American Impressionist Art

Beautiful oil painting of a California lake by Margaret Ward (American, 20th century). Mountains of browns and reds shadow over a bright blue lake, with dark brown and green trees su...

David Shingler's (NC based) "Sangre De Cristo Sunrise, Colorado" is an original, handmade oil painting that depicts the Rocky Mountains caught in the or...

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

Althea Platt The Conversation, France, circa 1915 Signed lower left Oil on canvas 8 x 10 inches Alethea Hill Platt was an American artist and educator. Her paintings of rural lands...

Hayley Lever Boat on Beach, 1952 Oil on canvasboard 5 3/4 x 8 5/8 inches Provenance The artist Davis Galleries, New York (#DG 188) Private Collection, Ne...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

This important oil painting titled Mackerel Fleet is by Anthony Thieme (1888–1954), a leading figure of the Cape Ann School and one of the most respected American Impressionist paint...

A Florentine Bar Florence Impressionism 12 x 16 2024 Duomo Drinks Also shown is "Girl with Aperitivo" which is 16' x 12" and is available. This Florentine painting by James Crand...

Jack Lorimer Gray Nova Scotia Coast Signed lower left Oil on Masonite 29 1/4 x 49 1/4 inches Jack L. Gray was born in Halifax, Nova Scotia in 1927, the only child of civil engineer...

Signed oil on board circa 1920 by American impressionist painter Paul Cornoyer. The work depicts a view of a busy harbour with several boats in the harbour and moored by a busy pier....

Artist: Itzchak Tarkay (1935-2012) Title: Gossip Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 493/750, plus 100 Remarques Condition: Excellent ...

Kenneth Nunamaker (1890-1957) House in Center Bridge Oil on canvas on board, 8 x 10 inches (20.3 x 25.4 cm) Signed lower left: K. Nunamaker Inscribed on verso: K. Nunamaker / New Hop...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Original La Baule le Midi de le Bretagne, small format vintage French travel poster. Plage de Sable Fin: 20 Clubs de Culture Physique. Tennis: 50 courts ; casino, golf sur le Pouliguen. Printed in Paris. Professional, acid-free, archival, linen-backed, mint condition, ready to frame. Jean-Denis Malclès - with accent marks. Paris Boasting France’s longest beach, running no less than eight kilometers, La Baule is an ever-popular destination for seaside amusements. Here, there are 20 health clubs, 50 tennis courts, a casino, and golf courses, which are promoted below, while a fantasy world of costumed dandies, curvaceous sunbathers, equestriennes, theatrical performers, and the general haute monde wander the perfectly preened paths along the shore. This La Baule - de la Bretagne is an Original Vintage Poster, not a reproduction. This poster is conservation-mounted, linen-backed, and in excellent condition. The artist is also known for his famous French Beauty and the Beast poster...

Anthony Thieme Mountain Village in Winter Signed lower left Oil on canvas 25 x 30 inches Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Acade...

Alexander Warshawsky was born in Cleveland, Ohio on March 29, 1887. He studied painting at the Cleveland School of Art and the National Academy of Design in New York City. Warshawsky...

Impressionist pastoral scene of a quaint marine view of the docks and fishermen of the iconic fishing shack on Bearskin Neck located on Bradley Wharf in the harbor town of Rockport, ...

