Abstract Art

Untitled #542 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Vintage American modernist abstract expressionist painting. Oil on canvas. Framed.

"Glow 2" transports viewers into a mesmerizing fantasy landscape, where the boundaries of reality blur with the ethereal. Dominated by hues of pink ...

This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This stunning X-large hand drawn with original charcoal line drawing and hand painted with original oil and gesso paint; it is the No 2 of the only 10 Limited Editions; The colours...

Artist: Pablo Picasso Title: Jeu de la Cape (III) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 17 1/4" x 19 3/4" Sheet S...

Arc Blau is an original contemporary artwork realized by Antoni Tapiès in 1972. Colored etching with carborundum on laid paper. Hand signed on the lower margin. Numbered. Edition ...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

Aharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Flor...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Timeless No. 2" by Cat Tesla is a captivating exploration of ...

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

This Limited Edition abstract print, "Neighbors," by Sofie Swann measures 24" x 30" and is an edition of 95. Printed on canvas, this giclee ships rolled ready to be stretched and fra...

Artist: Murray Zucker, American (1920 - ) Title: Bouncing Ball Year: circa 1970 Medium: Screenprint, signed, titled and numbered in pencil Edition: 9/20 Image: 18 x 24 inches Paper ...

Very impressive and amazing mid 1900s abstract expressionist oil painting. Oil on canvas. No signature found. Framed.

Barricada #1 h L is a steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 200 × 340 × 172 cm (78.7 × 133.9 × 67.7 in). The sculpture is signed and numbered...

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and issued in a limited edition of 2000 on Arches wove paper. Image size: 3 1/4 x 7 1/2 inches (80 x 185 mm). ...

"Continuum" Abstract Painting 48" x 60" inch by Carole Baines Carole Baines is a self-taught, London-born artist based between Townsville and Brisbane, Queensland, Australia. Carole...

Sveta Hessler (Russian, born 1973) "Love for Meadow VII" 2025 Acrylic paint, Gel, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. The artist notes th...

Subtle but vibrant, this abstraction of a hibiscus in brilliant yellow is framed by a cluster of bird of paradise blooms in the shady foreground—the latter simplified into bursts of the plant’s renown color duo. Bring a garden inside without the watering and weeding. Nice. Oil on canvas Titled "Ode to Day" Dated 1982 Signed faintly on the upper left-hand corner According to the Smithsonian Institution’s archives, the artist Hilda Pertha...

"Homage to the Square - P2, F17, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Joan Miro Surrealist Garden (Sculptures), c. 1974 Original lithograph Signed in the plate On Arches vellum, size 54 x 76 cm (c. 21 x 30 inch) REFERENCE : catalog raisonne "Miro lit...

Beautiful ca. 1960-70 abstract painting in the style of Vietnamese artist, Hoi Lebadang (1921-2015) Oil on canvas measures 22 x 28 inches. Framed measurement 29.5 x 33.5 inches. Un...

Title: Blue - Trail of Tranquility Painting Equestrian Horse Modern Gold Contemporary Striking Invest Energy Calm Blue Nature Flora One-of-a-kind Unique This painting forms part of...

Title: Enchanted - Floral Fantasy in Peach Fuzz Enchanted - Floral Fantasy Nature Flowers Investment Landscape Mother Earth Joy An everlasting bouquet as a joyous gift for Mother's...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Antique American signed abstract expressionist oil painting. Oil on canvas. Signed. Framed.

"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

This contemporary vivid expressionist floral painting, “The Language of Roses”, was created by French artist Natalya Mougenot and belongs to her ongoing series of still life composit...

This painting is part of a series of work titled Deja Vu. The series is inspired by the feeling of having aleady experienced something even though it is new and unfamiliar. The eleme...

