Post-Impressionist Art

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Paysage d'Automne à Nesle la Vallée by Gustave Loiseau (1865-1935) Oil on canvas 65 X 81.2 cm (25 ⁵/₈ x 32 inches) Signed lower left, G Loiseau Executed in 1898 This work is accompanied by a certificate of authenticity issued by Didier Imbert. Painted in 1898 this oil landscape, shows Loiseau’s sophisticated approach to capturing rural landscapes. In both 1890 and 1896, Loiseau exhibited in the Impressionist exhibitions, with this piece proving indicative of the level of artistic maturity he had acquired towards the turn of the twentieth century. Provenance: Wally Findlay Galleries, Palm Beach ​Private collection, USA,​ acquired from the above in April 1975 Artist biography: Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets. Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher. While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality. Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896. Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets...

Lavender Fields, Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the ...

Here for your consideration is a well executed watercolor and gouache painting by the American artist, James Milton Sessions. Signed lower right. Circa 1955. The landscape is of a Novia Scotia pastoral landscape. Here you see horses grazing and two men fishing nearby. The watercolor is in excellent original condition and is beautifully double matted and framed in a thin gold leaf gallery frame in fine condition. Overall framed measurement 16 by 18.25 inches. James Milton Sessions (born September 20, 1882 in Rome, NY) received his initial exposure to art from his mother, who was an accomplished artist. He trained at the Art Institute of Chicago from 1903–1906 and initially supported himself as a wheelsman aboard Great Lakes ships from 1906–1914, later serving in the Illinois Naval Reserve during World War I. He also worked as a commercial illustrator. He was a master watercolorist of marine, sporting, and military World War II scenes. He developed a love of the sea and is probably best known as a painter of marine subjects. Sessions painted images of numerous locations, from the Bahamas to New England's busy fishing harbors, north to the raw fishing grounds of Nova Scotia, and ultimately to the Navajo reservations in New Mexico. Not only do his works document important World War II historical events, they visually portray and convey the spirit of the American fighting forces in both the Pacific and European campaigns, commencing with the bombing of Pearl Harbor, followed by D-Day Europe through to the final phases of the Pacific war, such as Jimmy Doolittle's daylight bombing raids of the Japanese mainland to the unconditional surrender of the Japanese military. The Chicago Tribune newspaper utilized his talents and Sessions is considered to be the greatest "brush reporter" of World War II. His works can be found in Presidential collections, numerous important corporate collections and military establishments throughout the country. Sessions created numerous wartime advertisements. Examples are a 1943 Willys Jeep ad showing the Coast Guard at Guadalcanal, and a Borg-Warner ad in 1945 showing the mass production of radiators and clutches for motorized warfare manufactured in Detroit. His work is highly collectible in the field of Militaria/WWII/1939-1945. In 1962 the New York Graphic Society commissioned him to make four paintings, reproductions of which were distributed as part of the Society's Works of Masters Group. Many of his other paintings have been reproduced over the years, issued as posters and as high quality reprints on watercolor paper. Sessions was married in Chicago, Illinois in 1946 to Chrysanthy G. Deamanthopulos. Although very prolific in the style of John Whorf and Ogden Pleissner...

Walter Schneider (1903–1968) was a Swiss painter born in Basel. He is recognized for his contributions to Post-Impressionism in Switzerland. His works have been auctioned multiple ti...

"In my paintings I capture the wild beauty of a blooming field where the vibrant red of the poppies shines." said Anna Shesterikova about this artwork. "The oil paints allow me to de...

"Still Life" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed and dated 1968 oil painting on canvas, unframed painting: 19.5 x 24 inches A fine "mid century" oil pain...

In this oil painting, I've captured the essence of a vibrant autumn, blending impressionism with realism to evoke the warmth of the season. The vivid colors dance with energy, symbol...

Merio Ameglio Italian, 1897-1970 Parisian Street Scene Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left Merio noted impr...

