lithograph Paper: Thick manila Size: 24 X 36 Given away at Obama campaign events to show support for ...

Andy Warhol retrospective exhibition at the Ludwig Museum in Cologne / Koln 21 November 1989-11 February 1990 Andy Warhol Retrospektive Museum L...

Shepard Fairey Johnny Ramone Smokin’ Strings Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 600 Signed by Shepard Fairey, d...

This advertising poster, printed by Mourlot for the Office of French Tourism, is a captivating detail from Marc Chagall’s Ceiling of the Opera, specifically a fragment paying tribute...

George Bellows (1882-1925) Arrangement, Emma in a Room Lithograph, 1921 Signed in pencil by the artist and by his printer, Bolton Brown (see photos) Titled in pencil by the artist (see photo) Edition: 43 A portrait of the artist's wife at the Bellows home at 146 E. 19th St., NYC Condition: Excellent Image size: 9 1/4 x 7 1/4 inches Sheet size: 12 5/8 x 10 3/4 inches Reference: Mason 112 Exhibited: Tom Veilleux Gallery, "George Bellows Lithographs...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

By George Condo 2024 22 colour silkscreen with spot colours on 600gsm Somerset Tub Sized Radiant White paper 80 x 81 cm Edition of 150

A woman of Santiago de Cuba. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of ch...

Fine art screen print on museum-quality paper. Limited edition of 128/2400, hand numbered in pencil. Signed in the plate. Authorized by the Warhol Foundation. Andy Warhol’s iconi...

'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101 ...

Lithograph in colors on wove paper. Artist proof signed and numbered in pencil out of 10 by Robert Longo, published by Brooke Alexander from the Men in the Cities. Frank and Glen st...

⚓️ "The U.S. Marines Want You" Vintage WWII Recruitment Poster, 1942. Archival linen-backed and in very good condition. A tear at the top was repaired during linen backing. Note th...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

A complete portfolio of four individual psychedelic portraits of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, accompanied by the composite poster uniting all four i...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

Offset lithograph promotional card Hand signed in black marker on the front Provenance: Estate of artist Joseph O'Sickey This elegantly scaled promotional card, which is, exceptional...

Cancer, 2018, collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

Paper Size: 13.75 x 17 inches ( 34.925 x 43.18 cm ) Image Size: 13.75 x 17 inches ( 34.925 x 43.18 cm ) Framed: Yes Frame Size: H: 14.75 x W: 18 x D: .75 in. Condition: A: Mint ...

Published and printed by te Neues Verlag, Germany. Framed in a black wood frame with a 1.125 inch front profile and a .75 inch side profile. Overall dimensions are approximately 19 x...

LINKS TOGETHER is a very unique, and rarely seen original fine art lithograph poster printed in five colors using traditional hand lithography techniques (not a photo reproduction or...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

YOUNG DOUGLASS is a hand pulled, original limited edition relief print created using linoleum cut printmaking techniques on white archival Somerset White paper, 100% acid free. Hand signed in pencil by Elizabeth Catlett on the lower margin, embossed with printer's chop mark on lower left, print documentation provided. YOUNG DOUGLASS is an impactful graphic statement by the renowned African-American and Mexican woman sculptor and printmaker, Elizabeth Catlett, created as a tribute to Frederick Douglass, the most distinguished black American human rights leader of the 19th century. Strong impression printed in rich black ink on white wove paper, a powerful portrait of Douglass as a young man, with his distinct facial features, thick black hair, well-dressed in a formal high collar shirt...

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

This is an above the edition impression of an original lithograph by Marc Chagall, created in 1961 and printed in 1963 by Mourlot for Chagall Lithographe II, published by André Saure...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 in. (58.4 x 58.4 cm) Edition of 300 Signed and dated in black ink, lower right

Yoshitomo Nara (Japanese, b. 1959) Hazy, Humid Day, 2022 Offset lithograph Printed in Japan Official exhibition poster print based on the painting of the same name debuted at the Tai...