American Impressionist Art

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

An oil painting of a sunset over the sea. Light ripples out from the bright yellow sun, in curved brushstrokes. Waves splash against rocks as they approach the shore. The sea reflects the bright sky above, creating a light green sheen upon the waters surface. The horizon is met with purple hills in the distance. Framed in a simple 1-inch black flat frame (as pictured). Framed dimensions: 38 x 42 inches Painting dimensions: 36 x 40 inches Tim McGuire...

Experience the breathtaking beauty of Mt. Evans, Colorado, through this stunning original oil painting by renowned artist Ferdinand Kaufmann (1864–1942). Created circa 1920–1940, thi...

Measures Painting 10 x 13.75 inches Framed 15.5 x 19.25 inches This classic American impressionist work reveals a soft palette dominated by muted blues and lavenders. The languid...

Along the path on a walk, a vivid impressionist oil painting by Carol H. Kelly (American, 20th Century). Signed "C.H. Kelly" and dated "70" lower right. Unframed. Image size, 18.5"H ...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Serene depiction of an Ohlone Mother and Child walking a forest path by Anton Dahl (Swedish-American). Ohlone Mother and child are walking through the North...

Signed lower right, 'H. Dearth' for Henry Golden Dearth (American, 1864-1918) and dated 1892. Provenance: Collection of George A. Hearn. Exhibite...

Mid Century Lotus Still Life Floral / Bangkok Landscape on Verso (Double Sided) Mid-century lotus flower composition by Marge Quate Burt (American, 1896-1984). This unique piece, dated 1949-1950, is a two-sided painting on artists cardboard. While on side depicts a botanical lotus flower, the verso features a lush tropical landscape painting...

A Redheads Dream - Figurative Nude With Butterflies and Flowers Original figurative nude painting of a redhead woman surrounded by butterflies and magenta flowers, by possibly an u...

Early evening Glow, Beautiful Skies Series oil/panel 6 x 8 image unframed, 12.38 x 14.38 framed Early Evening Glow is a study painting in the Beautiful Skies Series by award winning...

We are delighted to offer a captivating watercolor by the American artist Hugo Anton Fisher (1854–1916). This serene composition depicts cows drinking at the edge of a calm body of w...

"Lumberville in Winter" is a 14 x 20 inches winter landscape by American Impressionist painter, Laurence A. Campbell. This regional, Pennsylvania scene is an excellent example of the...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white roses in a blue vase set on top of a glossy table. The artist was truly a mast...

Outstanding late 19th century English Impressionist landscape, with a horse and cart in a village. Described in 1893 by George Moore as "our greatest living landscape painter," Will...

Anthony Thieme (1888 - 1954) Main Street, Rockport Oil on canvas 25 x 30 inches Signed lower right Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

Soren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New York Grand Central Art Galleries, New York Luella May (Ruby) Carlsen (the artist's wife), New York Dines Carlsen (the artist's son), Falls Village, Connecticut Private Collection, Miami, Florida Exhibited: New York, Macbeth Gallery, Summer Exhibition: Painting by American Artists, July - August, 1926, no. 31 (as The Man in the Garden). Houston, Texas, Museum of Fine Arts, Exhibition of Contemporary American Art by Members of the Grand Central Art Galleries, January 13 - 27, 1929 (as The Man in the Garden). Miami Antique...

"Bridge Over the Neckar, Town of Heidelberg" - Original Oil Painting on Canvas A beautiful German landscape, by American painter, Betty Brenner (1922-2016), captures the Karl Theodor Bridge and its reflection. Commonly known as the Old Bridge (Alte Brücke), it is an arch bridge in Heidelberg that crosses the Neckar river. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank. The current bridge, made of Neckar sandstone and the ninth built on the site, was constructed in 1788 by Elector Charles Theodore, and is one of the best-known landmarks and tourist destinations in Heidelberg. Brenner, Betty (American, 1922-2016) - Raised in Washington, Brenner attended Cornish School...

Beautiful hand painted and silkscreen print of a "Creeping Charlie" house plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). Titled and signed on bottom "Creeping Charlie; Babette Eddleston...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

A beautiful oil still life of a vase of assorted flowers, with two roses on the table. Unframed. Unsigned. Image, 16"H x 20"L.

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Right) " Autumn Landscape with a Stream ", c. 1923 Oil on Canvas Laid on Board 12" x 16" Housed in a 2 1/2" Ca...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

Original "Beware Spreading Vital Information Will Undermine Our War Effort. Do your Part In Silence" vintage World War 2 poster. Ori...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Shorebirds in the Surf an Original Pastel by Gregory Biolchini Shorbirds in the Florida Surf by Gregory Biolchini (American, B- 1948). Lively pastel with eager Shorebirds hunting for...

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Harold C. Dunbar (1882 - 1953) Meadow Landscape in Summer, 1929 Oil on canvas 17 1/2 x 21 inches Signed and dated lower left Harold C. Dunbar — painter, teacher, writer, and illustrator — was born in Brockton, MA on December 8, 1882. He resided in Chatham, MA and died in 1953. His work includes portraits, landscapes, street scenes, still lifes, harbors and coastal scenes. Dunbar studied with Ernest Lee Major (1864-1950) and Joseph De Camp...

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

This artwork titled "Red Forest" c.1960 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left co...

A beautiful, heavy impasto landscape of a scene south of San Luis Obispo, California by Mike Wright (American, b.1959). Signed "M. Wright 17" lower right c...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...

Mid century portrait of a red-haired boy with freckles by Jon Blanchette (American, 1908-1987). Rendered his signature style, this portrait is clean and vibrant. The subject is looki...

A gorgeous early 20th century landscape oil painting of fields of yellow and blue wildflowers in bloom by Northern Californi...

