Fabric Sculptures

Sinuosity sculpture. Pedestal mount. No wall mount available. Chiffon metallic finish. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Mini Purple Metallic. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, an...

Blueprint is a sculpture made from polystyrene, wood, and spray foam fused with an outer layer of iridescent fabric, cement, spray paint, and a steel grab bar...

*Please inquire for commissions of any other size, color or surface rendering keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, crease...

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shaped canvas that is color-blocked into three main sections. The topmost triangular portion of the canvas ...

This sculpture by Kenzie Wells was created for an exhibit titled Gradience. A plush roadway bends in an impossible manner, creating a loop. Yellow lines designate parking spaces on t...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

John Bizas, a sculptor with an exceptional gift for conveying profound themes through his art, unveils "Costume," a captivating sculpture of a shark, exquisitely shaped from Carrara ...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Mixed media wall sculpture. The work is made from white trim. Inside the box it is lined with purple fabric. There is a wooden pedestal with a shell attached to the top of it. The box is titled and dated by the artist. Artist Biography: Julie Lee, "I was born in Memphis, Tennessee in 1958. I moved to Texas with my family in 1971. I received a B. S in biology from Lamar University, Beaumont, TX in 1981. I have been employed by Texas Department of Health since 1982. I teach and study Hatha Yoga...

Unique artwork Signature: Hand-signed by artist Authenticity: Sold with certificate of Authenticity from the artist Sculpture: Textiles, object, embroidery, Organic materials, Pig...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

This wood statue, used as a fetish, was created by an unknown Bacongo artist in Zaire. The Kongo people (also Bakongo) are a Bantu ethnic group primarily defined as the speakers of K...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

Black No II Blue, Red, wool, coco ropes, 66" x73", 1991. This contemporary abstract hand-woven tapestry, wall sculpture was done by Kari Stiansen. Kari Stiansen is a Norwegian Post...

Petite Vibration Brique et Noir (1966) Painted wood with a painted metal rod and nylon thread Edition Galerie Bischofberger, Zurich Ed. 16 / 35 20 x 18 x 18 in Provenance: Galerie Elke Dröscher, Hamburg Galerie Meißner, Hamburg (1976) Private collection, Baden-Württemberg Lempertz Auction. Contemporary Art...

Blue/Purple Pleats is made of sisal fibers, dyed and formed in a technique unique to Mia Olsson. The sisal fibers used by the Swedish artist are shiny and reflect the light, even mor...

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

Artist Commentary: Some of my reed sculptures include found objects. In "Tucking Under," I found part of a damaged hat form at a flea market. I salvaged what I could and used to cr...

"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019 This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...

This Golek Puppet was created by an unknown Indonesian artist using wood and cloth. It is approximately 22" tall. Traditional Wayang Golek plays can be c...

Copper From the series, Elements, are three artworks of precious commodities, combining their beauty of material with the exquisite simplicity of numerical Pi. These artworks draw yo...

The Vertical Bazaar Textile H 77 x W 24 x D 24 in The Vertical Bazaar is a functional sculpture that draws from India’s historic networks of trade, craft, and exchange. Composed of...

Eva Vargo fuses paper and linen-thread materials into her weaving techniques. No. 55 (Book of Changes) was hand woven with linen, thread, paper strings and g...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Sunset Squirtle: Princess Saori’s Kawaii Realm by Saori Nakamishi unfolds as a luminous neo-pop installation where childhood nostalgia and contemporary kawaii aesthetics converge wit...

"China Maze Doll", woven cotton & rayon, 72 x 51", 2008. California-based American fiber artist, Lia Cook's (b. 1942) work "A-Maze Doll", was awarded a Gold Medal at the 5th Interna...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi’. This Mid-Century Modern style tiber art triptych is co...

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

This two-piece mixed media figurative sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz ...

Within the evolving landscape of Japanese Neo-Pop art, Saori Nakamishi, a key member of Studio CrazyNoodles founded by Hiro Ando, continues to explore the emotional dialogue between ...

Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...

A key figure of the Japanese CrazyNoodles studio founded by Hiro Ando, Saori Nakamishi delivers with PokéPanorama: Saori's Red Kawaii Echoes a vision in which the Pokémon universe be...

B'Still Life, Anda Klancic, hand-controlled, machine-embroidered lace, cotton, synthetic, metal threads, 23" x 42", 1996-2020. "The tactility of the interweaving in the fibrous wor...

Warp Ikat Spiral, weaving, 36"x108", 1962. This mid-century geometric abstract tapestry was done by American textile artist, Ed Rossbach (1914-2002, Chica...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz mixes her own interlacing technique with the...

medium: reclaimed button-down shirts, wire, flower frog ARTIST STATEMENT "Flowers have been a large part of my work for years, but they took on new meaning for me in 2020. As our ba...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

Framed dimensions are 28 x 24 x 4 inches. Oil, acrylic, and resin on linen. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and st...

A pair of modern geometric string art sculptures featuring nailwork on a gray fabric covered board or panel, unsigned, in custom plexiglass cases....

Artist Commentary: The challenge in making this piece was building two woven forms, one inside of each other. It required all of my dexterity. The title, "Switchback," as in a swit...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

This rare and visually arresting mid-century modern abstract painting was created circa 1950 by celebrated Denver modernist Angelo Di Benedetto (1913–1992). Executed in acrylic on a ...

"Between the Lines" by Joan Giordano Mixed media, archival newspaper, encaustic on canvas Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...

"Mossi Head dress Mas ceremonies Rep Upper Volta" is a wood sculpture that includes various other materials such as fabric, and fibers. An abstracted animal with a hump and a bird on it's back make up the top of the headdress. 27" x 6" x 1" The Mossi states were created about 1500 A.D., when bands of horsemen rode north from what is now northern Ghana into the basin of the Volta River and conquered several less powerful peoples, including Dogon, Lela, Nuna, and Kurumba. These were integrated into a new society call Mossi, with the invaders as chiefs and the conquered as commoners. The Mossi make both political art and spiritual art. Figures are used by the ruling class to validate political power, and masks are used by the conquered peoples to control the forces of nature. The several mask styles reflect the diversity of the population before the 15th century invasion. Long tall masks...

Marurn VII The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Marurn IV The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn III The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Marurn I The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - t...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

Silver From the series, Elements, this sculpture references the Bolivian mines that produce much of the worlds silver production ARTIST'S STATEMENT Michael Davis My sculptures and...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 27" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...