Conceptual Art

Lourdes Teleferique du Beout original French antique poster. Archival linen backed in very fine condition. The artist Hubert Mathieu created ...

Artist: Chryssa, Greek (1933 - 2013) Title: Jobs and Employment Classifieds Year: 1982 Medium: Monoprint Silkscreen, signed l.r. Image Size: 29.5 x 21 inches Size: 39 in. x 29.5 in. ...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 84 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Artist: Shigeru Taniguchi, Japanese (1948 - ) Title: No. 776 Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 5/24 Image Size: 19 x 23 inches Size: 21 in. x 25 ...

Artist: Shigeru Taniguchi, Japanese (1948 - ) Title: Painting's Year: 1975 Medium: Silkscreen, signed and numbered in pencil Edition: 12/20 Size: 23 in. x 19 in. (58.42 cm x 48.26 cm)

Artist: Malcolm Morley, British (1931 - 2018) Title: Melba, Malcolm Year: circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 24 x 18 inches Size: 30...

Artist: Shigeru Taniguchi, Japanese (1948 - ) Title: News March 7th Year: 1975 Medium: Screenprint, signed and numbered in pencil Edition: 10/15 Image Size: 19.5 x 23.5 inches Size: ...

Artist: Josep Grau-Garriga, Spanish (1929 - 2011) Title: Nivea and Insects Year: circa 1966 Medium: Acrylic and Collage on Paper Size: 23.5 x 18 in. (59.69 x 45.72 cm)

Artist: Menashe Kadishman, Israeli (1932 – 2015) Title:Green Palm Year: 1979 Medium: Screenprint, signed in pencil Edition: WP (Working Proof) Size: 30.5 x ...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Peking Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 in. ...

Artist: Rafael Bogarin Title: Jupiter 7 Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 22.5 x 28.5 inches

An original wall sculpture by American female artist Felice Koenig. Koenig covers carved polystyrene forms with layers upon layers of acrylic dots. The works take Koenig around 6...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

The artist's first and only tapestry, this woven work undeniably represents a major break in his practice, marking his desire to explore new territories. It is not a matter of retran...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Artist: Joe Tilson Title: Adelphi Year: 1980 Medium: Lithograph and Collage on Canvas, Signed and Numbered in Pencil Edition: 92/150 Paper Size: 29 x 24.5 inches

Artist: Barry Le Va, American (b. 1941) Title: II from Plazas in Transition: Foundations of Fragmented Perspectives Year: 1981 Medium: Etching with Aquatint on grey BFK Rives, sig...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

A conceptual four part wall sculpture by American female artist Dianne Baker. I 8"x8"x 1" wood, metal, canvass II 8" x 10"x 1" wood, metal III 15" x 8" x 2" wood...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signe...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Gouche and technic mixte on paper.signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu.[2] In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. it is marked proof NFS and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone...

Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...

An original mixed media work on paper and wooden sculpture by American artist Andrew Topolski. This piece is signed and dated "82" upper left. This unique combination was created f...

"Untitled 1.15" Photography 16' x 24' inch Edition of 15 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A do...

Artist: Robert Cumming, American (1943 - 2021)
Title: Small Chemistry
Year: 1989
Medium: Woodcut on Shoji paper, signed, dated and numbered in pencil
Edition: BAT...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Lawrence Weiner Jonathan Richman Live on stage at The Kitchen, non-profit artist's space (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster (hand signed by Lawrence Wein...

An original wall sculpture by American female artist Felice Koenig. Koenig covers carved polystyrene forms with layers upon layers of acrylic dots. The works take Koenig around 6 m...

British actor Roger Moore poses with a gun as James Bond. Publicity shot from 1973, for his first Bond movie: Live and Let Die. It's the only time Bond used ...

Moloch. 1989. Paper, etching, 53.5x38 cm

An original salt on paper work by contemporary conceptual artist Jody Hanson. This piece is "Clutch", 2019, Copper sulfate and Potassium ferricyanide on paper. Artwork size 20” x ...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

A unique wheat pasted photograph onto found wood by American conceptual artist Max Collins (b.1988). This work was featured in a unique exhibition curated...

A functional sculpture (Bench and Planter) created with black walnut, bent italian maple and black walnut veneer. This work was part of a recent pop up exhibition The Dreamer Who Dr...

Abstraction About Subtle Royal blue with gold leaf on carved wood panel. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: pa...

An original mixed media woven paper and staple wall sculpture by Jozef Bajus. This work can be acquired in a shadow box frame presentation for an additional $350.

An original contemporary mixed media work by conceptual artist Jody Hanson. Botanical, 2013, Potassium ferricyanide and salt on paper. artwork size 16” x 12”

the painting is being offered with a work and authenticity certificate

"Working Drawing for an Unfinished Project" is an original lithograph by Robert Stackhouse, numbered 99 578. It depicts abstract, sculptural drawings of a project the artist was work...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Russian love. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, La...

The New Year graphisms & 12. 1979, paper, silk screen, 15x21.5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art...

The New Year graphisms & 13. 1979, paper, silk screen, 15,5x21,5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga A...

Untitled #12 from Ruven Afanador "Sombra" series, silver gelatin print, artist print. This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic portraits...

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...