Victorian Art

Artist/ School: Arthur Blamires (b.1930, British). Title: ScaFell Pike from Calf Close Bay, Derwent Water Medium: oil painting on board, framed, inscribed verso and dated 1986 Siz...

Edgar Hunt British, (1876-1953) Cockerel, Chickens & Chicks Oil on canvas, signed & dated 1933 Image size: 7.75 inches x 13.75 inches Size including frame: 14.5 inches x 20.5 inches...

An idyllic view of cattle and sheep grazing in a pasture before an oak tree with a blue sky with bollowing clouds beyond. William S Rose (1810-1873) Cattle and sheep grazing in rou...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Sorting the Catch John C Gray (Scottish, 1880-1951) oil on canvas, framed signed and dated 1914 framed: 18 x 22 inches canvas: 13 x 16 inches provenance: private collection, Scotland...

Charles Towne (1763-1840) A wooded landscape with a traveller on a path Signed "By CT" lower left Oil on canvas 23 1/8 x 19 1/2 in Provenance Private Collection, West Sussex Charle...

Samuel Raven (1775-1847) Head of a terrier signed and inscribed 'S. Raven pinxt./Patronized by H.R.H. the Duke of Sussex/& Prince Leopold of Saxe-Coburg' verso oil on papier mâché Pa...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honourable mention in 1881 and a third place medal in 1888. William Thornley also went by the names Georges William and William...

Transporting oil painting on board of two fox terriers in a hunting pose executed in the traditional English style. Illegibly signed and presented in a carved wood frame.

John Berney Crome (1794–1842) was a notable English landscape painter associated with the Norwich School of painters, an influential regional art movement in 19th-century England. He...

Portrait of a Young Girl with Her Loyal Dog English School, 19th century oil on canvas, unframed Canvas: 28 x 20 inches Provenance: private collection, England Condition: very good c...

William Huggins (1820-1884) Group of Fowl Signed and dated 1854 lower right Oil on board Painting Size - 17 x 19 in Framed Size - 12 x 14 in This lively and intimate farmyard scene ...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

Title F E Jamieson Signed Scottish Highlands Pitlochry Oil Painting Gilt Frame Key Details Artist: F. E. Jamieson, British, 1895–1950 Signed: Signed ...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

Centaurea Cyanus English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The draw...

'First Violin' Chromolithograph, 1884, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Alfred (1844-1900), the second son of Queen Victoria. He was known as the Duke...

Still Life of Roses French School, circa 1930's period signed oil on board, unframed board: 10 x 15 inches provenance: private collection, France condition: very good and sound condi...

Pair of 19th century British equestrian oil paintings British, 19th Century Boards: Height 25cm, width 32cm Frames: Height 35cm, width 42cm, depth 4cm This attractive pair of 19th-century oil paintings beautifully captures the elegance and charm of Victorian sporting art. Rendered with fine detail and vibrant hues, the paintings are enhanced by their original wooden frames and equal dimensions, making them ideal for display as a complementary set. Each artwork features a 19th-century racehorse alongside its jockey, portrayed with striking use of colour and a keen eye for character. In the first composition, a chestnut horse is shown being led across an open landscape by a gentleman in stylish rural dress, likely the owner. The jockey, seated confidently atop the animal, wears vivid blue silks. The lower right corner bears a faint signature, and the reverse of the canvas includes indistinct handwritten text, presumably of the horse’s name. The second painting shows another similarly hued racehorse, this time in profile, with its jockey dressed in bold yellow silks and a burgundy riding cap. The back of this canvas is clearly marked with the name ‘Red Robin’. Rich in colour and full of period charm, this matched pair of antique equestrian paintings would appeal to collectors of horse racing...

Artist/ School: Martin Spencer Coleman, British b. 1952, signed. Title: Young Companions. Medium: oil painting on canvas, unframed. Size: painting...

Coastal Scene by Herbert J. Day (1875-1950) signed oil on canvas, framed framed: 21 x 27.5 inches canvas: 16 x 22.5 inches provenance: private collection, UK condition: very good and...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

The Highland Loch by Andrew Grant Kurtis, British 20th century signed to the lower front and stamped verso oil painting on canvas, unframed canvas: 24 x 48 inches provenance: private...

