Modern Art

Hippopotamus Unicorn is an original lithograph with stencil on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Na...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

'Retour de Maree' by J. J. Polverelli, signed and dated 1989 oil on canvas, unframed canvas: 32 x 39.5 inches Provenance: private collection, France Condition: overall sound & good ...

Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...

Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...

A beautiful mid 20th century French modernist oil on canvas board depciting a head study of a boy. Excellent quality work in very good original condition. Indistinctly signed lower ...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Hans Hartung 1970s signed and numbered signed and numbered colour lithograph Available one pair Title "Farandole" Signed lower right Numbered lower left XXVII/LXXV Table 5, editio...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Cherry Kate By BATIK Artwork of the supermodel Kate Moss. 30 x 30" inches / 76 x 76 cm paper size Archival pigment print Unframed (framing available - please enquire) Printed in...

Etching on paper. Hand signed. Edition of 100 prints. From the collection: “Croquis du Front Italien”.Anselmo Bucci was an Italian painter and printmaker.

Adele Collins, British Vogue 1959 by Norman Parkinson Archival pigment Print, stamped and authenticated by the Norman Parkinson Archive. Parkinson’s homage to a painting by Dutch a...

Only Elvis by BATIK Archival pigment pop art print signed & limited edition of the famous ‘mugshot’ of Elvis Presley. The infamous photo was taken on November 17, 1970 in Denver Colorado where Elvis was in town collecting an honorary Police badge...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Title: Fresh California Pool Patterns + Edition Size: only 20 + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Untitled (Collapsed Shacks), c. 1940s, oil on canvas, signed lower left, 20 ½ x 26 ½ inches, presented in a period frame This work is part of our exhibition America Coast to Coast: ...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Dapper Man Portrait by Irina Hale (British 1932-2022) oil painting on artist paper, unframed painting: 11.25 x 9 inches provenance: private collection, Cotswolds condition: very good...

Colorful Modernist Still Life with Fruit and Water Jug by Ellis Hopkins (American, b. 1952). This bold still life depicts a bowl of fruit resting on a table with a large green jug....

Getting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow) Tilted along the upper edge of the recto in pencil by the artist Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699 Provenance: Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...

"A Day by the Sea" French School, 20th century oil on canvas, unframed canvas: 29 x 21 inches provenance: private collection, France condition: very good and sound condition

Figures is an Etching realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was...

Large portrait painting with group of six otterhounds in a lush garden landscape by Constance Coleman, 1979 Oil on canvas Signed & dated lower right Canvas dimensions: 34" x 46" Fr...

Pebble Beach Hunt (1976) Limited Estate Stamped (Photo By Slim Aarons) Riders gather in the courtyard of Richard Collins’ House for the stirrup cup libation, before the start of...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Another example previously exhibited: An Exhibition of Recent Paintings ...

These artwork titled "Twin Lake and Lake view" 1986 are two original color serigraphs on different papers by American artist Virgil Trasher b.1943. One is ...

Bahamas Speed Week 1963 by Slim Aarons Slim Aarons Limited Estate Edition Gordon Butler’s Chevrolet Corvette Sting Ray at the Bahamas Speed Week at th...

Early Riders 1970 - Slim Aarons Estate Stamped Former mayor Frank Bogert leads an early-morning ride through Andreas Canyon in Palm Springs, southern California, January 1970. 30 x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 19" x 24" x 4'' inch, 49x61x10...

Signed lower right, 'C G Nelson' for Carl Gustaf Simon Nelson (American, 1898-1988) and dated 1956. A substantial, Modernist oil showing a profusion of white and pink poppies contra...

Church Steps by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 14 x 10 inches condition: very good and ready to ...

Connecticut-born Edward Landon (1911-1984) studied at the Art Students League, NYC. Later he became a member of the circle of artists around the art historian Elisabeth McCausland a...

Palermo is a  hand colored lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the gov...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Pierre Arman (1928-2005) Well dressed 2 2005 bronze with green patina and coat hooks 162 x 52 x 37 cm signed on base (beside right foot) numbered 19/30 Price: £35,000 GBP Provenanc...

Figurative Cubist Surrealist Abstraction Mid 20th Century American Modern Large O. Louis Guglielmi (1906 - 1956) OBSESSIVE THEME 44 x 33 inches Oil on canvas Signed and dated '48 lo...

Midnight Church signed initials by Irina Hale (British 1932-2022) oil painting on card stuck on paper, unframed overall size: 11 x 8.25 inches painting: 7 x 4.5 inches provenance: pr...

Vintage American still life oil painting. Oil on board. Signed in monogram lower right. Framed. Measuring: 31 by 24 inches overall, and 24 by 19 painting alone.Excellent condition, r...

Alain RAYA SORKINE The Music Band Original lithograph Handsigned in pencil Numbered / 80 ex On vellum 20 x 13 cm (c. 8 x 5 inch) Excellent condition

Title: French Impressionist Oil Painting of an Interior Scene with Draped Fabric by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: ...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Anemogra Phica is a rare ancient map realized in 1650 by Johannes Janssonius (1588-1664). First modern map of the Pacific Ocean. Good conditions. From Atlantis majoris quinta pars,...

A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and colorful portrait of a black man seated in a white linen suit, most likely completed during Chapin's trip to Kingston, Jamaica in the 1930s. Chapin exhibited examples of his Jamaican paintings...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. A modern classic...

The Drugs Don’t Work by BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. Giant 60 x 40 inches / 152 x 101 cm paper size signed and n...

'Café de la Place', gouache on paper, by Raymond Debiève (circa 1970s). A solitary stroller in a small French town crosses the street in front of a café al...

In "Tirant sur le Violet," Kandinsky explores the interplay of geometric shapes and organic forms, using a dominant violet hue as the focal point from which other colors seem to pull...

Audrey Atomic by BATIK Pop Artwork of the iconic Audrey Hepburn during filming of Breakfast At Tiffany's. BATIK is an increasingly collectable pop artist currently living and wor...

PABLO PICASSO (1881-1973) Picador (A. R. 201 V) Terre de faïence plate, 1953, from the edition of 200, inscribed 'Edition Picasso', partially glazed and painted, with the Edition ...

Guy Charon, French (1927 - 2021) - Flower Lined Home, Year: circa 1975, Medium: Lithograph on Arches, signed, and numbered in pencil, Edition: 250, EA, Image Size: 22.75 x 18.25 ...

Still Life is an Original vintage offset print, reproducing the original watercolor by Giorgio Morandi in 1973. Signature and date by the artist is perfectly reproduced on plate. ...

Rare Mid Century Judaic figure of a Jewish rabbi at prayer. signed A. Einstein.

Mother & Child by Irina Hale (British 1932-2022) oil painting on board, unframed size: 6.75 x 5.5 inches provenance: private collection, Cotswolds condition: very good Irina Hale (1...

Very large and exquisite, intensely vivid Archival Pigment print - signed and numbered by photographer on front - this paper size - edition of 10 only this size. 40x30" inches / 101...

Etching on watermarked FJ Head cream laid paper with a deckle edge, 11 1/8 x 8 3/4 inches (283 x 223 mm); sheet 14 3/4 x 11 1/2 inches (374 x 292 mm), full margins. Signed and dated ...

The sculpture is called "In Motion." Cast bronze. This work is one of the first in which I explored the theme of movement—the movement of the human body, the female body, how it app...

Françoise GILOT (1921) Portrait of a woman, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints b...

Work on canvas Golden wooden frame 50 x 64 x 3 cm

Work on paper