Guillem Villà Bassols (1917-2005) - NYC - Oil canvas Oil measures 50x65 cm. Frameless. Living in Masnou, Barcelona, ​​since he was seven years old, Guillem Villà Bassols developed h...

Original oil on canvas painting titled “Seaside” by the well known German born artist, Suzanne Eisendieck. Signed by the artist lower right. Condition is excellent. Circa 1965. Don...

Paddy Japaljarri Stewart came from Mungapunju in Australia, just south of Yuendumu in the Northern Territory. As a young man he worked on cattle properties at Mount Allen, Mount Dennison and other parts of Australia's 'top end'. He acquired the nickname 'Cookie' while working as a chef in Papunya. At the Yuendumu School he taught both kardiya (non-Aboriginal) and yapa (Aboriginal) children to paint, Jukurrpa (Dreaming), traditional dances, boomerang-making, how to track native animals, how to make wax used in sand painting, and other aspects of traditional culture. He also drove the school bus, participated in the council and joined the Night Patrol, which proved important in policing the community. Paddy drew and painted for a long time (his works included the Yuendumu School Doors...

En Provence by Gabriel Deschamps French 1919 - 2011 Oil on canvas Canvas size: 18 x 21.75 inches Framed size: 26 x 29.5 inches Signed lower left

Grigory Gluckmann 1898-1973 Belarussian Nu de dos Oil on panel Signed lower right Panel : 10 5/8" high x 13 3/4" wide Frame: 17 1/8" high x 20 1/2" wide ...

Coastal Scene signed by Édouard Righetti (1924-2001) mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 23.5 x 33 inches artist pap...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Eva Lucy Harwood...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

Playing Guitar 1964 Signed by the artist “S. Kahn” in the upper right hand corner Susan B. Kahn was born in (1924 -2010) New York. American painter pr...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Cantepie, Sous la Neige by Hughes Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches) S...

Georgij Moroz (1937/2015) Luminosa opera di Moroz ,fiori di ciliegio Bianchi I fiori ritratti da Moroz sono molto spesso dipinti allo stato di NATURA non in un vaso Amava molto la ...

This artwork depicts a poised ballerina seated on a dark, plush bench, absorbed in tying her pointe shoes. Her white tutu, with layers resembling delicate feathers, adds texture and ...

abstract still life of a composition. color, spots, spring, impression, gift, mood. The composition is written under the influence of mood and the desire to produce something that co...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

A charming depiction of a village in Paris with figures and bicycle. The colors are breathtaking, as the impressionistic details are noted with thicker use of paint. The composition ...

This art work titled "Lise" 1991 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 300/300 in pencil by the artist.. The image size is 10.75 x 19.75 inches, framed size is 24,5 x 32.5 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Provence by Max Toutain (1935-2006) signed oil on board, unframed board : 24 x 29 inches Provenance: private collection Condition: very good condition Max Toutain was born in Pari...

Jean Salabet French, 20th Century Montmartre Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of Jules Herve, An...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 10.75 height) x 8 (width) Stamped Verso Condition: Good P...

"This landscape painting was created on Lake Walensee, en plein-air." said Anna Shesterikova about this artwork. "I really love depicting the yachts! For me they are a symbol of rela...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

"Cranberry Bog & Golden Fields" is an original acrylic painting on canvas by David Barnett. This painting features a bright yellow field behind a red bog...

Title: Mid Century French Painting of Elephant Riders in a Tropical Setting Artist: Josine Vignon (French 1922-2022) Medium: Pencil, Acrylic, and Tracing Paper Size: 8.25 (height)...

In this piece, I've woven emotion into every stroke, capturing a serene yet vibrant essence. The acrylic and ink meld together, creating a textured tapestry that exudes the tranquili...

Muriel Archer was born on June 25th 1911 - she died just before her 100th birthday, fond of drawing and painting from an early age, she did her first drawing when she was four years ...

