Wood Sculptures

William Accorsi lifesize sculpture “Native American made in 1991 . 73 inches long! Item must be picked or buyer is responsible delivery service.

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...

Oriental sculpture from the mid-20th century. Finely carved and crafted exotic wooden object depicting a fisherman with fish, of good quality. Sculpture made from a single wooden blo...

This piece is an original rotating hand-painted multiple wood sculpture created by Karel Appel in 1977. It was published by Editions Press of San Francisco. This piece is hand sign...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

Working to drawings and sketches, Fox brings the flow of his pencil lines to life, with the form and void of each sculpture giving them a natural rhythm. In his wooden works, Fox sh...

Rita Ackermann Supreme skateboard deck, 2019 (Supreme Nose Bleed): A stand out Supreme Rita Ackermann skateboard deck featuring Ackermann's work "Nose Bleed" and a classic Supreme Wo...

"Rose Gold Shimmers" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work...

Pigmented satin lacquer on solid poplar Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

Huichol Indian - Hand beaded Sea Cow This beautiful Huichol Sculpture beaded has such beautiful bright colors. Hand beaded sculpture with attention to detail....

Hand Carved Wood, Assembled Sculpture, Landscape, Wall Hanging, Holly Lane Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and its...

Medium: wood, steel, pigment (wall hung) As an artist, I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line, and surface are used as...

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

MUSEUM CORPUS CHRISTI Spain/Catalonia or Asturias Around 1250 Corpus hardwood, arms softwood Remains of the original polychrome setting Height 109.5...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...

"WavyBlue" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

JOAN STRAUSS CARL 1927-2021 "INVOCATION" CALIFORNIA HARD WOOD, SIGNED DATED 2005 38 INCHES OVERAL -2021 Joan Strauss Carl was a Los Angeles artist, teacher, and humanitarian ac...

turned jarrah wood Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediat...

Petite Vibration Brique et Noir (1966) Painted wood with a painted metal rod and nylon thread Edition Galerie Bischofberger, Zurich Ed. 16 / 35 20 x 18 x 18 in Provenance: Galerie Elke Dröscher, Hamburg Galerie Meißner, Hamburg (1976) Private collection, Baden-Württemberg Lempertz Auction. Contemporary Art...

Bronze & wood sculpture Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses as a working material the bronze, wood, stone, metal and general energy, which perfectly perfects both exterior and interior spaces. All sculpture itself is made of solid material. He has implemented many creative projects both in Georgia and abroad, participated in both domestic and international exhibitions, exhibitions-competitions, symposia and architectural-creative competitions. He has been awarded from numerous creative awards and prizes as Grand Prix - Work Muse International Sculpture Symposium in Nadiotadi, Hungary, I Prize - International Exhibition-Competition Olympiad-2004 in Tbilisi, Georgia, Grand Prix in Sculpture - International Exhibition at Blue Gallery...

Victor Giannotta, known as Sepa (b. 1994, Abidjan, Côte d’Ivoire), is an artist whose journey began in West Africa. His passion for wood and fascination for distant places were nurtu...

ABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...

Windswept Face Of A Man Marble Sculpture Signed, on wooden base. Leon Saulter (1908 - 1986) was active/lived in California born in Poland. Moved to US in 1921. Leon Saulter is known for sculptures, paintings also writer. Born in Poland on March 31, 1908. By the 1930s, Saulter was active on the Federal Art Project while a resident of Los Angeles. Exhibitions: Painters & Sculptors of LA, 1936-40; Artists Union (LA), 1939; Stendahl Gallery (LA), 1941; LACMA, 1940, 1943, 1946 Santa Barbara Museum; Bonita Union High School (Spirit of Youth Learning Industry); David Starr Jordan School, Long Beach (Head). Museums: University of Wyoming Art...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

"Girl Sitting X" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (come...

"LOVE in the Streets" Wall Sculpture 24" x 48" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in...

Antique Balinese Wooden Sculpture Vishnu Riding Dragon Serpents. Rare late 19th century Balinese Temple sculpture, wood polychrome paint, four detachabl...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

No.210624 is an abstract sculpture in wood by French sculptor Thierry Martenon. A group of textured, pointed, and curved sculptures reminiscent of a forest of sculptural forms. The a...

In exquisite detail, William Hung’s contemporary sculptures explore both human physicality and emotion, often capturing figures in motion. This dynamic ...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

Farmer Han and the Farmer's Wife by Dee Clements Figurative Bronze Pair. Excellent condition, reviewed by the artist. See condition notes. Additional images available upon request. ...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

Antique Polychrome Wood Carving Igbo Nigeria Africa, Staff decorated with two figures, mounted as a finial on the shaft terminating in a triang...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

Striking pair of 19th century Chinese swan garnitures or sculptures hand carved in hardwood with an ebonized and gilt finish.

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

David E. Peterson Puzzle # 104, 2016 Maple, mdf, acrylic and uv resin 36h x 24w x 1.50d in 91.44h x 60.96w x 3.81d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired ...

Chiefs Staff (Elaborate Carving) c 1900-1925 Wooden staffs were used by Maori chiefs and other notables as a physical sign of their status. They were hel...

These Robert Therrien “Chapel” works are consider Therrien’s iconic works - especially those done in the color red. A work very similar to this one was used on the cover of his first...

Infinite Dream II encapsulates the essence of boundless potential, where each dream carries infinite possibilities. Crafted with Mahoni wood, this sculpture represents strength and r...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

'Untitled Wallpaper Abstraction #46 (floral cuboid)' 2025. Found wallpaper collage on wood form, 46.5 x 34.5 x 6 in. is a multicolor, abstract geometric sculpture featuring carefully...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Artwork made with spray acrylic on poplar with gloss clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-c...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

"Lacescape II" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclai...

Blue Copper – 24" x 24” x 1” Wood, paint, lacquer on MDF- Wood, paint, wax on MDF Blue Copper is a discreet and elegant minimalist contemporary wall sculp...

Beautiful Cello bronze and wood sculpture by the Important artist ARMAN. signed and numbered '6/8'. This work is recorded in the Arman Studio...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown...

Paint and gold paint on wood Circa early to mid 20th century. This is not signed A treasure from a proud congregation. It is a hand-carved wooden sculpture showing the Tablets of the Law flanked by two Lions of Judah. Their paws held the tablets. Their roaring mouths faced outward, protecting the commandments from threats. In a foliage design with gold and silver paint. Circa 1920-1940's. This Neoclassical, Judaic, Art Deco, Egyptian revival, Shul, Aron Kodesh hand carving, wood with gilding, Hebrew lettering ten commandments sign sculpture, was produced probably in New York. There was a show at the Folk Art Museum titled “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” That featured these antique magnificent pieces. From gilded lions to high-stepping horses, the sacred to the secular, and the Old World to the New, “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” traces the journey of Jewish woodcarvers and other artisans from Eastern and Central Europe to America and the unsung role they played in establishing a distinct Jewish culture in communities throughout the United States. The exuberant artworks stand as a testament to a history of survival and transformation and provide a surprising revelation of the link that was forged between the synagogue and the carousel as immigrant Jewish artists transferred symbolic visual elements into this vernacular American idiom. The first major study of this important aspect of the Jewish contribution to American folk art, the exhibition features approximately one hundred artworks and objects, including rare documentary photographs of Eastern European synagogue arks and carved gravestones, sacred carvings, papercuts, and carousel animals. Some of these same Jewish European carvers worked on Coney Island amusement park rides and carousel horses and other carnival and circus carvings.