American Impressionist Art

Peaceful landscape of sand dunes along a California beach with seagulls drifting overhead in a soft gray-blue sky, by a California artist. Signed "Noland" lower right. Presented in a...

An oil painting of a sunset over the sea. Light ripples out from the bright yellow sun, in curved brushstrokes. Waves splash against rocks as they approach the shore. The sea reflects the bright sky above, creating a light green sheen upon the waters surface. The horizon is met with purple hills in the distance. Framed in a simple 1-inch black flat frame (as pictured). Framed dimensions: 38 x 42 inches Painting dimensions: 36 x 40 inches Tim McGuire...

Charles Herbert Woodbury Coastal Seascape Signed lower left Oil on canvas 17 x 20 inches Charles Herbert Woodbury, born in Lynn, Massachusetts in 1864, is recognized as the founder...

Own a rare, original vintage field study drawing by renowned Colorado artist Charles Partridge Adams. This atmospheric ink-on-paper composition captures the raw beauty of a storm swe...

"The Awakening" Early Spring Landscape of Mt Hamilton Oil on Masonite Early Spring landscape by Palo Alto, California artist "Florice" Florence P. Wideman (Hoffman) (American, 1893-1...

This artwork "California Coast" 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corn...

Frederick William Macmonnies Marion Jones Farquhar, 1905-11 Oil on canvas 24 x 20 inches Provenance: William Clerk Private Collection, New York Literature: Mary Smart, A Flight with Fame: The Life and Art of Frederick MacMonnies, with a Catalogue Raisonne of Sculpture and a Checklist of Paintings by E. Adina Gordon, Madison, Connecticut, 1996, no. 90. The work depicts Marion Jones Farquhar who, was an American tennis player who competed during the late 19th century and early 20th century. She won the singles titles at the 1899 and 1902 U.S championships and was the first American woman to medal at the Olympics placing Bronze in singles. Additionally, she was the artist's sister-in-law who often played and competed with MacMonnies in golf and tennis. MacMonnies would often study the movements of her form referenced in his sculpture. When MacMonnies won a doubles golf tournament he said "Marion dragged my dead weight thro' and won us the tournament, showing what great Generalship can do." A sculptor of classical figures, American-born Frederick MacMonnies had fame in the United States and Europe in the later half of the 19th century and early 20th century. He occasionally returned to America but lived most of his life as in expatriate in France. He was especially known for his lithe bronze figures, especially ones titled Diana. The classical names of these figures allowed him the appearance of propriety but gave him the opportunity to model svelte nudes. Frederick MacMonnies was one of the first American sculptors to recognize the potential market of the middle class. He copyrighted his works and then contracted with foundries to mass produce some of his figures such as Diana in smaller sizes. MacMonnies was born in Brooklyn, New York, and was a child prodigy at carving stone. At age 18, he worked in the studio of Augustus Saint-Gaudens, and then persuaded him to become his assistant, keeping models damp and covered, running errands, and cleaning the studio. Evenings he studied at the Art Students League, Cooper Union, and the National Academy of Design. In Saint-Gaudens' studio, he met many of the wealthy people who shared Saint-Gaudens Beaux-Arts based ideas that art and architecture should be unified in order to create public art in America equal to that of classical antiquity or Renaissance Europe. Among the men that MacMonnies met through Saint-Gaudens who later furthered his career were architects Stanford White and Charles McKim...

Dazzling reclining nude figurative in a dreamy, twilight setting with desert tones by Scottsdale, Arizona artist Thomas (Tom) P. Darro (American, b. 1946), circa 1990. Signed "T.P. Darro" lower right corner. Displayed in a carved wood frame, with linen liner and wood fillet. Image, 18"H x 36"W. Raised in an artistically rich atmosphere, Tom Darro has spent his entire life in the world of the arts. His father, Peter Darro, is a renowned painter and sculptor. His mother, Ann Darro, was an opera singer with the Chicago Civic Opera. In addition, three of Tom's uncles served as art directors for various organizations. Born in Chicago, Tom opted not to take an offered scholarship to the Chicago Art Institute and instead headed for New York City. While there, he began his education in the intricacies of the art world. Later, Tom took the opportunity to move to Los Angeles to concentrate on his art studies. For over two years he took private lessons from European trained painter Theodore Lukits at his studio and workshop. He then studied color theory under artist Christian Title...

