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Conceptual Art

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art

Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Category

1990s Conceptual Art

Materials

C Print

Birds, Cibachrome Photograph Print, Signed Conceptual Art
Birds, Cibachrome Photograph Print, Signed Conceptual Art

Birds, Cibachrome Photograph Print, Signed Conceptual Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Category

1990s Conceptual Art

Materials

C Print

Cosa Mentale (Abstract Photography)
Cosa Mentale (Abstract Photography)

Cosa Mentale (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Cosa Mentale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This series...

Category

2010s Conceptual Art

Materials

Paper, Archival Pigment

Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American

Faces, Vintage Color Photograph Digital Photo Collage Print Asian American

By Emily Cheng

Located in Surfside, FL

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning. Selected solo exhibitions Ille Arts, Amagansett, New York, Shenzhen Art Museum, Shenzhen, China, (2015) Hanart T.Z. Gallery, Hong Kong, Zane Bennett Contemporary, Santa Fe, New Mexico, (2013) Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011) Louis Vuitton Maison, Kowloon, Hong Kong, (2010) Ayala Museum Makati, Philippines, (2006) Plum Blossom Gallery, New York, NY, (2004) Schmidt/Dean Gallery, Philadelphia, PA Byron Cohen Gallery, Kansas City, MO (2001) Metropolitan Museum of Manila , Philippines (1997) John Post Lee Gallery, New York, NY, Projects Room (1997) Contemporary Arts Center , Cincinnati, Ohio, 1994 David Beitzel Gallery, New York, NY, (1992) Lang & O'Hara Gallery, New York, NY, The Bronx Museum of the Arts , Bronx, NY, (1989) White Columns , New York, NY, (1985) Selected group exhibitions Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017 China Institute, New York, NY, 2014 Beijing Art Fair, Beijing, China, 2013 Museum of Chinese in America New York, NY, 2010 Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005 Museum of Contemporary Art , Shanghai, China, 2009 Guangzhou Triennial, Guangdong, China, 2009 Museum of Art, Guangzhou, China, 2008 Contrast Gallery, Shanghai and Beijing, China, 2008 University of South Florida Contemporary Art Museum , Tampa, Florida, 2006 Hong Kong Arts Centre , Hong Kong, 2004 American Academy of Art , New York, New York, 2004 Longmarch Project, Beijing, China, 2002 Sotheby’s , New York, NY, 2001 Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000 Katonah Museum of Art , Katonah, NY, 2000 National Academy and Museum, NY, 2000 Municipal Museum of Gyor, Hungary, 1999 New Museum of Contemporary Art , New York, NY, 1998 De Cordova Museum and the Computer Museum , Boston, MA, 1994 International Graphic Biennial, Muveszeti Museum, Hungary, 1995 Yerba Buena Center for the Arts , San Francisco, CA, 1994 Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France, Cone Editions Gallery, New York 1990 Anina Nosei Gallery, New York, 1988 Greenville County Museum of Art , South Carolina, 1988 North Carolina Museum of Art , Hallwalls , Buffalo, NY, 1988 Grace Borgenicht Gallery , New York, 1986 Tibor de Nagy, New York, 1985 Asian American...

Category

1990s Conceptual Art

Materials

Photographic Paper, C Print

Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American

Faces, Vintage Color Photograph Digital Photo Collage Print Asian American

By Emily Cheng

Located in Surfside, FL

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning. Selected solo exhibitions Ille Arts, Amagansett, New York, Shenzhen Art Museum, Shenzhen, China, (2015) Hanart T.Z. Gallery, Hong Kong, Zane Bennett Contemporary, Santa Fe, New Mexico, (2013) Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011) Louis Vuitton Maison, Kowloon, Hong Kong, (2010) Ayala Museum Makati, Philippines, (2006) Plum Blossom Gallery, New York, NY, (2004) Schmidt/Dean Gallery, Philadelphia, PA Byron Cohen Gallery, Kansas City, MO (2001) Metropolitan Museum of Manila , Philippines (1997) John Post Lee Gallery, New York, NY, Projects Room (1997) Contemporary Arts Center , Cincinnati, Ohio, 1994 David Beitzel Gallery, New York, NY, (1992) Lang & O'Hara Gallery, New York, NY, The Bronx Museum of the Arts , Bronx, NY, (1989) White Columns , New York, NY, (1985) Selected group exhibitions Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017 China Institute, New York, NY, 2014 Beijing Art Fair, Beijing, China, 2013 Museum of Chinese in America New York, NY, 2010 Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005 Museum of Contemporary Art , Shanghai, China, 2009 Guangzhou Triennial, Guangdong, China, 2009 Museum of Art, Guangzhou, China, 2008 Contrast Gallery, Shanghai and Beijing, China, 2008 University of South Florida Contemporary Art Museum , Tampa, Florida, 2006 Hong Kong Arts Centre , Hong Kong, 2004 American Academy of Art , New York, New York, 2004 Longmarch Project, Beijing, China, 2002 Sotheby’s , New York, NY, 2001 Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000 Katonah Museum of Art , Katonah, NY, 2000 National Academy and Museum, NY, 2000 Municipal Museum of Gyor, Hungary, 1999 New Museum of Contemporary Art , New York, NY, 1998 De Cordova Museum and the Computer Museum , Boston, MA, 1994 International Graphic Biennial, Muveszeti Museum, Hungary, 1995 Yerba Buena Center for the Arts , San Francisco, CA, 1994 Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France, Cone Editions Gallery, New York 1990 Anina Nosei Gallery, New York, 1988 Greenville County Museum of Art , South Carolina, 1988 North Carolina Museum of Art , Hallwalls , Buffalo, NY, 1988 Grace Borgenicht Gallery , New York, 1986 Tibor de Nagy, New York, 1985 Asian American...