Raoul Dufy (1877-1953). Nude Figure on a Balcony. Etching, plate measuring 13 x 18 inches; frame measurement 22 x 28 inches. Edition authorized by Louvre Museum, Paris. Vinta...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

MODERNIST ABSTRACT is an original hand drawn lithograph by the Lithuanian/Israeli artist, Yona Lotan (1926 - 1998). Lively modern abstract composition of multicolor Matisse-style flowers and shapes printed in visually appealing shades of lavender, purple, green, peach, burgundy, blue, pink, yellow, and metallic gold ink on archival Arches paper, 100% acid free. MODERNIST ABSTRACT features playful organic shapes, including flowers, breasts, human body shapes, intermingled with rhythmic geometric forms creating a visually compelling composition with metallic gold ink adding a slight shimmer to this impressive, imaginative design. Print size - 26 x 20 in. unframed, excellent condition, hand signed in pencil by the artist Yona Lotan. Edition size - 225, plus proofs Year - 1977 About the artist- Yona Lotan (1926-1998) Jewish engineer and painter was born in Lithuania. His family moved to Tel-Aviv, Palestine in 1936. He served as a high-ranking officer in the Israeli Army and fought in the War of Independence. In 1959 Yona Lotan began painting; he's considered a self-taught, outsider artist. Lotan always had the unquenchable desire to draw. His one-man shows in Israel and Geneva were so successful that he left the army, sold all his belongings and moved to Paris in 1960 in order to devote his life to painting. His art was vibrant and he became well known, not only in Europe, but also in the United States. In 1965 he won the coveted Prize of Foreign Painting given by the National Museum of Modern Art in Paris. Along with Maryan, Avigdor Arikha, Mordechai Ardon and Yaacov Agam. he was part of a group of Jewish emigre artists who worked in Paris. Paintings of Lotan are contained in the collections of: Musee National d'Art Modern, Paris, Pompidou Center, Paris Musee Municipal d'Art Modern, Paris. Museum Boymans, Rotterdam. Musee "Petit Chateau", Geneve. National Galerie, Berlin. Senatsversaltung fur Wissenschaft und Kunst, Berlin. Private collections in Israel, France, England, Brazil, Holland, Switzerland, Sweden, Greece, Spain, Italy, Mexico, USA and Canada. One-Man Shows and Group Shows: 1959 - "Young Painters Exhibitions", Tel-Aviv 1960 - Katz Gallery, Tel-Aviv Nora Gallery, Jerusalem, La Maison Juive, Geneve 1961 - "Exhibition of Israeli Artists", Tel-Aviv Museum "Ecole de Paris 1961" Galerie Charpentier, Paris 1962 - Galerie Camille...

Limited edition of 150 pieces, hand signed and numbered in pencil. Very good condition.

Joan Miró Lithographie Originale I Color Lithograph Year: 1981 Size: 12.5 × 9.6 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris, ...

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

A truly special painting by the late Svetlana Shalygina. Titled "Overcast", this mixed media painting uniquely incorporates cracked texture with a soft, earthy palette. The neutral c...

Part of a diptych (or can be sold separately ) this painting explores shape, colour and rhythm and how that can be echoed and explored more in a paired painting. Camilla has spent m...

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

Abstracted Bay Area skyline against a pink sunset creates beautiful and soft geometries in this small pastel urban landscape by San Francisco artist Chris...

Gold Edition - with real gold leaf, 23,75 carat Art measures 19.68 x 19.68 inches Frame measures 24.80 x 24.80 inches Framed in a high-quality contemporary wooden moulding. Color...

Twist is a contemporary Artwork realized by the artist Alfredo Pizzi. It is made on jute canvas, painted in acrylic in 2022. The author has a multifacet...

This abstract acrylic painting on wood is inspired by the mid-century masters. This bold composition is created with pale blue, ecru and dark blue highlights. Framed in a vintage g...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

A silent conversation. The painting depicts a gentle dance of water lilies - a silent dialogue of nature unfolding on the water's surface. The lilies, immersed in a tranquil space, s...

White Landscape is an original artwork by Marilina Marchica, created in 2025. This abstract and minimalist landscape evokes a silent and contemplative horizon, blending the painterly...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x ...

George Dannatt (1915-2009) Series of Small Paintings in Graphite & Pencil 2009 Medium: Graphite, pencil & white oil on paper Image: 13.0 x 9.2 cm Mount: 27.0 x 23.3 cm Reference...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

Kobi Raz (Israeli, born 1959) "Untitled" 2024 Oil paint, canvas, stretcher bars The artist signed the bottom left of the painting. This vibrant abstract by Kobi Raz blends expressiv...

Seymour Franks Tempole, 1948 Signed lower right; signed, dated, titled on verso Oil on canvas 35 x 42 inches American painter and designer, Seymour Franks, was born in New York Ci...

magnificent abstract, painting by the well listed Italian artist Paolo Buggiani relationship relationship. Born in Italy in 1933, but worked in America from the 1950s. He has auction...