This lovely impressionist painting portrays what appears to be a family outing or picnic. There are many beautifully dressed women with their children in a park setting. Oddly, what appears to be missing are men, or their husbands. Perhaps it’s a women’s organization that included their young children. The scene must depict late spring or summer, given the foliage and their beautiful dresses. The colors are bright and cheerful and the late impressionist style is clearly evident. The artist appears to have signed the painting lower left, but it is very difficult to completely decipher. The date, 1925, seems to be clearer. All in all, this work is a one-of-a-kind period painting that will enhance any sophisticated room or setting. The frame is a soft lemon gold period cove frame that may be just a bit older than the work by about 10 years. This work has been recently professionally repaired, cleaned and varnished. Both the painting and the frame are in very good condition. There are a few professional repairs to the canvas, only visible from the patches shown on the backside. The frame has a few minor blemishes here and there, expected with its age. The canvas measures 18” x 22” and the overall framed dimensions are 24 1/2” x 28 1/2”. Visible on the reverse side is a vintage label that reads “Art...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 9/25 Size: 25 in. x 33 in. (63.5 cm x 8...

Through The Redwoods - American Impressionist American Impressionist oil painting depicting a forest of California redwood trees. A giant red...

Walter Emerson Baum Manayunk, 1953 Signed and dated lower right; titled and dated on the reverse Oil on board 12 x 14 inches Walter Baum was born December 14, 1884 in Sellersville,...

Charles Marion Russell (1864 - 1926) Old Russell House Pencil on paper 3 1/2 x 6 1/2 inches Provenance: Kennedy Galleries, New York Raydon Galleries, ...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

Girls Outside a Florentine Bar by James Crandall Oil on canvas panel 12” x 16” Also shown is "Girl with Aperitivo" which is 16' x 12" and is available. This Florentine painti...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Mission San Juan Capistrano ", circa 1934 Oil on Canvas 21" x 25" Beautifully housed in a 4" Carved Frame ...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furniture warehouse...

Irma René Koen was an active member of the Rockport Art Association, a group known for supporting and showcasing artists inspired by New England's picturesque scenery. She spent cons...

Deb Komitor's (US based) "Trusting where the Path leads" is an oil painting that depicts sunlight streaking in through the canopy of a dark and heavy thicket illuminating little sapl...

Deb Komitor's (US based) "Deep in the Quiet" is an oil painting that depicts the shadows of dense thicket with sunlight streaking in through the canopy. Bio/artist statement: Deb K...

Nanette Fluhr’s "A Walk Through the Dunes" is a captivating landscape painting that brings viewers into the tranquility of a coastal path surrounded by windswept vegetation. This int...

Mid century nude figure study of a woman in a blue chair by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Presented ...

Louis Betts The Guitarist, circa 1920 Signed upper left Oil on canvas 27 x 18 inches Louis L. Betts was a painter active in the first half of the twentieth century in the United St...

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower Left "Sackas" and verso Rota Farm House Cadiz" "John Sackas" . Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

Beautiful California plein air painting of San Gabriel Mountains in autumn with iconic Sycamore tree in foreground. Circa 1960. Unsigned. Presented in vintage gilt-toned carved wood frame. Image size: 10"H x 14"W. The San Gabriel Mountains have inspired many famous plein air painters including Hanson Puthuff, Marion Kavanagh Wachtel, Maurice Braun...

Harold C. Dunbar (1882 - 1953) Meadow Landscape in Summer, 1929 Oil on canvas 17 1/2 x 21 inches Signed and dated lower left Harold C. Dunbar — painter, teacher, writer, and illustrator — was born in Brockton, MA on December 8, 1882. He resided in Chatham, MA and died in 1953. His work includes portraits, landscapes, street scenes, still lifes, harbors and coastal scenes. Dunbar studied with Ernest Lee Major (1864-1950) and Joseph De Camp...

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

Capturing the essence of Waikiki Bay, a visual symbol of Hawaii situated in Honolulu on the southern coast of Oahu, this pair of landscape-format oil paintings features the iconic trio of palm trees...

"Quiet Fields of Winter" by Bernard Corey is a beautiful landscape that showcases his exceptional talent for depicting tranquil, rural scenes throughout New England, particularly in ...

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

Pacific Coastal Seascape in Oil on Canvas Dynamic seascape by Evelyn Webb Meck (American, 1915-2011). Waves are crashing in around large rocks that a...

This artwork "At the Dock" c.1980 is a watercolor on 500 Aquarelle paper by noted American artist Allen Daniel (Dan) Burt, 1930-2004. It is signed at the lower right corner by the artist. The artwork size is 21.5 x 29.5 inches, framed size is 29.5 x 37.5 inches. Custom framed in a white metal frame, with off-white matting. The artwork is in excellent condition, the frame has some minor scratches, the acrylic glass have some scratches and will be replaced by a new...

In "Harborfront" the artist uses colorful, impressionist brushstrokes to bring a working waterfront to life.

Serene, small-scale early 20th century landscape of a stream in winter by Ohio artist Martin George Dumler (American, 1868-1958), c. early 1900's. The deep blue stream flows peacefully through white banks of snow, towards the distant trees depicted in loose, abstracted brushstrokes. Signed "M. G. Dumler" in the lower right corner. Presented in a gilded frame. Painting size: 10"H x 8"W. Still-life and Landscape painter and composer of liturgical music, born in Cincinnati (Hamilton). December 22, 1868. He was a pupil of Martin Rettig...