"Killers from Space", Original vintage theater linen backed with original fold marks restored vintage movie poster. Very good to excellent condition and ready to frame. RKO Pictures. NSS 54/76 Killers From Space, the 1954 W. Lee Wilder giant-insect-alien science fiction (sci-fi) thriller ("Earth Attacked!"; "Astounding drama as bulb-eyed men invade Earth from flying saucers! ... The Last Word In Science-Fiction Sensation!"; "The last word in science-fiction thrills!"; "See the space killers plan to wipe out the human race! See strange monsters, flying saucers, giant creatures... SENSATIONAL!"; "Attack by monsters from another planet!"; "INVASION from another planet!"; "Staggering scenes, astounding sensations... As bulb-eyed monsters in flying saucers attack earth! An astounding science-fiction thrill!"; "From a story by Myles Wilder") starring Peter Graves...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday life in the sun along the Pacific coastline (and beyond). Her detailed paintings show us the breathtaking California scenery with its recognizable elements in a new light and with a keen eye for clever composition and layered colors. Her modern landscapes and sublime seascapes capture an impressive visceral visual. This one-of-a-kind 36 inch high by 12 inch wide palm tree inspired artwork is a composition created with acrylic paint on canvas. It is stretched, wired, and ready to hang. The sides are painted as a continuation of the front and it does not require framing. It is signed by the artist on the front and back of the artwork. A certificate of authenticity issued by the gallery is included. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. Kathleen Keifer is a California-based internationally collected artist. Her paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. Water, sky, and architecture change their appearance with the shifts in weather and light. Her broken brushstrokes depict light and color in luminous waves, dissolving form into a shimmering surface of vibrant light. For her, painting captures the very essence of time and its passage. While painting landscapes she became fascinated with isolating the objects in her paintings. She believes that actual sites and places have individual magic. The goal is to take objects from popular culture and paint them in a new context. She began to paint the silhouette of the Life Guard Tower more as a pop art symbol than a landscape element. With a high level of technical virtuosity, Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects. Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York, and London. Artspace Warehouse has been representing and exhibiting Kathleen Keifer's original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA 2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA 2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA 2018 Morris Inn, Notre Dame, IN Malibu Beach House, Malibu, CA Bon Voyage, Coda Gallery, Palm Desert, CA Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL Art Palm Springs Fine Art Fair, CA Artspace Warehouse, CA 2017 Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA “Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA 2016 Susan Schomburg gallery, Santa Monica, CA Jazz in the Pines, Idyllwild, CA 2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il Jazz! Dion Gallery, Redondo Beach, CA Art 90266, LA 25, Manhattan Beach, C Political Commentary, Linus gallery, Long Beach and Pasadena, CA 2014 RETROspective, Coast Gallery, Long Beach, CA ArtHampton, Bridgehampton, NY The Pursuit of…, Lurie Gallery, Los Angeles, CA Art 90266, LA 25, Manhattan Beach, CA 2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA University of Notre Dame, Notre Dame, IN Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada 2012 Art, Wine & Roses, Home Gallery, Malibu, CA Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ 2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA Art of The Game, Oh My Godard Gallery, Atlantic City NJ Art of The Game, Liss Gallery, Toronto, Ontario, Canada 2010 Art of The Game, Gallery 319, Santa Monica, CA One Woman Show, Canfin Gallery, Westchester, NY 2009 American Riviera, ARTfront Gallery, Los Angeles, CA American Landscape, Hilliard Gallery, Kansas City, MO 2008 Coastal Living, Gallery 319 Santa Monica, CA 2007 On the Beach, Gallery 319 Santa Monica, CA Why We Live Here, Dion Gallery, Redondo Beach, CA 2006 Mc Lean Gallery, Malibu. CA BOOK: Perspective on Coastal Beauty, From Malibu to Manhattan Beach 2005 Along the PCH, Mc Lean Gallery, Malibu, CA FRESH!, MOCA, Los Angeles, CA Gallery C, Hermosa Beach, CA California Visions, Long Beach Museum of Art, Long Beach, CA 2004 President’s Show, CA Heritage Museum, Santa Monica, CA Coastal Nostalgia, Mc Lean Gallery, Malibu, CA Gallery C, Hermosa Beach, CA 2003 Los Angeles County Museum of Art, Los Angeles, CA Coastal Nostalgia, 2003, Mc Lean Gallery, Malibu, CA 2002 Coastal Nostalgia, 2002, Mc Lean Gallery, Malibu, CA 2001 Los Angeles County Museum of Art, Los Angeles, CA Ambient Light, Mc Lean Gallery, Malibu, CA 2000 The Coastal Landscape, Mc Lean Gallery, Malibu, CA Malibu Artists Juried Show, Weisman Museum, Malibu, CA Montecito Art...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

An oil on board painting by Gustave Weigand (1870 - 1957), signed lower right. Painting measures 16 x 12 inches. Wiegand was born in Bremen, Germany in 1870. Wiegand studied at the R...