'on 1 China station' Vanity Fair portrait of Admiral Sir Edmund Robert Fremantle GCB CMG (1836 –1929). 400mm by 270mm (sheet)

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

This exceptionally charming antique Continental oil painting depicts an intimate and tender scene of a mother with her young child, re...

The Highland Stag by Charles W. Middleton, British, signed and dated 1896 signed oil painting on board, unframed dated 1896 board: 8 x 11 inches condition: overall very good

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

This charming Victorian landscape oil painting is by noted prolific exhibited British artist George William Mote. Mote was very fond of painting landscapes in Surrey and this is a pa...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

Artist: Louis van Houtte (Belgian, 1810-1876) Titles: "Azalea Indica vittata (Rhododendron Indicum) (Vol. 9, Plate 887)", "Azalea Ind. Crispiflora (Rhododendron Indicum) (Vol. 9, Pla...

The Old Stone Bridge by Emma Landseer (later, 'Mrs D. McKenzie', working 1845-1860) signed oil on board, framed framed: 13.5 x 16.5 inches board : 11.5 x 15 inches Provenance: privat...

The Clan of Robertson (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descr...

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudo...

Angler on the River British School, 19th century indistinctly signed lower corner titled to old label verso oil painting on canvas, framed framed: 10 x 8.5 inches canvas: 8.75 x 7 in...

'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan' English, c.1899 Frame: Height 109cm, width 133cm, depth 8cm Canvas: Height 92cm, width 116cm, depth 2.5cm Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...

Charles Leaver (English, 19th century) Winter Landscape Oil on canvas Circa 1870 Signed lower left In the original frame This finely painted winter landscape is a characteristic wor...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Harbor at Sunset English School, indistinctly signed & dated oil on board, framed framed: 13 x 20 inches board : 11 x 18 inches Provenance: private collection Condition: very good co...

English School, circa 1800 Napoleonic Wars Period marine scene with soldiers on a French beach. oil on canvas, framed framed: 10.5 x 13 inches canva...

Title David Hicks Signed Victorian Scottish Highland Loch Mountain Oil Painting Key Details Artist: David Hicks, British, late 19th century, signed Title: The Scottish Highlands Medi...

'The Century Atlas. New York. Southern Part.' Original antique map, 1903. Inset maps of 'New York City and Vicinity' and 'The Hudson'. Central fold as issued. Map name and number p...

An oil on panel signed and dated in the lower left depicting two riders on horseback sharing a drink outside a country inn. The painting measures 17.75" x 21.75" including the frame. Provenance: Private collection CT Bradbury Art and Antiques, Wiscasset, ME Heywood Hardy (25 November 1842 – 20 January 1933) was a British artist, in particular an animal painter and painter of horse riding scenes. He also painted landscapes and portraits, especially equestrian portraits. Horses and horse riding were the subjects of much of Hardy’s later work. His pictures of horse riding by the seashore...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...

Here is a wonderful original watercolor and gouache depicting a scene from Emile Zola book “A Page of Love” by the American artist, Jean Leon Gerome Ferris....

Portrait of a Lady English artist, circa 1870’s oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: over...

'Vue perspective du temple au nord d' Esnee' Engraving by Rousseau and Lorieux after Devilliers and Jollois, 1820. View of the temple to the north of Esne. From Napoleon's Descript...

Artist/ School: French School, 19th century, indistinctly signed lower right corner. Title: Sunrise on the Beach Medium: signed oil painting on canvas, framed. framed size: 18 x...

Artist/ School: F. E. Jamieson British, faint signature Title: The Highland Loch Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenance: fr...

BENJAMIN W. LEADER Title At Capel Curig North Wales Signed and dated 1895 Framed antique oil painting Picture size: 24 x 36" (60 x 90cm) Frame size: 32 x 44" (82 x 112cm) 1831 – 1...

This lovely Scottish Victorian portrait oil painting is by noted artist Robert Walker Macbeth. Painted circa 1900 the composition is of two young women stripping willow beside a rive...

Artist/ School: 19th Century English School Title: Barges In A River Landscape at Sunset, Cattle resting in pastoral landscape Medium: o...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

The Cornish Fisherman signed D.W Haddon (British, active 1884-1914 in Cornwall) oil on canvas on board, unframed board: 11 x 9 inches provenance: pri...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

The Carpenters Workshop by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condit...