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Post-Impressionist Art

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POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
French Impressionist Pastel Painting Sunlit Chateau Along The Path Landscape
French Impressionist Pastel Painting Sunlit Chateau Along The Path Landscape

French Impressionist Pastel Painting Sunlit Chateau Along The Path Landscape

By Josine Vignon

Located in Cirencester, Gloucestershire

French Chateau by Josine Vignon (French 1922-2022) signed and stamped verso oil pastel painting on artist paper, unframed painting: 19.5 x 11 inches Colors: Green colors, red, blue,...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil Pastel

Change Has Reached Even the Easter Bunny
Change Has Reached Even the Easter Bunny

Change Has Reached Even the Easter Bunny

By Antonina Bormova

Located in Zofingen, AG

This work plays with a familiar cultural image that usually leaves little room for surprise. The recognizable wrapping promises a predictable scenario, yet reality proves to be far l...

Category

2010s Post-Impressionist Art

Materials

Acrylic

Les Amateurs d'Estampes
Les Amateurs d'Estampes

Les Amateurs d'Estampes

By Félix Vallotton

Located in Fairlawn, OH

Les Amateurs d'Estampes Woodcut, 1892 Initialed in the plate lower left Titled below image: "Gravure originale sur bois par F. Vallotton" Reference: Valloton and Goerg 107c, with the...

Category

1890s Post-Impressionist Art

Materials

Woodcut

An Anchor in the Rain, from the series "Architecture of Memory": "Mosaics" subse
An Anchor in the Rain, from the series "Architecture of Memory": "Mosaics" subse

An Anchor in the Rain, from the series "Architecture of Memory": "Mosaics" subse

By Svitlana Zezekalo

Located in Zofingen, AG

In "An Anchor in the Rain," the second piece of the "Mosaics" sub-series, I examine the architectural deconstruction of memory, assembling the cityscape like fragments of ancient s...

Category

2010s Post-Impressionist Art

Materials

Canvas, Oil Pastel, Acrylic

Mid 20th century 1950's Portrait of Stylish Lady Seated by Fireside Large Oil
Mid 20th century 1950's Portrait of Stylish Lady Seated by Fireside Large Oil

Mid 20th century 1950's Portrait of Stylish Lady Seated by Fireside Large Oil

Located in Cirencester, Gloucestershire

Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...

Category

Mid-20th Century Post-Impressionist Art

Materials

Canvas, Oil

Femme à la mandoline by Georges Manzana Pissarro - Mixed media on paper
Femme à la mandoline by Georges Manzana Pissarro - Mixed media on paper

Femme à la mandoline by Georges Manzana Pissarro - Mixed media on paper

By Georges Henri Manzana Pissarro

Located in London, GB

Femme à la mandoline by Georges Manzana Pissarro (1871-1961) Mixed media on paper 48 x 31 cm (18 ⁷/₈ x 12 ¹/₄ inches) Signed lower right, manzana. Executed circa 1910 This work is a...

Category

1910s Post-Impressionist Art

Materials

Paper, Mixed Media

The Thrill
The Thrill

The Thrill

By Antonina Bormova

Located in Zofingen, AG

Within her ongoing exploration of psychological states, the artist focuses on the moment when a desire has already taken shape, while its outcome remains unknown. It is within this i...

Category

2010s Post-Impressionist Art

Materials

Acrylic

Mid-20th Century Post-Impressionist Seascape with Seaweed and Surf
Mid-20th Century Post-Impressionist Seascape with Seaweed and Surf

Mid-20th Century Post-Impressionist Seascape with Seaweed and Surf

By Anne Marie Migette Perard

Located in Cirencester, Gloucestershire

Title: Mid-20th Century Post-Impressionist Seascape with Seaweed and Surf by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 16.25 inches (hei...

Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Au Circus
Au Circus

Au Circus

By Dietz Edzard

Located in Sheffield, MA

Dietz Edzard German, 1893-1963 Au Circus Oil on canvas 22 by 31 in. W/frame 32 by 41 in. Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extensive...

Category

1930s Post-Impressionist Art

Materials

Oil

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) (after) Title: The Swimming Pool II (La Piscine II) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Notes: Excerpted from the album (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. Additional notes: This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully rendering Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. HENRI MATISSE (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

Category

1950s Post-Impressionist Art

Materials

Lithograph

Bathers
Bathers

Bathers

By John Edward Costigan

Located in Sheffield, MA

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Category

1950s Post-Impressionist Art

Materials

Oil

Ballet D'enfants
Ballet D'enfants

Ballet D'enfants

By Suzanne Eisendieck

Located in Sheffield, MA

Suzanne Eisendieck French, 1908-1998 Ballet D'enfants Oil on canvas 36 by 29 ½ in. W/frame 44 by 37 ½ in. Signed lower right Item number: 01647 She was born in Danzig (now Gdan...

