American Impressionist Art

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

"Too Bright or Too Dark, The Effect is the Same, " is an original, handmade oil painting, by Michael Dowling that depicts a white horse running contrasted by a dark background. Bor...

"The Loving Heart" Original contemporary female portrait in acrylic on paper by French artist Natalya Mougenot. "The Loving Heart" is an original contemporary female portrait by Fr...

Kevin Weckbach's (US based) "Quilted Land" is an original, hand made oil painting that depicts an aerial view of farmland with patterns from the roads and sectioned green and pink l...

"Luminous Woman" Contemporary female portrait in acrylic on paper by French artist Natalya Mougenot "Luminous Woman" is an original contemporary female portrait by French artist Na...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a The Plaza hotel and the Manhattan buildings depicted in the far background with pops of colors shinning through the lights and magic of the city. The artist was truly a master of capturing New York in all of its glory throughout the seasons. This piece is executed whimsically, yet dramatically evoking an emotion of wonder and beauty. This piece is signed lower right by the artist and it also bears the reproduction right's stamp on the reverse. It is titled on the back and it comes housed in a beautiful French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 6 x 8 inches Frame measures 12 x 14 inches Johann Berthelsen was born in Copenhagen in 1883, the 7th of seven children, to Conrad and Dorothea Karen Berthelsen. His parents were involved in artistic and professional circles. In 1890, his mother brought the children to America, settling in Manistee, Michigan, with her sister's family. They would eventually move to Manitowoc, Wisconsin, a city on the shore of Lake Michigan. As a teenager, Johann was actively involved in choirs and singing groups. And he always loved to draw and paint, and while he was too impatient to take well to schoolwork, and never went beyond the 5th grade. Although he worked in several trades, Johann's mind and heart were always with the arts. As his voice matured, he also always wanted to be an actor, and at the age of 18 moved to Chicago where he reconnected with an old friend who was studying voice at the Chicago Musical...

Bright watercolor composition of three dancers preparing and stretching by Clareen Barrett (American, 1930 - 2014). Signed "Clareen Barrett" in the lower left corner. Presented in a distressed white...

Josh George's (US based) "Nighttide" is an original, handmade mixed media painting that depicts a city at night with a moody sky. About the Artist: Josh George is a contemporary r...

A wonderful Boston School still life, Roses Cast Aside. Oil on canvas, no visible signature, 9" x 12", 12.5" x 15.5" framed.

This artwork "Flower in a Vase" c.1950 is a watercolor on paper by noted California artist Sara Ethel Kolb Danner, 1894-1969. It is signed at the lower right corner by the artist. The artwork size is 19 x 15.25 inches, framed size is 27.25 x 23.25 inches. It is custom framed in a wooden gold frame, with off white matting and gold color spacer. It is in excellent condition. About the artist: Born in NYC on Oct. 2, 1894. As a child Sara Kolb was taught to paint by her father who was an artist and student of Thomas Eakins. She grew up in Philadelphia where in 1917 she wed William Danner. The Danners moved from South Bend, IN to Santa Barbara in 1926 and remained. She studied under Henry Snell at the PAFA (the Sara Kolb Danner...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

"Strength in Bloom" is a contemporary female portrait by French artist Natalya Mougenot, painted in acrylic on heavyweight professional acid-free paper, measuring 29.7 × 42 cm (11.69...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

"The Awakening" Early Spring Landscape of Mt Hamilton Oil on Masonite Early Spring landscape by Palo Alto, California artist "Florice" Florence P. Wideman (Hoffman) (American, 1893-1...

This colorful artwork "Red Houses" 1936 is an oil painting on canvas by American impressionist artist Judson Reynolds Briggs, b.1906. It is signed and dated ...

Snowy landscape by Maine artist Fannie Mae Cunningham (American, 20th Century). Tags on verso from previous backing have been preserved. Presented in a new grey-blue mat...

"Her Radiant Heart" is a contemporary female portrait by French artist Natalya Mougenot, painted in acrylic on heavyweight professional acid-free paper, measuring 29.7 × 42 cm (11.69...

Gorgeous mid century still life in the style of Paul Cezanne of a fruit basket with a turquoise blue pitcher by Carmel and Hollywood artist Helen Gleiforst (American, 1903-1997), cir...

Early 20th Century Mountains and Desert Palm Springs Landscape in Oil Serene early 20th Century palm springs desert landscape with mountains in the background by Beatrice Gilderslee...

Spring Landscape, 1921 Oil on canvas 36 x 42 1/4 inches 91.4 x 107.3 cm Signed and dated lower left: John Wells James / 1921 Provenance Private collection John Wells James painted ...

This artwork titled "Clown, Medrano Circus, France" c.1960 is an oil painting on canvas by noted American artist Benton Scott, 1907-1983. It is signed at the middle right side by the...