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

A lovely little Impressionist landscape of Paysage au Crépuscule (Landscape at Twilight) painted by William Samuel Horton (1856-1936). William Horton, primarily a landscape painte...

Signed: Purdy lower left and dated verso Panel size: 24 x 30 inches Painted in an expressive manner, the amount of color and freshness to this painting is refreshing. There is a sen...

Joan Parker (20th C.) "Homestead" Oil on Canvas 11 x 14 inches 13 x 16 framed Joan Parker, is a Plein Air landscape painter and a native of California. Her artistic abilities were...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

An exceptional impressionist beachside scene with figures and powerful clouds by American artist Augustus B. Koopman (1869-1914). Koopman was born in Charlotte, North Carolina, initially studied at the Pennsylvania Academy of Fine arts, and going on to live a large portion of his short life in Paris, studying at the Academie Julian and the Ecole des Beaux Arts, painting many of his marine and figure paintings on the coast at Etaples, near Belgium. Among his teachers were William Bouguereau, Benjamin Constant, and Tony Robert-Fleury. He was well known for his genre, maritime, landscape, figure, and portrait paintings. His drypoints and etchings can be found in both the Congressional and New York Public Libraries, and his painting “Vision of the Grand Canyon” is displayed in the Santa Fe Railway...

The painting may not illustrate your story, but it is universal—that desire to honor one’s forerunners and reflect on their daily lives. Consider the many opportunities, comforts and...

William Lester Stevens Rockport Signed lower right Oil on canvas 20 x 24 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

This oil painting titled Lobstermen’s Cove is by American Impressionist Antonio Cirino (1888–1983), an important figure associated with the Cape Ann art colony. The composition depic...

Serene early 20th Century palm springs desert landscape with mountains in the background by Beatrice Gildersleeve (American, 1892 - 1933). Signed "GILDERSLEEVE" in the lower right co...

Idyllic landscape of a scenic lake view with an evergreen forest and picturesque purple mountains in the background by an unknown artist. Unsigned. Displayed in a period rustic wood ...

"This still life was painted in early summer, when my favorite peonies are in full bloom and fresh, ripe strawberries appear. I set myself several artistic challenges in this work: c...

Abel Warshawsky (American 1883-1962) Spring Fantasy, 1948 Oil on artist's board Signed lower right and verso 16 x 13 inches 20 x 17 inches, framed Impressionist painter A.G. Warshaw...

Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...

Painting Size (unframed): 10" x 15 1/4" Framed Size: 16" x 21" This intimate landscape by Bernard Corey depicts a quiet white house nestled within a wooded setting, rendered with se...

Dennis Sheehan Evening Luminosity, circa 2025 Signed lower right Oil on canvas 18 x 24 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School ...

A rare and breath taking work, with masterful bursh work and sublime execution of light. We are drawn to the subtle beauty and elegant pose. The tasteful compostion lends an intimate scene into the artists studio where Philip has captured her effortlessly. This piece comes displayed in a wonderful frame and hanging wire on verso. Art measures 24 x 20 inches Frame measures 30 x 26 inches Robert Philipp was born on February 2, 1895 in New York City. He was an American painter influenced by Impressionism and Post-Impressionism, and known for his nudes, still lifes, and portraits of attractive women and Hollywood stars. Moses Solomon Philipp showed early talent and grew up in a family atmosphere that fed and cultivated his creativity. At age of 15, he entered the Art Students League for four years and then continued his training at the National Academy of Design. His teachers at the League included George Bridgeman and Frank DuMond, and at the National Academy he studied with Douglas Volk...