Category

1960s Post-Impressionist Art

Materials

Oil

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Category

1930s Post-Impressionist Art

Materials

Lithograph, Stencil

Landscape with Wildflowers and Spanish Village Mediterranean Impressionist Oil
Landscape with Wildflowers and Spanish Village Mediterranean Impressionist Oil

Landscape with Wildflowers and Spanish Village Mediterranean Impressionist Oil

Located in Sitges, Barcelona

Landscape with Wildflowers and Spanish Village – Mediterranean Impressionist Oil Painting Artist: Agustí Gil (born 1950, Spain) Title: Landscape with Wildflowers and Spanish Village...

Category

Early 2000s Post-Impressionist Art

Materials

Canvas, Oil

Mountain Village, Post-Impressionist Alpine Landscape
Mountain Village, Post-Impressionist Alpine Landscape

Mountain Village, Post-Impressionist Alpine Landscape

Located in Genève, GE

Dimensions with frame: 50 x 48,3 x 4,4cm. Signed "W. Scherer" in the lower right corner. This vibrant oil painting depicts a quiet Alpine village set beneath an impressive range of snow-covered mountains. Traditional houses line the village road, their pale façades, green shutters and sloping roofs framing a distant view of dramatic peaks rising beyond the dark evergreen forest. The artist approaches the landscape with a lively and confident brushwork, building the scene through broad touches of blue, green, ochre, violet and creamy white. Architectural details are simplified without losing their character, while the mountains are treated more freely, their snowy summits merging with the moving clouds and luminous sky. The strong vertical of the central pole and the façades on either side create a natural perspective leading the eye deep into the landscape. With its expressive color, visible brushwork and simplified forms, the painting reflects the influence of Post-Impressionism and early 20th-century Modernism. A particularly appealing Alpine scene combining the intimacy of village life with the grandeur of the surrounding mountain landscape. Post Impressionist landscape, Alpine landscape painting, mountain village painting, Swiss Alps painting...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil, Cardboard

Portrait of Woman in Red Hat - American 50s art Post Impressionist oil painting
Portrait of Woman in Red Hat - American 50s art Post Impressionist oil painting

Portrait of Woman in Red Hat - American 50s art Post Impressionist oil painting

By David L Swasey

Located in Hagley, England

This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...

Category

1950s Post-Impressionist Art

Materials

Oil

Summer Pasture
Summer Pasture

Summer Pasture

Located in Sheffield, MA

Vilis Reinis Valdmanis Swedish, 1906-1980 Summer Pasture Oil on canvas 20 by 24 in, w/ frame 27 ⅜ by 31 in Signed lower right

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

In the shadow
In the shadow

In the shadow

Located in Zofingen, AG

In the Shadow is a delicate exploration of those life periods when identity is formed in silence and solitude, away from the bright light of external approval. The fragile white blos...

Category

2010s Post-Impressionist Art

Materials

Canvas, Acrylic

Henri Matisse, Series O, Var. 8, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 8, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 8, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 8 (Serie O, var. 8) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (32....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Orange and Blue Trees

Orange and Blue Trees

By Linda Jacobson

Located in Palm Desert, CA

A dynamic but lyrical depiction of trees in colorful saturated hues, they dance fluidity in tones of orange, blue and red. My work is a serpentine flow, embodying poetic and rhythmi...

Category

21st Century and Contemporary Post-Impressionist Art

Materials

Canvas, Acrylic

Sunlit Village Street in Provence Post Impressionist French Oil Painting
Sunlit Village Street in Provence Post Impressionist French Oil Painting

Sunlit Village Street in Provence Post Impressionist French Oil Painting

By Pierre Neveu

Located in Cirencester, Gloucestershire

Sunlit Village Street in Provence Artist: Pierre Neveu (French b.1929) Signed Lower right Medium: oil on canvas, unframed Canvas: 15 x 18 inches Condition: Good and sound condition P...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

Henri Matisse, Series O, Var. 13, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 13, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 13, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 13 (Serie O, var. 13) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (3...

Category

1940s Post-Impressionist Art

Materials

Collotype Print

George Ames Aldrich
George Ames Aldrich

George Ames Aldrich

By George Ames Aldrich

Located in Dallas, TX

George Ames Aldrich (American, 1872-1941) Landscape with Watermill Oil on canvas Canvas: 30 x 24 inches (76.2 x 61.0 cm) Framed: 38.5 x 32.5 x 2 Inchs Signed lower left: G. Ames A...

Category

Early 1900s Post-Impressionist Art

Materials

Canvas, Oil

Henri Matisse, Series O, Var. 16, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 16, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 16, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 16 (Serie O, var. 16) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (3...

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Beach in Nice Original Impressionistic Oil Painting, 60x80 cm, New
Beach in Nice Original Impressionistic Oil Painting, 60x80 cm, New

Beach in Nice Original Impressionistic Oil Painting, 60x80 cm, New

Located in Oslo, NO

Capturing the lively essence of a coastal scene, my brushstrokes dance with vivacity, embodying the rich textures of life under a dynamic sky. Thick oils articulate the whispers of w...

