Academic Art

Title: Original French Anatomical Study of Horse's Pelvic Girdle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 19.75 (Height) x 12.75 (Width) Signed: No Cond...

Title: Original French Anatomical Study of a Horse's Limb Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 20 (Height) x 13.75 (Width) Signed: No Condition: Lig...

The painting "Port of Batumi" by Oleksandr Khrapachov is full of legends about the life of the corners of the Black Sea, where the sea ridges and mountain ridges grow together. Paint...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

George Weissbort (Belgian / British, 1928 – 2013) Strawberries Oil on canvasboard Signed and dated ‘G Weissbort 1974’ (lower right) 18.1/4 x 20.1/8 in. (46.3 x 51 cm.) George We...

Artist: Shimshon Holzman (1907-1986) Title: Torah Scholar Year: 1962 Medium: Watercolor and graphite on wove paper Size: 13.75 x 19.75 inches Condition: Excellent Inscription: Signed...

A rural interior scene by Austrian artist Edmund Adler. The scene is typical of Adler's paintings of Austrian culture and rural life. It is full of gemütlichkeit.

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind. Medium: Oil on Canvas Year: 2024 Style: Impressionism Title: Coastal Size: 31.5" x 39.5" x 0.8''...

George Bacon Wood Rowboat in a Summer Landscape Signed lower left Oil on wood panel 6 1/4 x 8 inches Born in Philadelphia, landscape painter George Bacon Wood, Jr., studied at the ...

Beautiful floral watercolor and gouache on paper with musical instruments by the German artist, Friedrich (Frederick) Jungling. Signed lower right and dated 1908. Excellent condition...

Italian school from the beginning of the 19th century ? Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Very good condition...

Finely executed watercolor and gouache landscape with figures by the Swiss artist, Louise Clauseau (Swiss). Signed under the mat by the artist and dated June, 1852. The watercolor ...

Signed lower right, 'Laurence Bell' (British, died 1916) and painted circa 1910. Bell studied at the Bushey School of Art in Hertfordshire in England. H...

Edward Stott, ARA (British, 1859 - 1918) Reclining nude Pastel and black crayon 8.1/2 x 12.1/4 in. (21.7 x 31.2 cm.) Provenance: Abbott and Holder, London A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...

Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...

Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...

Mona Alizon Edmonds (British, 1911 – 1983) Unfinished monkey business, 1944 Pen and watercolour 11.3/8 x 11.3/8 in. (28.7 x 28.7 cm.)

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

Brown ink and wash drawing with touches of watercolor and gouache by the French artist, Francois-Marius Granet. Signed lower left. Condition: Good. Provenance: Christie’s London sale 1993. Matted but unframed. The Pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia...

Miniature watercolor painting on arches paper of a pair of mallards done by the very well known miniature artist, Allan Farrell. Exhibited at the Royal Miniature Society exhibition i...

Sir Stanley Spencer, CBE RA (British, 1891 – 1959) A Portrait of Hilda, the artist’s wife Pencil on paper Signed and dated ‘Stanley spencer 1924’ (lower right) 8 x 9.3/4 in. (20.3 x ...

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Impressionism Title: Roses Size: 19.5" x 23.5" x 0.8'' in...

Title: Pueblo Mailboxes, NM Size: 21” x 14” Edition: 1/5 Medium: Archival Pigment Print Price: $550 Also available in 20"x30" Edition of 10 $725 Printed to Order Gerry Giliberti is...

Oil on canvas still life painting of a wine bottle along with a lobster. Signed lower left. Circa 1880. The painting is housed in its original monumental wood gesso and gilt Victoria...

A. LEONARD (19th-20th) Flower Girl and Her Dog Oil on canvas signed low left Old Frame regilded with Leaves Dim canvas : 46 X 38 cm Dim Frame : 55 X 46 cm

A "genre" painting representing a mother supervising her two small daughters at the Park. Oil on canvas signed bottom right Joseph Dierickx and dated 1903. Dierickx Joseph (1865-19...

Paul ARMANDI (19th Century) Wood Landscapes by the river Oils on canvas in pair signed low right New golden frames Canvas : 65 X 40 cm Frame : 83 X 58 cm Paul ARMANDI is one of ...

John Ruthven is recognized as the “20th-century Audubon. In this very detailed and meticulously rendered work the artist depicts a Koala in an iconic and proud pose and a Photoreali...

Miniature watercolor painting on arches paper of three mallards at Salthouse (Norfolk, UK) done by the very well known miniature artist, Alan Farrell. Exhibited at the Royal Miniatur...

Gilbert Spencer RA, RWS, NEAC (British, 1892-1959) Portrait of William Dockar Drysdale pencil Signed and dated `Gilbert Spencer/ 1949’ (lower right) 15...

Artist: Ara H. Hakobyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Stony Beach Size: 24" x 30" x 0.8'' inch, (61x76x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism Title: Flowers with a Statue Size: 24" x 30" x 0.8'' inch, (61x76x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Spring, Size: 18" x 24" x 0.8'' inc...

Signed and dated '1873' lower left

George Henry Smillie Cathedral Rocks, Yosemite Valley, 1871 Signed and inscribed board verso "Cathedral Rocks-Morning-Yo-semite Valley Aug. 71 Geo. H. Smillie", also inscribed "Yo-se...

