Victorian Art

Edward Charles Barnes, a distinguished London painter active during the Victorian era, is celebrated for his evocative domestic scenes and interiors, particularly those featuring wom...

John Arthur Lomax British, (1857-1923) Preparing his Tackle Oil on panel, signed Image size: 11.75 inches x 9.75 inches Size including frame: 21 inches x 19 inches A fabulous genr...

Adolphe-Alexandre Lesrel French, (1839-1929) The Sportsman Oil on panel, signed & dated 1905 Image size: 10.75 inches x 7.75 inches Size including frame: 19.5 inches x 16.5 inches A beautifully detailed genre painting of a gentleman with a hunting rifle and smoking a clay pipe by Adolphe Alexandre Lesrel. The man, who is dressed in 17th century costume is seated next to a table containing game, a wine decanter and silver gilt standing cup with cover. All of the props including the 17th century wheel lock...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

Rudolf Stone (1820-1870) A set of four hunting scenes Oil on panel Signed Painting Size 6 x 12 in Framed Size 10 x 16 1/2 in Rudolf Stone was a British artist active in the late 19t...

Well-painted English early 20th-century beach scene landscape Daniel Sherrin 1868-1940 signed L. Richards This is a framed original oil painting on canvas by the late British painter Daniel Sherrin who painted under the pseudonym of L Richards. It is signed and was painted circa 1910 and is in excellent condition. BIOGRAPHY Daniel Sherrin (1868-1940) Daniel Sherrin was the son of John Sherrin...

Artist/ School: English School (19th Century), inscribed verso Title: The Temple of Vista at Tivoli. Medium: oil on artists board, framed Framed: 13 x 16 inches Painting: 9 x 12....

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

'Veduta Generale del Palazzo de Cesari sul Palatino, presa del Monte Aventino' Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled...

Stormy Seas at Dusk, Cornwall by George Henry Jenkins (British, 1843-1914) Signed oil on board, framed Framed: 12 x 18 inches Board: 9 x 15 inches Provenance: Private collection, South West England This dramatic seascape painting...

Walter Williams (1834–1906) A Pair of North Wales Landscapes Circa 1880 Oil on Canvas Signed lower left Presented in matching decorative gilt frames Walter Williams was one of the m...

Artist/ School: Scottish School, 19th century, indistinctly signed lower corner Title: The Angler in the Scottish Highlands, beautiful landscape scene. Medium: oil painting on canv...

'Going for a Saile, Sir?' by James Seymour Adams (English, fl.1883-1888) oil on canvas, framed signed lower right and titled verso framed: 21 x 18 inches canvas: 15 x 12 inches Prove...

William Edward Webb British, (1862-1903) Douglas Harbour, Isle of Man Oil on canvas, signed Image size: 21.5 inches x 37.5 inches Size including frame: 33 inches x 49 inches A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

Castle ruins in a windswept landscape Late 19th Century German School oil on panel, framed framed: 31 x 38 inches panel : 24 x 32 inches the painting is in overall very good and soun...

Artist/ School: Dutch School, 20th century, signed Title: Winter Sports Medium: oil painting, on canvas, framed. Size: frame: 24 x 28 inches painting: 20 x 24 in...

First Edition lithograph Full plate: 120 Presented in a acid free mount

Set of Nine Floral Colored Prints Each print is unframed and measures 14 x 11 inches. A range of floral bouquets and plants - ideal for many interior design projects. Condition:...

The Artists Models Original oil painting by Jacques COURTADE (French, 1923-1994). Post-Impressionist/ modernist oil painting by the superb 20th century French artist, Jacques COURTA...

The Scottish Highlands by Frank T. Carter (British, 1853-1934) signed oil on artist paper stuck on board, framed glass covering framed: 8.5 x 11.5 inches board : 7 x 10 inches Proven...

Willem Johannes Martens Dutch, (1838-1895) The Admirer Oil on canvas, signed & transcribed with title to stretcher Image size: 19.25 inches x 24.5 inches Size including frame: 28 in...

Artist/ School: Prudence Turner, British b. 1930, signed. Title: Perthshire Medium: oil painting on canvas, framed. Size: painting: 20 x 24 inches, frame: 25.25 x 29.25 inches ...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is in Perthshire. In the foreground several highland cat...

Artist/ School: British School, indistinctly signed with initials and dated 1920's Title: Cornish Tin Mines on coastal cliffs. Medium: oil on canvas, framed Framed: 13.75 x 21.75 ...

Hare Coursing by J.C Mitchell (British sporting artist, 19th century) dated 1879 signed oil on board, framed framed: 11.5 x 14 inches board: 9.25 x 12 inches provenance: private coll...

Gathering Firewood by W Pettingale (19th century) signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas : 14 x 10 inches Provenance: private collection, England Condition: v...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Edward Charles Barnes (fl. 1856-1882) "Penny a posy" Oil on canvas Signed lower left Canvas Size - 36 x 28 in Framed Size - 43 x 35 in Provenance Christie's, British & Victorian...