Beautiful oil painting of nude study titled "The Red Table Cloth" by Bay Area, California artist Shirley Loyst (American, b-1928), circa 1960. Exhibition...

Hibbard, known for his love of winter landscapes, was a well-known American artist. The sunlight reflecting off the water adds warmth to the chilly scene, making the snow and ice spa...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...

This oil painting on linen is a fine example of an American impressionist landscape by a masterful painter. The painting provides a scene of green and many-hued trees that give an em...

Original French vintage poster: DAHLIAS DOMAINE DE SCEAUX. Linen backed in very good condition. Ready to frame. Artist: Touchagues Timeless French Elegance: Featuring the ic...

Wonderfully vibrant large scale still life of white and bluish marguerites on a bold blue background by Marilyn Rabinovich (American, b. 1932), circa 1960. Signed lower right corner....

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Oil painting of a neighborhood in the winter. A quiet, tree-lined street is sprinkled with snow. A yellow sky blends into blue and above. Frame dimensions: 32 x 44 inches Artist ...

Hildegarde Hamilton (Florida, Virginia 1898-1970) Oil on canvas painting of a Dominican townscape Frame: 17.75" X 14.25" Image: 12" X 8.5" Hildegarde Hume Hamilton (1898 - 1970) was active/lived in Florida, Virginia. He is known for Impressionist buildings in landscape and coastal view painting, illustration. Hildegard Hume Hamilton was born in Syracuse, New York, in 1898. After her education there, and brief training at the age of six in art schools in Venice, Italy, while on a European sojourn with her father, she studied fine art at the Académie Julian, the École des Beaux-Arts and the Académie Grande Chaumière in Paris, France, during the 1920s and 1930s. Back in the United States, Hamilton studied for a short time at the Herron Art Institute in Indianapolis, the Cincinnati Art Academy and under the tutelage of the landscape and maritime painter Anthony Thieme (1888-1954) in Rockport, Massachusetts. The Ainslie Galleries on Fifth Avenue held an exhibit of Hamilton’s French Alpine Scenes to much acclaim. Hamilton exhibited in venues throughout the city and sold as many as 300 landscapes. In 1927, Vice President Charles Gates Dawes acquired one of Hamilton’s paintings following her one person exhibit at the Women’s National Party Headquarters in Washington D.C. In the autumn of 1928, an exhibition of her landscapes and cityscapes at the Galerie Bernheim Jeune in Paris was widely and positively reviewed. In 1929, she became the first American woman to exhibit at Philip Dillon’s club – L’Artistique, in Provence. She also contributed to the Salon des Artistes Independants in Paris. In 1930, Hamilton exhibited at the Carlton Hotel in Washington D.C. and in New York at the Grand Central Palace, American Art Association-Anderson Galleries on 57th Street, and the Huntington Bay and Yacht Clubs. During this period, the artist resided at 9 Gramercy Park in New York City. The picturesque neighborhood inspired Hamilton’s painting entitled 4 Gramercy Park, Mayor Harper’s House, Manhattan. C. 1930. The oil painting captures the red brick façade and intricate cast iron embellishments of 4 Gramercy Park, the former home of publisher and New York City Mayor James Harper...

California Coast Seascape - Oil On Canvas Oil painting of crashing waves along the California coastline by Bay Area artist Jack Linn (American). Light peeks through the clouds, reflecting on the stormy waters below, giving contrasts of yellows and whites to the blues and greens of the water. Two rocks are depicted in the lower right corner, as the waves are seen crashing over them. The suns glow...

Moonlight Marsh Gulls 12 x 18 unframed 17.88 x 24 framed. Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a bea...

This artwork is an original seriolithograph (serigraph with lithograph) by American artist Barbara A. wood, born 1926. It is hand signed and numbered 257/260 in pencil by the artist....

Beach Day II oil/canvas 11 x 14 image unframed, 17.5 x 20.25 framed Beach Day II is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a be...

C. Hjalmar Cappy Amundsen (1911 - 2001) was an American painter best known for his Gloucester Scenes. He painted all over the New England areas. Here we have an extraordinary paint...

Mystical Voyage oil/panel 11 x 14 image unframed, 17.5 x 20.38 framed Mystical Voyage is an oil painting on canvas panel by award winning contemporary artist Michael Budden that show...

Abstracted landscape of a monastery building with a bell and balcony by R. R Middlebrooks (American, 20th century). Signed "R. R. Middlebrooks" lower left. Titled "Monastery Bell...

A masterful oil painting depicting a colorful British country side with a couple strolling in the distance along a beautiful pathway. As an Impressionist painter, Clymer was known fo...