Category

1990s Conceptual Art

Materials

Photographic Paper, C Print

Birds, Cibachrome Photograph Print, Signed Conceptual Art
Birds, Cibachrome Photograph Print, Signed Conceptual Art

Birds, Cibachrome Photograph Print, Signed Conceptual Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...

Category

1990s Conceptual Art

Materials

C Print

Untitled (from ROBOTNICS Series)
Untitled (from ROBOTNICS Series)

Untitled (from ROBOTNICS Series)

By Christian Rothmann

Located in Kansas City, MO

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Category

2010s Conceptual Art

Materials

C Print

Chinese Contemporary Art by Su Yu - Rope Swing

Chinese Contemporary Art by Su Yu - Rope Swing

By Su Yu

Located in Paris, IDF

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

Category

2010s Conceptual Art

Materials

Canvas, Oil

The Fig and Horn
The Fig and Horn

The Fig and Horn

By Joseph Broghammer

Located in Kansas City, MO

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Category

2010s Conceptual Art

Materials

Chalk, Pastel, Archival Paper, Pencil, Color Pencil

Bill
Bill

Joseph BroghammerBill, 2016

$2,599Sale Price|48% Off

Bill

By Joseph Broghammer

Located in Kansas City, MO

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Category

2010s Conceptual Art

Materials

Chalk, Pastel, Archival Paper, Pencil, Color Pencil

No Wifi, The Dream Art Project
No Wifi, The Dream Art Project

No Wifi, The Dream Art Project

By Anne Valverde

Located in New York, NY

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Category

2010s Conceptual Art

Materials

Photographic Film, Acrylic Polymer, Neon Light, Archival Paper, Photogra...

One: Yellow

One: Yellow

By Patrick Lichty

Located in New York, NY

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Category

21st Century and Contemporary Conceptual Art

Process (3)
Process (3)

Process (3)

By Chulkova Elena

Located in Zofingen, AG

This is the third final picture from the "Process" series. I describe the process of creating a work of art from the emergence of an idea or impression to its completion. The series ...

Category

2010s Conceptual Art

Materials

Oil

Process (2)
Process (2)

Process (2)

By Chulkova Elena

Located in Zofingen, AG

This is the second picture from the "Process" series. In this picture I continue to reflect on the possibility of fixing the creative process of co-creation of a work of art

Category

2010s Conceptual Art

Materials

Oil

Process (1)
Process (1)

Process (1)

By Chulkova Elena

Located in Zofingen, AG

This is the first picture from the "Process" series. In this art, I artistically describe how the process of creating an image takes place, from idea to embodiment

Category

2010s Conceptual Art

Materials

Oil

Jenny Holzer Celebrating Printed Matter, New York 1986 (announcement)
Jenny Holzer Celebrating Printed Matter, New York 1986 (announcement)

Jenny Holzer Celebrating Printed Matter, New York 1986 (announcement)

By Jenny Holzer

Located in NEW YORK, NY

Jenny Holzer, Ten for Ten: Celebrating Printed Matter, 10th-anniversary reading, New York, 1986, Announcement Card Rare, Jenny Holzer 1980s announcement card published on the occasion of Ten for Ten: Celebrating Printed Matter - the 10th-anniversary reading. The event was held at The Great Hall of Cooper Union on November 19, 1986. It featured John Giorno, Eric Bogosian, Constance DeJong, Richard Prince, Cookie Mueller, Roz Chast, Richard Nonas...

Category

1980s Conceptual Art

Materials

Offset

Conceptual Collage, "In Search Of Enlightenment 1"
Conceptual Collage, "In Search Of Enlightenment 1"

Conceptual Collage, "In Search Of Enlightenment 1"

Located in San Diego, CA

This is a one of a kind original conceptual paper collage by Southern California artist, May-Ling Martinez. It is framed as pictured. Its dimensions are 20"x27.5". A certificate of a...