Isidore Pils (1813-1875) An Orientalist scene Signed lower left Pencil and heightenings of watercolor on paper ​​​​​​​15 x 24 cm paper yellowed by time, stains and a small repaired tear on the upper right edge. In a modern mount 40.5 x 53 cm Isidore-Alexandre-Augustin Pils (1815–1875) was a French academic painter of religious and military subjects. Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau...

Stanley Spencer (British, 1891-1959) Study for The Apotheosis of Hilda Pencil 19.3/4 x 30 in. (50 x 76 cm.) Provenance: Christie’s South Kensington, Stanley Spencer studio sale, 1998...

John Charles Lamont ARSA (Scottish, 1894-1948) “The sitting girl” Pencil, watercolour, body colour and pastel Signed ‘LAMONT’ (lower-right) 23. 3/4. X 14. 3/4 in (60.5 x 37.5 cm)

Jules LAURENS Carpentras (Vaucluse), 1825 - Saint-Didier (Vaucluse), 1895 Pencil 29 x 23 cm (36 x 30 cm with frame) Signed and dated lower left "JL / 52" Modern frame Excellent condi...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

A late twentieth-century American school portrait of a girl posed against a light slate background and gazing back at the viewer. Displayed in a cream mat. Matted dimensions: 14.5...

Elizabeth Zanzinger's (US based) "Feedback Loop" is an oil painting that depicts peculiar machine with wiring and red in interior with white background Elizabeth Zanzinger is an awa...

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

An exquisite and tranquil portrayal of haystacks amidst the idyllic 19th Century Sussex countryside in the southeastern region of England. This enchanting watercolour captures the es...

Edmund Dulac (French, 1882 – 1953) A welcome refreshment Black crayon with a touch of white chalk Signed ‘E Dulac’ (upper right) 8.7/8 x 11 in. (22.5 x 28...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

Study of a Seated Woman and Two Smaller Studies of the Same Unsigned Annotated: "Roma" (Rome) Black chalk heightened with white chalk on buff wove paper Sheet size: 11 x 8 1/2 inche...

Aquarelle sur papier, signée et datée 1937. Dimensions avec le cadre: 51x68 cm. Odilon Roche est né le 3 octobre 1868 à Châteauneuf-sur-Loire. Mort le 27 août 1947 à Six-Fours (Var...

John Westbrooke Chandler 1763- 1807 Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Original gilt swept frame This portrait is marked by its loose brushwork, which creates a...

Katie Blackmore (British, 1890 – 1957) Oriental fantasy Ink and gouache on paper Signed ‘K Blackmore’ (lower right) 9 x 8.3/8in. (22.8 x 21.2 cm.) A Scottish figurative and decorative artist, Katie Blackmore was closely associated with both Jessie Marion King...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

Frank Adams (British,1871-1944) “Pray, Mistress Mouse, / will you give us some beer?”/Heigho! Says Rowley, / “For Froggy and I are/fond of good cheer”. / With a rowley powley/Heigho!...

Duke of Wellington by Vladislav Khristenko Size of the image - 25 x 15 cm Size of the list - 34 x 22.5 cm Size in frame - 42 x 32 cm Etching and aquatint on paper #15 from edition ...

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...

High quality print on canvas. Made from original oil painting "Tender Innence". Originally created by artist Maria Matveyeva in 2016 year.

This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality. Christopher Ganz Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence Ballpoint pen 24h x 13w in 61h x 33.29w cm CG0064 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck...

PURRMANN, Karl (1877-1966) Baroque interiors of Castle Oil on wood panel signed and dated 1947 Low left Framed by Gault (Paris) Dim wood : 52 X 66 cm PURRMANN, Karl (1877-1966) Ger...

CERVETO RIBA Antonio (1876-1938) "The swing" Oil on canvas signed low right Gault frame (Paris) Dim canvas : 60 X 80 cm Dim frame : 81 X 102 cm CERVETO RIB...

"Venus cast" Oil on canvas (The painting is unframed 70 x 50 cm.) The Painting’s Qualities Lyubena Fox’s paintings are painted in several layers, using both the transparent and opaque qualities of oil paint. Each layer is applied after the previous has dried which makes the painting withstand time. It also creates a glowing, three-dimensional effect, which is due to the different layers showing though each other. These paintings are painted following the logic of how the eye perceives: seeing the details in the context of the form. To create a fulfilling experience, the images are composed of places, full of detail for the eye to explore and places where the eye can rest. “The impressions of Lyubena's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination with its realistic perfection. Her paintings bring emotion of drama, mystery, love, desire and energy, represented by the vast creative power of her talent.” Bio Lyubena Fox was born in 1994 in Sofia, Bulgaria. 2013 she graduated from the National school of fine arts Bulgaria, specializing in illustration. The same year she moved to Florence, Italy to study painting with John M. Angel and in 2016 graduated from Angel Academy of Art Florence, after which she studied with Alessandro Dari. 2017 she has two solo exhibitions in Sofia. 2018 Lyubena has three of her paintings qualified as ARC finalists and later in May studies painting with her favorite contemporary painter Roberto Ferri...