Wood Sculptures

Medium: Bleached poplar As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...

Medium: poplar, dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Medium: Reclaimed wood (diptych) As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...

Medium: Mahogany As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

Medium: Mahogany As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

Medium: basswood, pearlescent finish As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the ...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Impressive whimsical vintage walnut wood carving skillfully depicting a wide eyed monkey contemplating a piece of fruit. Signed Macabo Italy on the bottom.

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

"Cow Pull Toy" is a carved and painted wood sculpture by an unknown folk artist. The sculpture is 9 1/4" long and 7 1/4" high.

Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...

Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...

Pair of Chinese vintage carved and painted horn eagles or hawks with an alluring, stylized interpretation of these majestic birds of prey.

Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...

Ecdysis, Jiro Yonezawa, bamboo, urushi lacquer, 27" x 8" x 5.75", 2019. This abstract bamboo sculpture is by Japanese artist, Jiro Yonezawa (b. 1956). Y...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Translated title: "The narrator". Enamel, wood, charcoal and gauze.

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...

Artwork made by spray acrylic on poplar with glass clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

This mask was created by an unknown artist from New Guinea. It depicts an elongated face with carved wood and cowry shells for eyes. Mask: 29 x 8 in, incl...

Joseph Goethe was one of America's finest early modernist carvers in wood. He experimented with exotic woods often collected in his native California and from other countries. This...

LLC and mining operation being bought up at an alarming rate by international consortiums. The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time. While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...

Joseph Goethe was one of our finest American modernist carvers in wood. He loved to use exotic and or beautiful woods to inspire his compositions which ranged from figurative, to an...

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

Unique and original sculpture by Gil Bruvel. From the new Cubic sculpture series. Gil Bruvel is a visual artist who was born in 1959 in Sydney, he lives and works in Houston, United...

These sculptures were inspired by the spirituality of the twelve-step programs and the eight-fold path of Buddhism.  Meshing these philosophies with meditation led me to express these small sculptures to achieve the connection between art and spirit. Wire figures...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny works in a variety o...

"EMPEROR" Sculptural Chair 57" x 25.5" x 25.5" inch by Grigorii Gorkovenko MATERIAL: solid wood / cedar / hand carved COLOR: black EMPEROR BLACK SHELL CHAIR...

"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72). This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

Buddhist High Priest in sitting position on lotus flower, Polychrome Wood Sculpture Rare early 19th-Century Balinese wood sculpture of the ...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

"Two" is a bronze sculpture of a nude standing couple on a white wooden frame. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (comes wi...

Mancarella's sculptures are from the series titled "Elements". Formal design principles are the basis for Mancarella's work which is typically made of wood and metal. Taken individua...

The coloration and construction of the artwork projects this disk toward the viewer and floats the work off the wall both visually and psychologically. Doak was an aviation visionary...

This Zen like sculpture is formed from Linden wood also known as basswood, which was considered sacred in Slavic mythology. This minimalist sculptur...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Quote from RT on style subject matter. From the model image the actual artwork evolves in the studio. What was once a model is now a reference. The act of making, testing material compatibility, critical evaluation, chance, gesture and the Illuminating accident often shift the final concept. Ine artwork has a lite of its own. The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time. While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Family Carved Sculpture American Scene Modernism Mid 20th Century WPA Realism Milton Hebald (American, 1917-2015), Family of Three 13 1/2 x 5 1/4 x 4 1/4 inches Carved wood, c. 19...

Artwork made by acrylic on birch, satin lacquer with copper enamel backer Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age...

Tatam A by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 92 x 22 x 22 cm Camilo Andres Rodriguez Marquez is a Colombian b...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

19th Century Italian carved wood remnant with classical form and a worn silver leaf finish holding a tole bouquet with flowers and leaves with a perfect time worn patina.

Includes a Certificate of Authenticity