This vintage, original colored pencil drawing titled Untitled (Storm over Desert Landscape, Arizona) was created in 1924 by celebrated American artist George ...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

Artist: Itzchak Tarkay (1935-2012) Title: Chit Chat Year: 2010 Medium: Silkscreen on wove paper Size: 11.75 x 8.5 inches Edition: 178/750, plus 100 Remarques Condition: Excellent Ins...

Gorgeous early 20th Century still life with classic autumnal fruit persimmons and a brown jug by A. Thompson (American 19th/20th Century), circa 1900. Signe...

JAMES ABBOTT McNEILL WHISTLER (1834 – 1903) THE BEGGARS 1879-80 (Glasgow 190 x/xvii: K.194 ii/ix?: M.191: W.159) Etching and drypoint, from “Venice, a Series of Twelve...

Impressionist winter pastoral scene of a quaint lake side snow covered home by New Britain, Bucks County PA. Willett has portrayed this charming scene in a most intimate, yet energet...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Capturing the essence of Waikiki Bay, a visual symbol of Hawaii situated in Honolulu on the southern coast of Oahu, this pair of landscape-format oil paintings features the iconic trio of palm trees...

Mid Century Autumn Landscape, Showers Beneath San Gabriel Hills by Aletha Martin Vibrant autumn landscape of a crystal clear stream under the San Gabriel Mountains by California art...

Kevin Weckbach's (US based) "Winter's Song" is an original, hand-made oil painting that depicts a secluded snowy forest in the early morning sunlight. Artist Statement: "Subject mat...

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

Evening Moonlight Evening Moonlight is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a uniquely beautiful moonlit view of the ocean. A...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

Bold mid century impasto landscape of Mt. Rose in oil by Nancy Coe (American, 1932-1998), c.1968. This piece has evocative, heavy textures from the artist's use of a palette knife. Signed in pen in the lower right corner. Gallery sticker on back of frame. Presented in a copper-colored frame. Image size: 27.25"H x 28.38"W Nancy Patricia Coe (American, 1932-1998), was born in San Jose, California to Henry Surtcliff Coe and spent most of her life on Rancho San Felipe in a two-story, brick colonial residence, originally built by her father, on a commercial cattle ranch. With its weeping willow trees and picturesque red barn, it made for a happy home nestled in the heart of San Felipe Valley. Henry Coe State Park is named after her Grandfather Henry Willard Coe. She studied art at Stanford University and graduated in the 1950's. While there, she met S. Gainer Pillsbury, MD, a fellow alumnus, whom she married on June 19, 1956. While an accomplished user of charcoals and Conte crayons, Ms. Coe painted in primarily in oils, showing and winning awards in Reno, Nevada in the early 1960's. Her works, including landscapes and portraits, have been featured in numerous newspaper articles in the Reno Gazette-Journal. Her palette-knife painting of Salvador and Virginia Prado, two ranch hands, was featured on the cover of a Mexican-American history textbook, A Guide to the Study of the Mexican-American by Feliciano Rivera (1969) and published at San Jose State University. Her paintings of Sada S. Coe (her aunt) and Henry “Harry” W. Coe, Jr. are featured in the museum at Henry Coe State Park in Morgan Hill...

Watercolor of a village by Artemis Wilhelm (American, 20th Century). Bold pastel outlines create solid shapes, filled with watercolor to create tone an...

A modern depiction of Sun Flowers by Theresa F. Bernstein. The bold colors and strong contrasts make Berstein's work so striking and captivating. The flowers are executed with bold p...

Impressionist winter pastoral scene of a quaint snow covered home by Buckingham, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed m...

"Dr. Snapp House" Oil Painting Don Prechtel (born 1936, American). The historic Dr. Snapp House in Cottage Grove, Oregon was built in 1886, by one of the ...

A charming depiction of Snow on 5th Avenue New York City with figures walking and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed by the artist lower right and it comes housed in a beautiful antique ornate gold tone giltwood frame with hanging wire on verso ready to be displayed. Art measures 13 x 8.5 inches Frame measures 17.5 x 13 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

The painting depicts a vibrant, sunlit coastal village in Rockport Massachusetts, set in the 20th Century, exuding a cheerful and nostalgic mood...

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

A wonderful Impressionist summer pastoral scene of a colorful and quaint home by the stream. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Jane Peterson (1876-1965) Lilies Oil on canvas, 1952-1953 Signed by the artist lower right: JANE PETERSON (see photo) Painting size: 29 x 23 inches Frame size: 38 x 32-1/2...

A very attractive American Impressionist watercolor & gouache painting, "The Spanish Peaks" Colorado mountain landscape scene, by Charles Partridge Adams (1858-1942), circa 1900. Thi...

Carl Rudolph Krafft Winter Landscape with Stream Signed lower right and with thumbprint Oil on canvas 25 x 30 inches Carl Rudolph Krafft was born in 1884 in Reading, Ohio, and his ...

Peaceful landscape of sand dunes along a California beach with seagulls drifting overhead in a soft gray-blue sky, by a California artist. Signed "Noland" lower right. Presented in a...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

Miniature landscape by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower right corner. "Big Sur Cove Kathleen Murray 2011 Oil" is written on verso. No frame. Kathlee...

Francis Henry Richardson Open Pasture, Winter Signed lower right Oil on board 10 3/8 x 13 inches Richardson, born in Boston, entered the formal art world in his late twenties. His ...

"Secret Beach Panorama in Early Autumn" is an oil painting by American Impressionist Ben Fenske. A large scale composition of a Sag Harbor beach vista. The foreground shows green gra...

Elegant mid century still-life of pink and white carnations in a blue vase titled "Carnations" by California artist Jean Stimmons (American, 20th Century), 1965. The artist fills the...