Alameda River Below Mt. Tamalpais - Early 20th Century Landscape in Watercolor Substantial and Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Mari...

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught painting and drawing to high school ...

A fine landscape oil painting by American artist Harriet Randall Lumis (1870-1853). Lumis was born in Salem, CT, and ironically, her art background did not begin until after she marr...

"This still life was painted in early summer, when my favorite peonies are in full bloom and fresh, ripe strawberries appear. I set myself several artistic challenges in this work: c...

East River (Untitled), c. 1940s, oil on canvas signed lower right, 18 x 24 inches Isabella Markell was a painter, etcher, and sculptor, who is best known for her New York City scen...

Vibrant Mountain Meadow with Oak Trees and Lupines, Signed, Oil on Paper Vibrant plein air painting of a beautiful mountain meadow with oak trees, lupine and poppies, an oil on pape...

Desert Mountain Landscape in Oil on Canvas Vertical landscape in soft, muted tones and thick impasto, giving texture to the foreground and accentuating the sense of depth, by Cecil ...

Anna Klumpke A Path Through the Woods, circa 1890 Signed lower right Oil on canvas 36 1/4 x 24 1/2 inches Anna Klumpke was born in San Francisco but travelled to Europe in 1865 for...

Autumn Trees - Mid Century Small-Scale Landscape, Signed Oil Painting Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 19...

This painting depicts an impressionistic scene in a Parisian Village in France on a spring day, with beautiful brushwork and whimsical colors. The energy of the street is captured wi...

Hawaiian landscape · plein air study · ocean · wind · waves · spray · impressionism · texture · American artist This small plein air study was painted in strong wind, when the ocean...

A.H. Nordberg (Swedish-American) Untitled, 20th Century Oil on canvas 24 x 36 in. Framed: 28 x 39 3/4 x 1 3/4 in. Signed lower left A.H. Nordberg was a known Swedish painter who was...

Orange Slice Galveston Beach 9"x12" oil People at the Beach Impressionism "Early summer on Galveston Beach I painted the complementary colors of blue waters and orange umbrella. " Ga...

A stunning and pertinent example of Berthelsen's charming New York City winter scenes depicting Saint Paul's Chapel in the snow. It was built in 1766 as the chapel building of Trinity Church, located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. An iconic scene that so many have come to love and cherish. The artist was truly a master of capturing New York in all of its glory throughout the seasons. This piece is executed whimsically, yet dramatically evoking an emotion of wonder and beauty. This piece is signed lower right by the artist and it comes housed in a beautiful ornate silver tone frame with linen liner and hanging wire on verso ready to be displayed. Art measures 10 x 8 inches Frame measures 15.5 x 13.5 inches Johann Berthelsen was born in Copenhagen in 1883, the 7th of seven children, to Conrad and Dorothea Karen Berthelsen. His parents were involved in artistic and professional circles. In 1890, his mother brought the children to America, settling in Manistee, Michigan, with her sister's family. They would eventually move to Manitowoc, Wisconsin, a city on the shore of Lake Michigan. As a teenager, Johann was actively involved in choirs and singing groups. And he always loved to draw and paint, and while he was too impatient to take well to schoolwork, and never went beyond the 5th grade. Although he worked in several trades, Johann's mind and heart were always with the arts. As his voice matured, he also always wanted to be an actor, and at the age of 18 moved to Chicago where he reconnected with an old friend who was studying voice at the Chicago Musical...

"Soul of Fire" is a contemporary female portrait by French artist Natalya Mougenot, painted in acrylic on heavyweight professional acid-free paper, measuring 29.7 x 42 cm (11.69 x 16...

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

Clyde Steadman's "Country Road" is an original, handmade oil painting that depicts an impasto painting of a pastoral setting.

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 18 x 14 Frame Size: 22 x 18 Medium: Oil "Spring In Her Step" Cattle Landscape Texas A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek, Kevin Macpherson, and many others have played a significant role in his development as an artist. He is a member of Oil Painters of America and has achieved Signature membership status in the Louisiana Watercolor Society and the Plein Air Artists of Colorado. Chuck has won numerous awards and has had work accepted into prestigious national juried competitions, such as the Oil Painters of America National Show (2020, 2021), Western Regional Show (2016, 2021, 2022) and Salon Show (2016, 2020). After 28 years in Louisiana, Chuck and his wife, Barbara, moved to Fredericksburg, Texas, in 2005, in order to pursue their passion for art on a full-time basis. In 2008, Chuck started teaching a beginner’s oil painting class and later intermediate classes in composition, landscape painting, and limited palettes. He is represented by Charles Morin Fine Art in Fredericksburg, Texas. Degrees in chemistry from Southern Methodist University (B.S.) and the University of Texas (PhD) led to Chuck's career in research at ExxonMobil Process Research Labs in Baton Rouge, Louisiana. He presently holds 57 U.S. patents in the field of catalysis. He and Barbara have two sons and a daughter, and 8 perfect grandchildren. An Eagle Scout...

