Impressionist Art

Antique English portrait painting. Watercolor and gouache on paper. Framed. Measuring 17 by 23 inches overall and 10 by 15 painting alone.

Mark Andrew Bailey's "Bad Hombre XLIV" (2025) is an original, handmade oil painting that depicts an impressionistic profile portrait of a male cowboy with a beard wearing a hat. Ab...

Own a rare, original vintage field study drawing by renowned Colorado artist Charles Partridge Adams. This atmospheric ink-on-paper composition captures the raw beauty of a storm swe...

Very well executed tonalist work of a sunset over Amsterdam Harbor in Holland by the well known American artist, George McCord. Signed lower right with A.N.A following the signature which stands for Associate of the National Academy. Circa 1890. Condition is good. The painting is oil on canvas (relined) and is housed in an semi-antique style gold ornate frame. Frame is in very good condition. Overall framed measurements are 30 by 35 inches. Provenance: A Sarasota, Florida estate. GEORGE HERBERT McCORD (1848-1909) Born on August 1, 1848 in Manhattan, New York, George Herbert McCord was considered a central figure of the second generation Hudson River painters. While McCord described himself as mostly self-taught, he attended the Hudson River Institute and the Claverack Academy in New York. He also spent time studying in the studios of Samuel Morse...

Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...

Richard Hayley Lever American, 1876-1958 Between the Red Rocks Oil on Canvas 20 ¼ by 24 ¼ in, w/ frame 28 ½ by 33 in Signed Hayley Lever lower right Richard Hayley Lever was born o...

Edward Hopper American Diner Painting by Leading British Urban Landscape Artist, Angela Wakefield. Paintings of American Diners, Food Courts, Truck Stop...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furniture warehouse...

READY TO HANG with the edges painted. A beautiful modern floral painting, a wild flower field with sunflowers, made with professional varnished acrylics and Amsterdam acrylic sprays ...

"This painting depicts an autumn landscape with a river or lake reflecting golden trees and sky. In the center of the composition is a small boat with two people, smoothly gliding on...

Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2024 Style: Impressionism Title: Clouds Size: 28.5" x 39" x 0.8'' in...

Julien Celos Antwerp 1884 – 1953 Belgian Painter 'A Canal View of Bruges - Groenerei' In "A Canal View of Bruges," Julien's brush unveils the serene beauty of Bruges' canals, showc...

Coral Flower Still Life signed by Fanch Lel (French b. 1930) Size: 10.75 x 8.75 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor si...

Cast Bronze Sculpture. Brad Rude, in the western tradition, is a storyteller. But he spins a different kind of tale, one that requires imagination and curiosity. In his bronze, wood, and found-object sculptures of wildlife, created with a flair for mechanical whimsy, and in his deceptively simple paintings...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Sunflowers, Size: 25.5" x 37.5" ...

Nicely painted contemporary cafe interior scene. Oil on board. Framed. Signed.

The Master of the Fox Hounds by John Renney (British circa 1960's) signed to label verso oil painting on board, framed painting: 18 x 22 inches framed: 23.5 ...

Impressive early American impressionist coastal seascape oil painting. Feels like a Maine scene with a bustling dock! Nicely framed. Oil on canvas. Signed illegibly. Image size,...

Sunrise Seascape is an oil painting on panel by Chesterfield NJ artist Michael Budden framed in original frame.. Image is 8 x 12 unframed, 13.38 x 17.38 framed. ARTIST'S STATEMENT I ...

This painting by a Hungarian artist Attila Nagy (b.1928)depicts a rural village life, characterized by its pastoral simplicity and communal atmosphere. The scene showcases villagers ...

A Cotswold harvest [2022] original Oil on canvas Image size: H:50 cm x W:60 cm Complete Size of Unframed Work: H:50 cm x W:60 cm x D:2cm Frame Size: H:64 cm x W:74 cm x D:5cm Sold F...

Santorini Sunset signed by Georges Bordonave (French contemporary) dated 1999 oil painting on canvas, unframed canvas: 24 x 16 inches condition: very good provenance: from a large pr...

Painting with Purple Flowers is a beautiful wall decor, october flowers are one of favorite flowers of the artist, he always tries to show their beauty and luxury. Beside, Nikolay li...

Title: Mid Century French Original Pastel Painting of a Woman in a Lush Landscape Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 25.5 (height) x...

"Lush garden” is a captivatingly vibrant oil painting in impressionistic style. I renowned for their exquisite interpretation of natural landscapes. Painted on a medium-sized canvas,...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omo...

A fine original Scottish Impressionist oil painting by Joseph Morris Henderson dating to circa 1900. The work depicts a coastal scene with a dwelling in the landscape and a tranquil ...

Portrait of a Chic Lady French School, 20th century oil on canvas, unframed Canvas : 21.75 x 18 inches Inscribed verso Provenance: private collection, France Condition: very good con...

Wynford Dewhurst British, 1864-1941 The Park, Versailles Oil on Canvas 23 ½ by 29 in, w/ frame 31 ½ by 36 ½ in Signed Wynford Dewhurst lower left A controversial figure on the Angl...

Signed figures in landscape circa 1950 by French impressionist painter Eduoard Cortes. The work depicts a view of La Madaleine, a Catholic parish church situated on Place de la Madel...

