American Impressionist Art

A fine impressionist oil painting of a beachside scene with figures by American artist John Rutherford Boyd (1884-1951). Boyd was born in Philadelphia, PA, and attended the Pennsylvania Academy of Fine Arts, where he studied under American painter Thomas Anshutz...

A lovely plein air landscape painting from the 1930s of a cabin amongst the eucalyptus trees in Old Laguna Beach, California. Oil on canvas ...

Clarence Keiser Hinkle American, 1880-1960 Pont Neuf Bridge, France 1906 Oil on board 10 ¾ by 13 ¾ in, w/ frame 18 by 21 in Signed lower right An academy trained California painter...

Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...

Josh George's (US based) "A Level of Organization" is an original, handmade mixed media painting that depicts a bustling inner city interchange. About the Artist: Josh George is a ...

A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...

A painting by Ralph Waterhouse. "Spring Sunset" is a landscape painting, oil on canvas laid on board in a palette of oranges and greens by American artist Ralph Waterhouse. The artwo...

This artwork titled "The Abandoned Factory" c.1945 is an oil painting on canvas by noted California artist William E. Frates, 1891-969 It is signed at the lower right corner by the artist. The canvas size is 24 x 30 inches, framed is 40.75 x 34.5 inches. Custom framed in a wooden gold brownish frame, with fabric liner. This particular artwork has been exhibited at the California Palace of the Legion of Honor Museum in San Francisco, August to April 1946. About the artist: Painter, etcher. Born in Hayward, CA in 1896. Frates first studied art in San Francisco with Wm Otto...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

This artwork titled "The Marina Sausalito" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left corner by the arti...

Walter Farndon June Day at the Sound Signed lower right Oil on canvas 20 x 24 inches Living and working in an era of passionate and often controversial changes in the art world, Wal...

Serene early 20th Century palm springs desert landscape with mountains in the background by Beatrice Gildersleeve (American, 1892 - 1933). Signed "GILDERSLEEVE" in the lower right co...

Oil on canvas signed in the lower left and inscribed in verso. Measuring 37.5" x 37.5" with the frame and 30" x 30" canvas only. It is in excellent condition and ready to hang. Born...

"Self Portrait of Addison Thomas Millar at Desk" is a captivating painting by the American Impressionist artist Addison Thomas Millar. This self-portrait offers a glimpse into the in...

Roses original contemporary mixed media painting. Pau Alemany Mascareñas estudió la carrera de arquitectura, pero destacó sobre todo en el campo de la pintura. Formado con artistas ...

Gorgeous American impressionist still life oil painting of a dark brown vase with stems of pink roses in front of a vibrant purple background by ...

A wonderful still life by Rockport, MA Artist Rudy Colao (1927-2014). Rudy created these lovely still lifes by using inspiration from actual floral bouquets or floral landscapes. Si...

Oil on board Provenance Estate of Marjorie MacMonnies Wysong (the artist's granddaughter); Hap Moore Auctions; Martin Ferrick Antiques Exhibitions Avery Galleries, Bryn Mawr, Pennsylvania, American Women Artists: 1860–1960, October 13–November 10, 2017. Description During her expatriate career, between the mid-1880s and return to the United States in 1920, painter and muralist Mary Fairchild MacMonnies (later Low) was one of the most successful American women artists of her generation. Mary Fairchild was born in Connecticut, but was raised largely in St. Louis, Missouri. Inspired by her mother's work as a painter of miniatures and dissatisfied as a school teacher, she enrolled in the St. Louis School of Fine Arts, where she led a movement for women to be permitted to draw model posed in the nude, an important component of artistic training then considered improper for well-bred young women. Impressed by her talent and drive, the school's director, Halsey Ives...

"Wild Sea, Isle of Madeira" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts rocky shore with dark storm clouds above. ARTIST STATEMENT Sp...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972) One of the finest painters to embark upon the New Hope Art Colony, John ...

A fine large impressionist winter landscape by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen ye...

Childe Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...

This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....

William Anderson Coffin (1855 - 1925) Springtime Landscape, circa 1910 Oil on canvas 30 x 24 inches Signed lower right Landscape and figure painter William Anderson Coffin was born...

A colorful impressionist floral still life with fruit by American artist Humbert Howard (1905-1990). Howard was born in Philadelphia and considered an important figure among contemporary African-American artists. He was educated at Howard University in Washington, D.C., the University of Pennsylvania in Philadelphia, and the Barnes Foundation in Merion, Pennsylvania. Howard was also art director of the Pyramid Club, a respected black cultural center in Philadelphia. As director of the club’s art exhibitions, he selected works by both black and white artists for display. By the time he retired in 1971, he had developed a loyal following of collectors and dealers in the Philadelphia area. In the eighties, he became increasingly involved with younger members of the local art scene and became a mentor to emerging black artists...