Category

2010s Post-Impressionist Art

Materials

Canvas, Oil, Acrylic

Henri Matisse, Series O, Var. 7, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 7, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 7, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 7 (Serie O, var. 7) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (32....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Henri Matisse, Series O, Var. 14, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 14, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 14, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 14 (Serie O, var. 14) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (3...

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Henri Matisse, Series O, Var. 5, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 5, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 5, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 5 (Serie O, var. 5) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (32....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Henri Matisse, Series O, Var. 3, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series O, Var. 3, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series O, Var. 3, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series O, Variation 3 (Serie O, var. 3) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (32....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Le Piège à Oiseaux
Le Piège à Oiseaux

Le Piège à Oiseaux

By Georges d'Espagnat

Located in Sheffield, MA

Georges D'espagnat French, 1870 - 1950 Le Piège à Oiseaux Signed gdE (lower right) Oil on canvas 66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in. Born at Melun on 14th August 1870, G...

Category

1910s Post-Impressionist Art

Materials

Oil

“Les Halles de Paris”
“Les Halles de Paris”

“Les Halles de Paris”

Located in Southampton, NY

Original oil on canvas painting of Les Halles de Paris by the London born artist, H.F. Root. Signed lower left. Circa 1945. Very good condition, no restorations. Les Halles de Paris was the largest food market...

Category

1940s Post-Impressionist Art

Materials

Canvas, Oil

Tropical Hawaiian School. Teacher and children, Illustration Art General Ele
Tropical Hawaiian School. Teacher and children, Illustration Art General Ele

Tropical Hawaiian School. Teacher and children, Illustration Art General Ele

Located in Miami, FL

Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...

Category

1960s Post-Impressionist Art

Materials

Gouache, Illustration Board

Still life, oil, cm. 63 x 52 1970 ca
Still life, oil, cm. 63 x 52 1970 ca

Still life, oil, cm. 63 x 52 1970 ca

By Enzo FARAONI

Located in Torino, IT

flower,fruts Enzo FARAONI (S. Stefano Magra, La Spezia, 1920/2017) Enzo Faraoni is a great painter and engraver from Florence; he expresses the poetic everyday life of simple and co...

Category

1970s Post-Impressionist Art

Materials

Oil

Henri Matisse, Series L, Var. 6, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series L, Var. 6, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series L, Var. 6, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series L, Variation 6 (Serie L, var. 6) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 9.62 x 12.88 inches (24....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Woman Reading Indoors by Pierre Neveu French Watercolour Interior Scene Painting
Woman Reading Indoors by Pierre Neveu French Watercolour Interior Scene Painting

Woman Reading Indoors by Pierre Neveu French Watercolour Interior Scene Painting

By Pierre Neveu

Located in Cirencester, Gloucestershire

Title: Woman Reading Indoors by Pierre Neveu French Watercolour Interior Scene Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x ...

Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Henri Matisse, Series N, Var. 1, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series N, Var. 1, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series N, Var. 1, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series N, Variation 1 (Serie N, var. 1) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 12.88 x 9.62 inches (32....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

Mid Century French Portrait Reclining Man With a Pipe Watercolour Study
Mid Century French Portrait Reclining Man With a Pipe Watercolour Study

Mid Century French Portrait Reclining Man With a Pipe Watercolour Study

By Josine Vignon

Located in Cirencester, Gloucestershire

Title: Reclining Figure Artist: Josine Vignon (French 1922-2022) Medium: signed watercolour on artists paper stuck on board, glass covered Size: 9.75 (height) x 9 (width) Conditi...

Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Cock Fight Two Fighting Birds Framed Impressionist Original Impasto Oil Painting
Cock Fight Two Fighting Birds Framed Impressionist Original Impasto Oil Painting

Cock Fight Two Fighting Birds Framed Impressionist Original Impasto Oil Painting

By David Wilde

Located in Sutton Poyntz, Dorset

David Wilde. English ( b.1913 - d.1974 ). Cock Fight. Impasto Acrylics. Signed & Titled. Image size 15.4 inches x 22.2 inches ( 39cm x 56.5cm ). Frame size 19.1 inches x 26 inches ...

Category

Mid-20th Century Post-Impressionist Art

Materials

Acrylic

Bunch of Iris
Bunch of Iris

Bunch of Iris

Located in Saint-Ouen, FR

Joseph Alexis KREYDER (1839-1912) Bunch of Iris Oil on canvas signed low left Old frame gilded with leaves Dim canvas : 82 X 61 cm - Dim frame : 104 X 8...

Category

1880s Post-Impressionist Art

Materials

Oil

Henri Matisse, Series G, Var. 3, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series G, Var. 3, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series G, Var. 3, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) Title: Series G, Variation 3 (Serie G, var. 3) Year: February 27, 1943 Medium: Collotype on velin pur fil paper Paper Size: 9.62 x 12.88 inches (24....

Category

1940s Post-Impressionist Art

Materials

Collotype Print

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