LEVON WEST (1900 - 1968) (Untitled) - HUNTERS with REFLECTIONS. ca 1925 Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...

Outstanding Oil on board a snow-covered Canadian landscape of the Haliburton Highlands near Ontario. Andrew B Phin is a painter, who is listed as a 20th-century Canadian painter of ...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Prince Charles at Windsor Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300 I...

Small size watercolor image of shells. Painting is mainly blue, yellow and brown tones. Painting is framed in a painted wooden gold frame with a yellow matte. Dimensions without Fram...

Jennifer McChristian's "Looking For Respite" (2008) is an original, handmade oil painting that depicts a busy sidewalk with people walking and bus...

The Port of San Tropez Oil on canvas, c. 1920 Signed lower right corner (see photo) Condition: Excellent, professionally cleaned Image/Canvas size: 25 3/4 x 32 inches Frame size: 30...

Gorgeous figurative landscape of a Carmel roadside grocer by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated lower left corner. Presented in giltwood frame. Image, 20"H ...

Hollis Dunlap's (US based) "Night Shadows" is an original, handmade oil painting that depicts a nude woman posing with her hand combing through her dark h...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

Look for Free Shipping at Checkout The Evening Gown is an American Impressionistic painting by Stuart Fullerton. The artist is know ...

This artwork "Nude" c.1970 is an oil painting on panel by American artist Rip Matteson, 1920-2011. It is signed at the lower right corner by the artist. The panel size is 24 x 18 inc...

"Sunlight and Shadow, The White House" is an Impressionist landscape by American painter Albert Van Nesse Greene. The painting is a 28" x 30.25" oil on canvas, framed, and signed in the lower left "A Van Nesse Greene" Provenance: Private Collection, Doylestown, Pennsylvania. Born in Jamaica, New York in 1887, Albert Van Nesse Greene (New York, Pennsylvania, 1887 - 1971) had a long and thorough art education. He studied at the Corcoran Gallery of Art, Washington, DC; The Art Students League, New York; the Pennsylvania Academy of the Fine Arts, Philadelphia; and in Paris at the Academie de la Grande Chaumiere. He lived in Chester County and painted many landscapes there, as well as in nearby Bucks County. His paintings were exhibited extensively in the United States and France. Examples of his work can be found in the collections of the Pennsylvania Academy of the Fine Arts and the National Gallery of Art among many others. He was a member of the Philadelphia Sketch...

Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts an autumn desert landscape cast over by the warm evening sunset, with horses resting unde...

This artwork titled "Corner Pond" 2009, is an oil painting on canvas board by American artist Annamarie (Anna) Nelson. It is signed at the lower right corner by the artist, also sign...

Yana Beylinson's (US based) "Lattice" is an oil painting that depicts impressionistic mauve, pink, and white flowers in situ with a gold leaf lattice pattern on the lavender colored ...

This vintage oil on canvas painting by Alfred Wands (1904-1998) depicts a classic western scene of horses pulling a stagecoach through the scenic Front Range of Colorado. The landscape captures the essence of the Colorado wilderness with vibrant autumn trees, golden grasses, a flowing river, and majestic snow-capped mountains in the background. The rich colors and detailed brushwork bring this iconic western moment to life. The painting is framed in a vintage frame, with outer dimensions measuring 29 ½ x 35 ½ x 1 inches, and the image size is 24 x 30 inches. This piece is in very good condition. Please contact us for a detailed condition report. Expedited and international shipping options are available. Contact us for a shipping quote. About the Artist: Alfred Wands, a renowned Colorado landscape artist, was born in Cleveland, Ohio, and graduated with honors from the Cleveland School of Art. He further honed his skills studying at the Académie Julian in Paris. After returning to Ohio in the late 1920s, Wands taught painting at both the Cleveland School of Art and the Cleveland Museum of Art. In 1930, Wands moved to Denver to head the art program at Colorado Women's College, where he spent the next 17 years. During this time, he frequently visited Taos, New Mexico, spending eleven summers there between 1930 and 1940, which deeply influenced his work. By 1943, Wands became the Camp Artist at the YMCA of the Rockies, teaching summer art classes. He later became the Chairman of their Religious Programs and Adult Advisory Committees. In 1947, Wands dedicated himself fully to his art, leaving his teaching position at the Women's College. In 1955, he opened a studio and gallery in Estes Park, Colorado, further solidifying his presence in the Colorado art scene. Known as the "Dean of Colorado Landscape Painters," Wands served three terms as the President of the Denver Artists Guild and held the position of Chairman of the Denver Art Commission for 16 years. He was a member of various esteemed organizations, including the Cleveland Society of Artists, Ohio Watercolor Society, and Chicago Galleries Association. ©David Cook Galleries...