This artwork "Texas Cpast Line" 1964 is a watercolor on paper by noted Texas artist Jim Jones, 1922-1999. It is signed and dated at the lower right corner by the artist. The artwork ...

Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochoski 79, second...

A lively, impressionistic depiction of Emily and Mindy chatting on a park bench in Paris from the iconic hit show "Emily in Paris" We are whisked away in this cherished scene with th...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Morning Sun III oil/panel 6 x 8 image Morning Sun III is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a uniquely beautiful seasc...

Wonderful autumnal still life with pumpkin, apples and violets by an unknown artist (American, 20th Century). Signed illegibly ("Barbara ...") and dated "Spring 1990" lower edge. Pre...

The present work exhibits a storytelling and illustration art style created before the mass communications age. It was rendered in a flat linear style by the highly talented Maginel ...

Painting size w/o frame: 12”x16” Painting size with frame: 19"x23" In Gloucester, American artist William Smith Robinson (1861–1945) mas...

A gorgeous mid century American Impressionist landscape of the Sacramento River flowing through the vibrant forest as the seasons change by California...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

Evenings Approach oil/panel 16 x 20 image, 22.25 x 26 framed Evenings Approach was inspired by our visit to Boca Grande one year. Sitting on the beach waiting for the Green Flash tha...

Charles Movalli (1945–2016) had a BA from Clark University and a PhD from the University of Connecticut. He painted and wrote about art for over thirty years. He belonged to the Nort...

A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem. Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney. In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures. Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life. Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons. Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home. She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life. Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule. Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity. Despite these challenges, Williams exhibited widely during her lifetime: Paris Salon (1899) National Academy of Design (1903–04) Pennsylvania Academy of the Fine Arts New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more. She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 40, plate #046. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Jim’s of Lambertville is proud to offer this artwork. Signed Lower Right George W. Sotter (1879-1953) George W. Sotter is remembered for painting the scenic towns, farms, mills a...

'Downtown Skyline and Tug' 2012 by NY contemporary artist Lawrence Kelsey. Oil on canvas, 42 x 34 in. A painting of downtown New York City in late afternoon in atmospheric hues of or...

Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...

Stately portrait of an Asian man by Carmel, California artist Ceila Burnham Kent Seymour (American, 1869-1958). The man sits in a chair against a yellow wall, facing the right of the composition. He is wearing a dark green shirt and has a somber expression on his face. Signed "Celia B...

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 2, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

A.D. Greer was an American artist best known for his luminous landscape paintings. His images of the American West—the Grand Canyon and Yosemite Falls in particular—brought him publi...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

This artwork "Texas Cpast Line with Shack" 1964 is a watercolor on paper by noted Texas artist Jim Jones, 1922-1999. It is signed and dated at the lower right corner by the artist. T...

Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed in pencil lower right. Reference: Czestochowski 91, first state (of 3), trial proo...

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Art Students League of New York. In a...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 8 #008 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Sparse Forest Scene by William McGregor Paxton is a testament to the artist's mastery of light, atmosphere, and nuanced detail. Known for his contributions to American Impressionism,...

John Terelak Biography (American, b. 1942) John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art...

Arthur B. Davies (1862-1928), Resurrection (aka Flying Figures; Border of the Lake), drypoint and aquatint on zinc, 1916, signed with the estate stamp lower right. Reference: Price 2...

Signed lower right: H. S. Hubbell –

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

A fine Cape Cod scene with fisherman heading out on the dock in heavy fog by American artist Tod Lindenmuth (1885-1976). Lindenmuth was born in Allentown, Pennsylvania, and later worked in Provincetown and Rockport, Massachusetts, with a home in St. Augustine. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles and was well known for his modernist, semi-abstract and marine subject paintings. Lindenmuth studied with Robert Henri and was a member of the Salmagundi Club and the Rockport Art Association. He was also active in Provincetown until 1941, and then retired to Florida in the 1960s, having spent his winters there since the 1930s. Oil on canvas, signed lower right, title inscribed on verso Provincetown Art Association Regular Jury 1938 label “Thick Outside...

George Henry Leonard, Jr. (1869 - 1928) La Marre de Soire Oil on canvas 15 x 21 3/4 inches Signed lower right A landscape painter--primarily using a late impressionist loose stroke as his main mode of expression--Leonard drew not only upon French influences, but also the American school of impressionism characterized by Frank Boggs...