Post-Impressionist Art

Danish-American artist Søren Emil Carlsen paints a post-impressionist landscape that blurs the line between representation and abstraction. With its open composition, the artist capt...

Francois Gall (1912-1987). French artist. "Nude in Interior," circa 1970. Measures: 18 X 15 inches, oil on canvas, signed and inscribed

Mediterranean Fishermen on Beach Coastal Scene Spanish Impressionist Oil Artist: Gabriel Casarrubios Martín (Spanish, b. 1953) Title: Mediterranean Fishermen on the Beach Medium: Oil on panel Dimensions: 22 × 27 cm (8.7 × 10.6 in) Signature: Signed lower left Date: Circa 2000 Condition: Very good original condition Frame: Unframed Description A vibrant Mediterranean coastal scene by Spanish painter Gabriel Casarrubios Martín, depicting a group of fishermen hauling their boat ashore beneath the luminous skies of the Spanish coast. Painted with energetic, confident brushwork, the composition captures the movement of the figures, the shimmering reflections of wet sand, and the atmosphere of a sunlit shoreline. Rather than focusing on minute detail, Casarrubios achieves remarkable visual impact through color, gesture, and light, creating a work that feels both spontaneous and timeless. The painting reflects the great Mediterranean tradition of Spanish coastal art, recalling the legacy of Joaquín Sorolla through its radiant palette and fascination with everyday life by the sea. Soft pinks, blues, violets, and warm earth tones merge into a harmonious composition that conveys both labor and beauty. Despite its intimate dimensions, the work possesses strong decorative presence and serves as an excellent example of contemporary Spanish Impressionist painting...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Baigneuses en Bord de Rivière by Georges Manzana Pissarro (1871-1961) Oil on cardboard 98.2 x 79.4 cm (38 ...

This fabulous Portrait of Andre Cottavoz's patron, Mark Rosenhaft is an expressive and memorable work. Everything about it is super - from the individu...

"I painted this landscape en plein air, in the vicinity of the village of Sevelen, in the Rhine Valley." said Anna about this landscape painting. "A refreshing coolness blows from th...

L'Orne à la Chaize by Paulémile Pissarro (1884-1972) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed lower left, Paulémile- Pissarro- Titled on the stretcher This work is a...

Signed and titled still life oil on canvas circa 1898 by French post impressionist painter Albert André. The work depicts a still life scene in an interior. A glass bowl filled with ...

Cafe Chats by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists estate ...

A narrative landscape, suggesting a collision of art, history, and phantasm. Oil paint, collage, mixed media on panel. references Guggenheim, Roman colosseum

CELSO LAGAR Spanish, 1891 - 1966 LES ROULOTTES signed "Lagar" (lower left) oil on wood panel 9-1/2 x 13 inches (24 x 33 cm.) framed: 17-1/8 x 21-1/2 inches (43.5 x 54.5 cm.) PROVEN...

Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St Ives and was elected Pr...

Pierre Ernest KOHL (Monaco 1897 - Neuchâtel, Switzerland 1985) Portrait of a Woman with a Mask, 1927 Oil on canvas Signed and dated lower right 41 x 33 cm Born in Monaco in 1897, ...

Signed fauvist oil on canvas figures in landscape by French painter Louis Valtat. The work depicts a view of the Arc du Triomphe du Carrousel from the Louvre in Paris, France. A beau...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed “Grau Sala” (lower right) oil on canvas 25-1/2 x 32 inches (65 x 81 cm.) framed: 36-1/4 x 42-1/2 inches (92 x 108 cm.) Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work create...

Signed and dated oil on canvas landscape by Flemish post impressionist painter Bernardus Henricus Klene. The work depicts a view of a path leading to a village on a summer's day. The...

Signed lower left, 'Jonathan Scott' (British, 1914-1995) and titled verso. Provenance: Nancy Moure, Glendale, California Jonathan Scott studied first at the Heatherly School in Lond...

Paul Marie Léonce Bret. French ( b.1902 - d.1956 ). Unloading & Loading, Palermo Harbour, Sicily, Italy. Oil On Board. Signed Lower Left. Image size 17.7 inches x 21.1 inches ( 45cm ...

After a couple days in Giverny, Vadim Dolgov was inspired to create a series of pond studies that celebrated the continued beauty of the area and Claude Monet's contribution to the a...

Diane Hart This piece titled "Evening Shadows" was created using acrylic on canvas and is in a white modern frame. Keywords: trees, evening, sunset, ...

Signed and dated divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece is titled "Radiant Autumn - Wak...

This exquisite lithograph after Henri Matisse (1869–1954), titled Souvenir D'Oceanie (Memory of the Ocean), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-19...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Barcelona Montjuic Park Fountain Cityscape, Catalan Post-Impressionist Oil Artist: Josep Puigdengolas Barella Title: Parque de Montjuich Technique: Oil on canvas Canvas size: 73 × 9...

Forest Pearl is a deep immersion into the mystery of self-discovery. The snow-white lily-of-the-valley flowers, glowing against a dark, rich background, symbolize the treasures of ou...

Title: Sunlit Provence Village with Terracotta Roofs French Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.25 x 9.75 ...

Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts a study of apples and pears. This work was executed by Dufy as a fabric design. Dimensio...

Title: Harbourfront with Yellow Facades and Moored Boat Italian Riviera Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): ...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Albert Malet (French, 1912-1986) Hand signed lower left. Verso inscribed with the title and artist name. Dimensions: 30 X 26 X 1 in. Work Size: 24 x 20 in. Oil on board landscape ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Dresseur de chiens (Dog Trainer), originates from the 1952 album The Circus of Toulouse-Lautrec. Publish...

An individual gaze always forms only part of the picture, leaving beyond its limits everything that does not align with one’s own optics. In this work, the artist addresses the them...

Signed and titled pastel on paper figures in landscape circa 1990 by French post impressionist painter Hugues Claude Pissarro. The work depicts a view of the tramway on the Rue de No...

French Chateau by Josine Vignon (French 1922-2022) signed and stamped verso oil pastel painting on artist paper, unframed painting: 19.5 x 11 inches Colors: Green colors, red, blue,...

Albert Andre French, 1869-1954 La Table dans l’Arbre Oil on canvas 14 ¼ by 38 in, w/ frame 28 ¼ by 51 ¾ in Signed lower right Inventory Number: 01382 A Post-Impressionist artist a...

Signed figurative pastel on board by French post impressionist painter Georges Victor Laurent Dantu. The work depict women on a rainy evening in Yoshiwara. Yoshiwara was the primary ...

Signed in the left bottom corner. Henry Robertson Craig studied at Dundee College of Art before moving to Dublin in 1947. Working primarily in landscape and portraiture, he exhibite...

Roger Marcel Limouse Collo, Algeria 1894 – 1989 Paris French Painter 'Interior with Flowers – Nature Morte' The painting "Interior with Flowers - Nature Morte," created by Roger Ma...

Emilio Grau-Sala Spanish, 1911-1975 Marchande de Fleurs Oil on Canvas 23 ¾ by 29 in, w/ frame 32 ½ by 37 ½ in Signed lower left Son of the draughtsman Juan Grau Miró, Grau Sala com...

MATERNIDAD. Original pastel painting. framed Maria Vich is an artist from the Balearic Islands. Influenced by her teacher Tito mCittadini, she focuses her work on reflecting the coun...

Paris, Montmartre Sacré Coeur in Winter Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 46 X 55 cm Dim frame : 68 X 76 cm AMEGLIO Mério...

Title: Theme C 7 Year: February 7, 1943 Medium: Collotype on vélin pur fil paper Size: 10.04 x 13.15 inches Condition: Very good Inscription: Signed in the plate, unnumbered Publishe...

The painting "Evening" transports the viewer to a mysterious world, where the artist-poet's true inner self is revealed on the canvas. Glowing clusters of fantastical flowers seem to...

This signed and dated oil painting by Robert C. Black III (1938) presents a contemplative view of the Rocky Mountains, most plausibly situated within the Colorado Front Range or sout...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There is no living artist today who can paint and draw at a level comparable to Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

"Antibes", South of France by Pierre Pruvost (French 1921-2008) signed oil on canvas, framed framed: 13 x 16.5 inches provenance: private collection, France condition: very good and ...

Marie-Lucie Nessi Valtat Bouquet of Flowers ca. 1950 Oil on paper mounted on board 13 3/4 x 10 2/3 in l 35 x 27 cm Frame size: 15 3/4 x 12 2/3 in l 40 x 32 cm Marie-Lucie Nessi Valt...

She is young, she is beautiful and carefree. The sun warms her face and makes her hair shine. This work is inspired by the Mediterranean lifestyle, by the hot sun of Spain, the tu...

Wapping Group of Artists by the Thames - Mid 20th Century Oil by Donald Blake Frederick Donald Blake Born in Greenock, Scotland in 1908 and died in 1997. Blake's family moved to Lon...

Alphonse Léon Quizet French, 1885-1955 Canal Scene Oil on board 13 ¼ by 16 ¼ in, w/ frame 20 ¾ by 23 ¾ in Signed lower right Inventory Number: 01933 Alphonse Quizet was born on Ma...

Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...

Fauvist oil on board landscape circa 1905 by British painter Robert Polhill Bevan. The piece depicts a view of farm in Sussex. The red-roofed farmhouses are nestled between lush gree...

René-His was born in Colombes, France, and trained under Jules Lefebvre, Tony Robert-Fleury, and Léon Tanzi. Influenced by Henri Biva, he focused primarily on river and woodland land...

Enrico VEGETTI (Turin, Italy 1863 - Nernier 1951) The last portrait or Selfportrait Oil on panel Signed lower left Title on the back Work: 24.5 x 23 cm Frame: 29.5 x 27.5 cm Proven...

"Barque sur la Seine (Boat on the Seine)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper Studio stamp and INV Nbr. 1710RT 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches...

In our painting of Claudine, Dyf returns to one of his favorite genres, and with most likely his favorite model. Realized with dramatic suggestive strokes of thick paint, Claudine is...

Genre: Impressionist Subject: People Medium: Oil Surface: Canvas Hand signed lower right Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of J...