ARTIST: John Harvey STISA (1935-2023) British TITLE: "Cornstooks Zennor Cornwall" SIGNED: unsigned - acquired directly from the artists family MEDIUM: oil on canvas SIZE: 82cm x ...

Les Équipages de l'Allée Acacias by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by...

In this oil painting, I dove into the raw majesty of the northern landscape, melding figurative elements with impressionistic flair to capture a scene both vibrant and serene. My bru...

Signed lower right, 'Leah Schwartz' (American, born 1920) and painted circa 1965. A lyrical Modernist still-life showing three ripe peaches in a glazed earthenware bowl. An attracti...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 13 (height) x 10 (width) Stamped Verso Condition: Good Pr...

Capturing a moment in time dockside in a bayside town, PC Sheppard brings us into a slower pace of life. A leisure boat can be seen moored to the dock with its captain seated...

Artist/ School: French Fauvist school, after Max Pechstein Title: Nudes in Landscape Medium: oil painting on board, unframed board: 15 x 18 inches Provenance: private collection,...

Frameless Joan Abelló Prat He was born in Mollet del Vallès in 1922 and started from a very young age in the world of painting. Of his formative period, it is possible to emphasize ...

This painting was created outdoors in June 2023. It shows a wonderful corner of the old Swiss town of Werdenberg. Colors of the rainbow shine and give a feeling of joy and happiness ...

Artist/ School: E.Johnson, British mid 20th century, signed and inscribed verso Title: 'Cumberland', a fine Post-Impressionist oil depicting this rugged mountain face bathed in vary...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: When Abdullah got the Net Ashore…, from: Four Tales...

Pal Fried, Hungarian/American, 1893-1976 Mona Lisa Oil on canvas 30 by 24 in.W/frame 38 by 32 in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academie ...

La Plage à Trouville by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 5/8 x 20 1/8 inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certifi...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

This captivating artwork showcases a serene evening harbor scene, vibrantly depicting a coastal village under a starlit sky. The artist employs bold brushstrokes and a rich palette t...

A tiny seed can grow into a mighty tree, even when the conditions seem far from perfect. All it needs is the will to grow, to develop, and to become strong and grounded. Throughout ...

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Crayon on artists paper, double sided Size: 9.5 height) x 7 (width) Stamped Verso Condition: Good Pro...

