Face Prints and Multiples

Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Apollinaire, Henri Matisse, 1952. Published b...

Piper is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Hand-signed on the lower right in pencil. Good conditions...

Girl with Unicorn Gina ’Jennie’ Tomao Stephanopoulos, American (1934–2011) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300 Image...

in excellent condition signed and numbered

Atomic Yellow - Oversize Signed limited edition - Pop Art - Brigitte Bardot by the London based contemporary pop art image creator and artist, BATIK. Me...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

This Pablo Picasso print features the head and shoulders of a woman posing for a portrait. With the integration of the solid, sweeping lines, the artist draws attention to the figure...

This reproduction of Joan Miró's "Dragonfly with Red-Tipped Wings in Pursuit of Serpent Spiraling Towards a Comet" was published by Te Neues in 2010. The artwork is framed in a sleek...

Original French poster of Rene Gruau's Frou Frou. Centre de L"Affiche; Mairie de Toulouse. Mai and Juin 2002. Gruau a.k.a. RENATO DE ZAVAGLI. This original French poster of Rene ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. XIII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

Image dimensions: 23.5 x 27.5 cm. Scarabei in combattimento (Fighting Beetles) is an original artwork realized by the great Italian poet, artist, and engraver Luigi Bartolini in 19...

Non, mon chéri, j'ai eu trop peur le mois dernier is a Litograph retouched in watercolour realized by Hermann Paul for the magazine Rire n. 49 on 9 jannuary 1904. Monogrammed on t...

Louis BOUQUET (1885-1952) Mythology : Leda and the Swann, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of ...

This artwork, Surrealist Scene c.1980 is an original color lithograph by Italian/Israeli artist Mario Doretti, born 1929. It is Hand signed and numbered 43/200 in pencil by the artis...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

Alex Katz (born 1927) Vincent, 1972 From the Prints for Phoenix House portfolio Chalk lithograph in two gray colors on Arches paper Signed in pencil and numbered 93/120 Printed by Pa...

Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

Jose Bedia (Cuba, 1959) 'Nkunia Brava', 2019 etching, aquatint on paper Deponte 300 g. 25.4 x 33.7 in. (64.5 x 85.5 cm.) Edition of 30 Unframed

Marc Chagall (1887-1985) Lovers with a Bouquet, 1984 Original color lithograph Signed with the artist's stamp Justified EA (artist proof) On Arches vellum, 56 x 43 cm (c. 22 x 17 in) Authenticated by the artist's studio dry stamp REFERENCES: Sorlier / Mourlot catalogue raisonné...

Paper Size: 20 x 23.25 inches ( 50.8 x 59.055 cm ) Image Size: 17 x 20.25 inches ( 43.18 x 51.435 cm ) Framed: No Condition: A: Mint Additional Details: Donald Duck's evolution from a secondary character to a beloved icon mirrors Disney's growth from a small animation studio to a global entertainment powerhouse. Throughout this journey, posters have played a crucial role in marketing and defining the visual identity of Disney's many beloved properties. From the early days of hand-drawn posters to today's digital designs, Disney posters...

BROTHERS is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Printed in 1975 at Circle Gallery NYC using traditional hand lithography methods on archival Arche...

George Condo, Mythological Figures, 2018 Created for the George Condo: The Way I Think exhibition in 2018 the Louisiana Museum of Modern Art, showcasing his signature blend of class...

Jules Chéret Folies-Bergère (L'Arc-en-Ciel), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 21 of "Les Maîtres...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Real One, 2020 Offset lithograph Edition of 1000 25.00 x 29.00 in 63.5 x 73.7 cm

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and development...

This circa 1950 lithograph by Pablo Picasso, titled "L'image envahit le monde moderne...", reflects both the artist’s genius and the societal shifts of the post-war era. Picasso, one...

Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Accordeoniste (The Accordionist), from the album Chagall, originates from the 1957 edition published by Maeght Editeur...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is an artist known...

Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...

Fabian Perez Dye Sublimation on wood “At the Door V” signed and numbered. In good condition measures 31x27

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

Plate from Journal Des Demoiselles is an original artwrok realized in the 19th century by Paul Lacourière Mixed colored lithograph from the Le...

LINKS TOGETHER is a very unique, and rarely seen original fine art lithograph poster printed in five colors using traditional hand lithography techniques (not a photo reproduction or...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

Medium: original lithograph. Printed in 1961 for the art revue Derriere le Miroir (issue number 127) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 278 mm). There is p...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio, 1975 Silkscreen in colors on white Arches wove paper Pencil signed, titled and numbered 65/75 on the fron...

Archival Pigment print on Hahnemuhle museum etching paper edition 24 of 250 printed signature on archival label on verso Published by Exhibtion A and comes with publisher's COA. Br...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

Artist: Erté Title: Boudoir Medium: Embossed serigraph Year: 1991 Edition: 290/300 Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature

SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the renowned American artist JONATHAN...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

Marc Chagall (1887-1985) - Rêve familier (Familiar Dream) Lithograph from 1969. The edition of 39/50. Dimensions of work: 48.5 x 63.5 cm. Hand signed. Reference: Mourlot 582. T...

This exquisite lithograph by Andre Derain (1880–1954), titled La Grande Chasse (The Great Hunt), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 ...

Artist: Hunt Slonem, American (1951 - ) Title: Curtains Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: HC 10 Image Size: 22 x 26.5 inches Size: 26 ...

Marie Laurencin Young girl with a guitar Original etching, 1945 Signed and dated in the plate Edition of 340 copies, unnumbered as issued On Lana vellum, size 33 x 25,5 cm (c. 13 x ...

Original lithograph poster, printed by Mourlot and engraved by Charles Sorlier, published for the French Government Tourist Office, Paris. Referenced in Sorlier, Chagall’s Posters, n...

Artist: Mel Ramos, American (1935 - ) Title: Lola Cola Year: 1972 Medium: Lithograph, signed and dated in pencil Edition: 2500 Paper Size: 30.5 in. x 25 in. (77.47 cm x 63.5 cm) Fram...

The 1956 lithography by Jean-Gabriel Domergue L'enlèvement de Sabine, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a c...