Category

2010s Conceptual Art

Materials

Paper

Contemporary Bird Painting, "Passenger Pigeons Terrarium, Blue"
Contemporary Bird Painting, "Passenger Pigeons Terrarium, Blue"

Contemporary Bird Painting, "Passenger Pigeons Terrarium, Blue"

Located in San Diego, CA

This is a one of a kind conceptual animal painting. Its dimensions are 34.25x26.5x1. It comes in a white frame. A signed certificate of authenticity from the artist is provided after delivery. This painting depicts passenger pigeons...

Category

2010s Conceptual Art

Materials

Spray Paint, Acrylic

Moon over a Mayo Landscape - Mysterious Moonlit Photograph, Framed (or unframed)
Moon over a Mayo Landscape - Mysterious Moonlit Photograph, Framed (or unframed)

Moon over a Mayo Landscape - Mysterious Moonlit Photograph, Framed (or unframed)

By Paul Kenny

Located in London, GB

A moon shrouded in shadows emits a mystical glow, illuminating an enigmatic landscape… A mysterious moonlit scene, evoking depth and tranquility amidst shadowy green hues…. An abstr...

Category

2010s Conceptual Art

Materials

Archival Paper, Photographic Paper, Color, Archival Pigment

Mia San Mia (Signed by Hans Haacke at Paula Cooper Gallery), Hardback Monograph
Mia San Mia (Signed by Hans Haacke at Paula Cooper Gallery), Hardback Monograph

Mia San Mia (Signed by Hans Haacke at Paula Cooper Gallery), Hardback Monograph

By Hans Haacke

Located in New York, NY

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...

Category

Early 2000s Conceptual Art

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Large Wood Wall Sculpture:  "Salvia"
Large Wood Wall Sculpture:  "Salvia"

Large Wood Wall Sculpture: "Salvia"

By Loren Eiferman

Located in New York, NY

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

Category

2010s Conceptual Art

Materials

Wood, Mixed Media

"Grow" - Contemporary Street Sign Sculpture
"Grow" - Contemporary Street Sign Sculpture

"Grow" - Contemporary Street Sign Sculpture

By Scott Froschauer

Located in West Hollywood, CA

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Category

2010s Conceptual Art

Materials

Metal

"Untitled 2.21" Photography 24' x 16' inch Edition of 15 by García De Marina

"Untitled 2.21" Photography 24' x 16' inch Edition of 15 by García De Marina

By García De Marina

Located in Culver City, CA

"Untitled 2.21" Photography 24' x 16' inch Edition of 15 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A do...

Category

21st Century and Contemporary Conceptual Art

Materials

Digital Pigment

"Raven Skull" Diptych from Comparative Anatomy Portfolio Pacific Northwest 1993
"Raven Skull" Diptych from Comparative Anatomy Portfolio Pacific Northwest 1993

"Raven Skull" Diptych from Comparative Anatomy Portfolio Pacific Northwest 1993

Located in Portland, OR

DIANNE KORNBERG (1945) RAVEN SKULL, Diptych from Comparative Anatomy Portfolio, 1993 A selenium toned gelatin silver print edition 7/15. Housed in a high quality hardwood frame with acid free and UV materials. Kornberg is a Professor Emerita at Pacific Northwest College of Art, Portland, Oregon, she relocated her studio to an Island in the San Juan Archipelago in Washington State. Since that time she has been collaborating with two poets, making prints that are photo based but also incorporate drawing, painting, software artifacts and text. Kornberg earned a BFA from the University of Washington...

Category

1990s Conceptual Art

Materials

Black and White, Silver Gelatin

Floating Feather in the Midnight Sky, Medium size Photograph, Mounted and Framed
Floating Feather in the Midnight Sky, Medium size Photograph, Mounted and Framed

Floating Feather in the Midnight Sky, Medium size Photograph, Mounted and Framed

By Paul Kenny

Located in London, GB

The artworks capture a feather balanced amidst a starry void, inviting contemplation and reflection. A feather down drifts softly, suspended in a mysterious, dream-like expanse of bl...

Category

2010s Conceptual Art

Materials

Photographic Paper, Color, Photogram, Archival Pigment

Fins Ap
Fins Ap

Fins Ap

By Ap Verheggen

Located in Brecon, Powys

Title: Fins Ap Type: Laughing Wall Shark ​ Another wall creation from this much acclaimed Dutch artist. Epoxy, painted White Length 59", Height 1...

Category

21st Century and Contemporary Conceptual Art

Materials

Acrylic Polymer

Conceptual art for sale on 1stDibs.

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