The Valley in Spring by Charles E. Buckler (American 1869-1953), signed lower corner titled verso oil painting on canvas: 16 x 20 inches framed: 21.5 x 25.5 inches condition: very go...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Louis Oscar Griffith (1875-1956) Noon Time Lull (Charleston, South Carolina) Etching & drypoint, c. 1930 Signed in pencil (see photo) Annotated: "2nd State" (of three?) Image/Plate s...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

Courtyard at Noon Oil on canvas 20 x 24 inches 50.8 x 61 cm Framed dimensions 31 3/8 x 35 3/8 inches Signed lower right: Robert Spencer Provenance Private collection, Michigan; Free...

The White Boat, Edgartown, c. 1916 Watercolor and gouache on board 18 x 24 inches (45.7 x 61 cm) Framed dims: 24 x 29 1/2 inches Signed at lower right: JANE PETERSON Inscribed on ver...

Dennis Sheehan Evening on the Marsh, circa 2025 Signed lower left Oil on canvas 22 x 34 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School...

Dynamic mid century seascape capturing the moment a wave crashes upon the rocks at Emerald Bay, Laguna Beach, California by listed artist Mildred Ruth Finch Brown (American, 1891-1969), c.1955. Signed lower right: "Margaret Finch Brown." Titled in pencil on verso: "Wind and Wave" and stamped on the stretcher bar: "Original Oil Painting by Mildred Finch Brown, Laguna Beach, Calif." Presented in a rustic, carved wood frame with linen liner. Image, 20"H x 30"W. Mildred Ruth Finch Brown was born on October 24, 1891. She wed Leroy Brown in 1925. She began painting as a hobby in 1948. She was largely self- taught but studied with Bennett Bradbury...

Ipswich, 1901, by Theodore Wendel (1859-1932) Oil on canvas 9 x 14 inches unframed (22.86 x 35.56 cm) 14 ½ x 19 ½ inches framed (36.67125 x 49.68875 cm) Signed and dated on reverse ...

Ryan Morse's (US based) "Expanse" is an original, handmade oil painting on cradled panel, which is unframed but ready to hang. Artist Bio: Ryan Morse is a Denver based freelance ar...

A mid-century American Impressionist oil painting depicting two men with an American Flag in the background by Charles Ross Kinghan (American, 1895-1984). Like much of Kinghan's work, this painting is the original that was used for short story illustration. Signed "Kinghan" lower left. Presented in a wood frame. Image, 24"L x 20"H. Frame, 22"H x 26"W. Charles Ross Kinghan was born in Anthony, Kansas on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. Kinghan later studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many other magazines including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

This artwork "Still Life Flowers in a Vase" c.1960 is an oil painting on canvas by noted California artist John William Orth, 1889-1976. It is signed at the lower right corner by the artist. The canvas size is 36 x 30 inches, framed size is 46.5 x 40.5 inches. Custom framed in a wooden gold with brown patina frame, with fabric and gold liner. It is in excellent condition. About the artist: John W. Orth was born in Bavaria in 1889. He sold his first painting, a water color, when he was 13. At age 15 studied under a scholarship at Nuremberg's College of Fine Arts. Three years later, again on a scholarship, he attended Munich's Academy of Fine Arts. From there he went on to study at the Art Academy Julien in Paris and then traveled throughout Europe, studying work by the Old Masters. For Nuremberg's Albrecht Durer Museum, he was commissioned to reproduce a number of Durer's paintings, and representatives of The Rhineland's Barmen Museum purchased his painting of The Prodigal Son. In 1922, Louis Mayer, an accomplished artist himself, purchased Orth's The Prophet from among thousands of paintings displayed at Munich's Glas Palast. He declared Orth's painting "the work of a genius," and for three years The Prophet was hung, by invitation, in the Brooklyn Art Museum. Already an established artist at age 34, Orth left his troubled country in 1923 to escape certain persecution for his outspoken liberal views on race, religion and politics. He came to America to start anew. Here, he felt certain, his restless spirit could continue to grow, his career to flourish in an environment of freedom, which encouraged individual expression and unrestrained thought. In the United States, John Orth did portraits of notables including Winston Churchill, Albert Einstein, John F. Kennedy, Richard M. Nixon, Marian Anderson...

“Rowing on the Charles River, Harvard University” by Aiden Lassell Ripley (American, 1896-1969) A fantastic, rare view of Harvard University and the Charles River by renowned Americ...

This beautiful American Impressionist oil painting depicts a stately willow tree along the bank of a stream. Artist Arthur Hoeber (1854-1915) used a colo...

Elk in the Forest - Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). Several elk are grazing in a cl...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

19th century maritime seascape of a naval ship similar to those used in the war of 1812, by William B. Hoff (American, 1846-1903). This miniature wat...