V....Vaughan is known for impressionist paintings of wildlife, western themes, scenes in Italy, France and all things Texas . Her paintings are part of the permanent collection of...

"One Winter Evening" Northwest in Winter Snow and Stream - Oil on Linen Northwest Territories oil on linen layers of color and impasto give a winter glow to this work by Thomas Charl...

Gerrit Beneker (1882 - 1934) Wellfleet, Cape Cod, Massachusetts, New England, 1926 Oil on canvas 20 x 16 inches Signed, titled, and dated lower left Provenance: Louis H. Barnett, Fort Worth, Texas In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

Rosemary Bothwell (20th century).Ballet Dancer, ca. 1975. Pastel on paper, 19 x 25 inches. Creasing and stray markings in margins and corners. Signed lower right.

Pauline Palmer Ladies' Sketch Club Signed lower left Oil on board 20 x 24 inches Pauline Palmer (1867 - 1938) was one of Chicago's early twentieth-century portrait and landscape pa...

Moonlight Light Sailing oil/canvas 26 x 26 image unframed, 31.25 x 31.25 framed Moonlight Sailing is an oil painting on canvas by award winning contemporary artist Michael Budden th...

This artwork titled "Market Street, San Francisco" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by...

Mary Kollock (American, 1840-1911) [illegible] France, 1892 Oil on canvas 30 1/2 x 23 1/4 in. Frame: 36 1/2 x 33 x 2 7/8 in. Signed, titled, and dated lower right Landscape, still l...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

A beautiful oil still life of a vase of assorted flowers, with two roses on the table. Unframed. Unsigned. Image, 16"H x 20"L.

This artwork "Texas Cpast Line" 1964 is a watercolor on paper by noted Texas artist Jim Jones, 1922-1999. It is signed and dated at the lower right corner by the artist. The artwork ...

Original Paris SAS, Scandinavian Airlines System vintage travel poster. Archival linen backed in excellent condition, Grade A, ready to frame. Images shown are of the exact poster you will receive. The artist signs his work with his initials ‘ON” and always places an airplane somewhere. in the SAS travel poster design. The Paris SAS vintage poster...

This lovely impressionist painting portrays what appears to be a family outing or picnic. There are many beautifully dressed women with their children in a park setting. Oddly, what appears to be missing are men, or their husbands. Perhaps it’s a women’s organization that included their young children. The scene must depict late spring or summer, given the foliage and their beautiful dresses. The colors are bright and cheerful and the late impressionist style is clearly evident. The artist appears to have signed the painting lower left, but it is very difficult to completely decipher. The date, 1925, seems to be clearer. All in all, this work is a one-of-a-kind period painting that will enhance any sophisticated room or setting. The frame is a soft lemon gold period cove frame that may be just a bit older than the work by about 10 years. This work has been recently professionally repaired, cleaned and varnished. Both the painting and the frame are in very good condition. There are a few professional repairs to the canvas, only visible from the patches shown on the backside. The frame has a few minor blemishes here and there, expected with its age. The canvas measures 18” x 22” and the overall framed dimensions are 24 1/2” x 28 1/2”. Visible on the reverse side is a vintage label that reads “Art...

"Winter Sage" by Dan Young is an original oil painting depicting a rural snow scene. Dan Young was born in Denver and grew up in western Colorado. “Camping and fishing throughout th...

"When Winter Rules" by Dan Young is an original oil painting depicting a rural snow scene. Dan Young was born in Denver and grew up in western Colorado. “Camping and fishing through...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W. Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...

Charles Henry Miller (American, 1842-1922) Untitled (Sunrise on the Farm), c. 1885 Oil on canvas 13 x 24 in. Signed lower right: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Edna Gass: 1904-1993. Fabulous little impressionist still life by the Pennsylvania artist Edna Gass. She was considered a member of the new Hope school of artist. The painting is oil...