Dame Ethel Walker DBE ARA (1861-1951) Young Man in a Red Tie Oil on canvas 51 x 40.6 cm.; (within frame) 70 x 59.7 cm. Provenance: The Lefevre Gallery, London, stock number X890; Christie’s, London, Modern British Pictures, Watercolours, Drawings and Sculpture, 12 September 1996, lot 58; Bonhams, London, Modern British and Irish Art, 23 November 2022, lot 177; Private Collection, United Kingdom. This focussed composition is dominated by a handsome young man in profile, frowning with a concentrated glare. His slender cheeks meet a jaw brushed with a masculine grey, complimented by the blue of a flower or pocket square, and the shadow of a loose strand of oiled hair that rests across his forehead. The stylistic sophistication shows Walker at her best, ambitiously combining measured figuration with expressive abstraction, as delicious dashes of pigment appear still wet, and dissonant swipes energetically mark the surface of the canvas. With an elegance that borders on the effete, the sitter’s urbane style includes a spearpoint collar, framed by the wide lapels of his suit jacket. Most significantly, the young man’s dandyish fashion is augmented by the conspicuous titular red tie which he wears – an established expression of queerness in the 20th century. Painted by the lesbian artist Dame Ethel Walker, it is likely that the portrait is that of a gay man belonging to London’s queer artistic circles. Indeed, Walker’s male sitters (who constitute but a fraction of her output) are typically conceived as modish, and often wear striking colourful ties. Walker was one of the earliest lesbian artists to overtly explore her sexuality in her works, and an aesthetic fascination with the female form culminated with her glorious large-scale ‘decorations’, exemplified by Decoration: The Excursion of Nausicaa (Tate, N03885). Red neckties had been established in the 20th century as a coded (though appropriately colourful) expression of queerness, not dissimilar to the green carnation of the Wildean aesthetes. The gay writer and musician Mikhail Kuzmin was painted in 1909 in a stark red tie. Two decades later, the Anglo-French physician Havelock Ellis described the red necktie as an emblem amongst queer New Yorkers: ‘[…] there has been a fashion for a red tie to be adopted by inverts [homosexuals] as their badge’ (Ellis, p. 299). The motif permeated fiction, and in Thomas Mann’s 1912 novel Death In Venice, the protagonist Gustav von Aschenbach begins to wear a red necktie after he develops an infatuation with a beautiful young boy staying at his hotel. William Faulkner’s 1929 novel The Sound and the Fury includes an unnamed male character identified throughout by his distinctive red necktie, which is the subject of veiled insinuations against his masculinity. Walker must surely have been familiar with this symbolic importance when she executed the present portrait. Her few portraits of male sitters include colourful neckties almost exclusively, and include numerous examples of red neckties. Indeed, the artist herself preferred to wear a red tie, a declaration which so impressed itself on Virginia Woolf that she noted it in a diary entry after tea with Walker (Bell, p. 282). Walker, who painted Woolf’s sister Vanessa Bell, had once offered to paint Woolf in the nude, as Lilith. Around the same time, Augustus John painted the gay peer Evan Morgan, 2nd Viscount Tredegar, in a loose red necktie or neck scarf. The portrait passed through the Lefevre Gallery, which also represented Walker, and which inventoried the present work. While the sartorial choice may have been incidental, a colourful accessory chosen to enliven the portrait, its prominent inclusion would suggest a personal significance to Walker, the recognition of a shared experience between artist and subject. Dame Ethel Walker was hailed as a leading female artist of her generation, and as late as 2010 was one of only four women artists to have been honoured as a Dame Commander of the Order of the British Empire. Walker was born in Edinburgh in 1861 to the botanist Arthur Abney Walker, a descendent of the Walker family of iron industrialists, whose estates included Clifton House (Rotherham) and Blythe Hall (Nottinghamshire). She attended school in London after the family moved to Wimbledon, and in 1880 met the fellow artist Clara Christian, with whom she would form an important personal and professional bond. The women’s relationship was later allegorised by the writer George Moore as that of Stella (Christian) and Florence (Walker) in his fictionalised three-volume memoir Hail and Farewell. Walker went on to Putney School of Art and Westminster School of Art, and studied under Frederick Brown, who became a lifelong mentor. Around 1893 Walker took further study at the Slade School of Art, partly under Walter Sickert, and returned in 1912, 1916, and 1921. Although Walker enjoyed painting floral still lifes and seascapes, her best work was portraiture. She worked from her studio at 38 Cheyne Walk for most of her career, and enjoyed a prominent role in London’s artistic milieu. Her sitters included the artists Lucien Pissarro, Orovida Camille Pissarro, Vanessa Bell, and Barbara Hepworth; she painted Nancy Astor, the Countess of Strathcona, the editor Joan Werner Laurie, and author Leo Walmsley. The actors Flora Robson and Elsa Lanchester sat for Walker, as did the young Christopher Robin Milne. Walker herself was photographed by the bisexual photographer and painter Humphrey Spender...

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Dufresne, VI, Collection Pierr...

Le Jardin French School, typical of the Ecole de Paris movement circa 1930's period signed oil painting on board, unframed painting: 15 x 12 inches condition: very good provenance: p...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 5.5 height) x 6.5 (width) Stamped Verso Condition: Good Provenance: All th...

Signed lower right, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Quiet Moment'. Paper dimensions: 22 H x 28 W inches Hessam Abrisha...

This painting features vibrant hues of yellow, red, and green. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Massachuse...