A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 9/25 Size: 25 in. x 33 in. (63.5 cm x 8...

Paris – Montmartre Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left and placed Paris Dimensions: Image si...

Joseph Vande Fackere Bruges 1879 – 1946 Belgian Painter Les Fleurs et Accessoires Signature: Signed bottom right Medium: Pastel Dimensions: Image size 54,50 x 65,50 cm, frame size 6...

This vibrant oil painting on stretched canvas captures the mesmerizing energy of the underwater world. Created with a palette knife, the artist has layered rich, textured strokes to ...

In creating this piece, I melded the fluidity of acrylics with the richness of oils to give life to a scene where the vibrancy of expressionism, the elegance of fine art, and the sof...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Hovsep Pushman is celebrated for romantic and exotic subjects such as Nubian princesses, Kurdish tribesmen, itinerant gypsies, and in our example a noble Reader of the Koran. Many of...

Watercolor painting with blooming rhododendron. This watercolor is about a gentle expression of feelings conveyed through the delicate flowering of a rhododendron. This painting is ...

Bring a touch of playful realism to your space with this stunning oil painting of a gourmet cheeseburger! Measuring 8x8 inches, this artwork is painted on durable cardboard with vibr...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

The Close of Day by David James (British, late 20th century) signed oil on canvas, framed Framed: 23 x 39.5 inches Canvas: 20 x 36 inches Provenance: private collection, East Anglia,...

This artwork "Paysage de Provence" c.1990, is a oil painting on canvas by noted French artist Patrick Reault, born 1955. It is signed at the lower right corner by the artist. The canvas size is 21.75 x 18 inches, framed size is 28.85 x 22.5 inches. it is framed in original wooden painted white frame. it is in excellent condition. About the artist: After growing up on the banks of the Dordogne , in 1975 he became a theater actor and musician in a group formed in Clermont-Ferrand . In the early 1980s , he moved to Marseille where he began his career as a painter, after observing a watercolor artist on the Place aux Huiles . Self-taught, he paints in his cellar, drawing inspiration from the painters Nicolas de Staël and William Turner . He sells his first watercolors on the quays of the Old Port of Marseille, and Cassis . He then moved to Paris, where he continued painting. Patrick Reault exhibits in Asia, the United States and France. The first of his lithographs was published in 1994 by Art Cadre Paris. The Hazan publish posters of his Provençal landscapes. He now exhibits permanently at Opera Gallery. Patrick Reault paints Provençal and colorful landscapes in his so-called Provençal period and proclaims his love for the skies and their spray in his maritime paintings. He used different painting techniques, having started with watercolor, then continued with oils for about ten years. Since then he has mainly used acrylic . Exhibitions • April 1982 : Galerie La Poutre, Marseille • 1984 : Giorgione Gallery, Clermont-Ferrand • 1984 : Group exhibition in Cannes , Aix-en-Provence , Le Lavandou and Nice • 1986 : Mont d'Arbois under the initiative of Baron de Rothschild • 1986 : International Consortium of the Arts. Art Expo in New York . • 1988 : Menton , Galerie Montgibello. • 1988 : Group exhibition Geneva, Switzerland, Consortium des Arts. • 1989 : Front de Mer Gallery La Baule...

Title: French Impressionist Oil Painting of Sailors and Seagulls by the Seaside By Fanch Lel (French b. 1930) Size: 10.5 x 8.75 inches (height ...

A Summer Day 240328 is an impressionist landscape painting with rich warm color and light. Painted in oils, this painting is 40x40 inches and ships rolled on a tube. -Don B :: Paint...

The Hay Barge, Paris Pont Saint-Marie French Impressionist artist, c. 1918 signed with monogram verso, dated 1918 oil on board, unframed board : 8.25 x 10.25 inches Provenance: priva...

Artist: Beatrice Stella Pedder (English, 1875-1965) Title: "The Round Pond, Market at Concarneau, Brittany, France" *Signed by Pedder lower right Circa: 192...

ABOUT THE ARTWORK “Pleasure Garden” is a canvas brimming with the splendor of life and nature, where each flower and leaf pulsates with vitality under the artist’s confident brushstr...

We offer Artist’s lifetime Warranty for Original paintings! -Free frame service with selection of frames to suit your space and deco style. You will be able to choice the frame with...

This artwork "At the Dock" c.1980 is a watercolor on 500 Aquarelle paper by noted American artist Allen Daniel (Dan) Burt, 1930-2004. It is signed at the lower right corner by the artist. The artwork size is 21.5 x 29.5 inches, framed size is 29.5 x 37.5 inches. Custom framed in a white metal frame, with off-white matting. The artwork is in excellent condition, the frame has some minor scratches, the acrylic glass have some scratches and will be replaced by a new...

A wonderful French impressionist landscape of children playing in a playground somewhere in the South of France. The earliest work by the artist is from the late 1960s and this piece...

Roses in Vase Still Life French late 19th Century school Signed by S. Valentin and dated 1895 oil on board, unframed board: 14 x 11.5 inches provenance: private collection, France co...

The Old French Town by Claude Marin (French 1914-2001) signed and dated 85 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...