David Roberts RA Ancient Watch Tower 1796 - 1864 Subscription and first edition lithograph in stock Half plate: 93 Presented in a acid free mount

THE POOL OF BETHESDA- JERUSALEM Subscription and first edition lithographs in stock Full plate: 12 Presented in a acid free mount Published by F.G. Moon & Son, London 1842-49. Subscription edition were coloured during production and First edition are modern hand-coloured lithograph, that was printed a few years after the subscription edition David Roberts. We have both Subscription and First Edition lithographs in stock. The subscription edition was printed on a fine paper, hand coloured and then stuck on card. The first edition was printed on a more coarse paper and not coloured by hand. These ones we colour to match the subscription colouring. Each lithograph is sold in mint condition and in an acid free mount. Please do not hesitate to contact us for more information, or if you are looking for another David Roberts lithograph...

Playing in the Stream by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 22.27 x 27 inches canvas: 16 x...

Watermill Cottage at Bettswyscoed, Wales signed oil on board, framed Framed: 14 x 17 inches Board: 9 x 12 inches Provenance: private collection Condition: very good condition; the an...

Title:Italian Woman in Cloak Costume Study Pencil Drawing 19th Century Figure Artist: Louisa J. Wortley (British 19th century) Medium: original graphite pencil drawing on artists pap...

Artist/ School: F. E. Jamieson British, signed Title: Sunset in the Scottish Highlands Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenan...

Country Landscape Scene With Figures Andrew Grant- Curtis (20th Century British working in the Victorian style) signed oil painting on canvas, framed framed: 19 x 23 inches canvas: 1...

David James, British (1853 – 1904) Atlantic Waves, North Coast Cornwall Oil on canvas Canvas size: 20 x 30 inches Overall size: 26 1/2 x 36 1/2 inches Signed lower right Provenanc...

London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

Nigel Hallard (1936-2020) signed oil on canvas, framed framed: 25 x 35 inches canvas : 20 x 30 inches Provenance: private collection, UK Condition: very good condition For more any ...

Mountain Landscape, Betws-y-Coed Wales by Thomas Morris Ash (British 1851-1935) signed and inscribed verso Oil painting on board, framed Framed: 14 x 19 inches Board: 10.5 x 15.5 inc...

Watercolour on paper Image size: 4 1/2 x 3 1/2 inches (11.5 x 9 cm) Mounted and framed This is an arresting image featuring a head and shoulders portrait of a bearded man wearing a ...

Title David Hicks Signed Victorian Scottish Highland Loch Mountain Oil Painting Key Details Artist: David Hicks, British, late 19th century, signed Title: The Scottish Highlands Medi...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) A lovely pair of French townscape paintings featuring Cathedrals by Henry Schafer. The first offers a view of Metz Cathedral and other medieval buildings from the river Moselle. On the right, figures can be seen at a market stall whilst others walk down a street. Meanwhile to the left, a boat is shown docking at a quayside in front of an archway. The other painting is of Chartres Cathedral seen from a cobbled town square lined with Medieval buildings. Two figures are depicted next to a market stall on the left as others chat or make their way towards the square along a lane to the right. Henry Schafer was born in Hanover, Germany in 1841. Although little is recorded about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...

Artist/ School: Andrew Adie Dalgleish (Scottish active 1880-1904), signed and titled verso Title: Winter, Ayrshire Medium: oil on canvas, framed Framed: 28.5 x 22 inches Canvas: ...

Coastal Scene by Herbert J. Day (1875-1950) signed oil on canvas, framed framed: 21 x 27.5 inches canvas: 16 x 22.5 inches provenance: private collection, UK condition: very good and...

Charming Cottage, Wales Welsh School, late 19th century signed oil on board, framed Framed: 14 x 17 inches Board: 9 x 12 inches Provenance: private collection, UK Condition: very goo...

Tranquil Pastures circle of Thomas Sidney Cooper (British 1803-1902) signed oil painting on board, framed framed: 10 x 14 inches board: 8 x 12 inches provenance: private collection,...

Condition: Excellent overall Condition. Original canvas and frame. No restauration necessary. No retouching under UV light. Dimensions with frame 28 x 34 cm. Complementary shipping w...

Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...

Wonderful early 20th-century oil on canvas depicting a view of the Scottish highlands and the River Usk. Sidney Yates Johnson was an active painter during the late Victorian period ...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Title Large Victorian British Dog Portrait Oil Painting Two Spaniels Waiting Interior Key Details Artist: British School, 19th century Title: Waiting for Master Medium: Oil painting ...

Title: Victorian Botanical Flower Study Pencil Drawing Louisa Wortley 1865 Artist: Louisa J. Wortley (British 19th century) Medium: original graphite pencil drawing on artists paper ...

19th century French oil painting of a lady and a parrot by Semenowsky French, 1891 Panel: Height 56cm, width 38cm Frame: Height 68cm, width 49.5cm, width 3cm This wonderful oil on p...

Pausing for Refreshments by John Sanderson Wells (British 1872-1955) *see notes below signed oil on board, framed Framed: 13.5 x 18 inches Canvas : 10...

Figures in the Highlands by Charles Leslie (1839-1886) British signed & dated 1883 oil on canvas laid on board, framed framed: 9.5 x 17.5 inches board : 9 x 16 inches Provenance: pri...

19th century oil painting of a market scene by H. C. Bryant English, 1877 Canvas: Height 51cm, width 76.5cm Frame: Height 68cm, width 93.5cm, depth 5cm Painted by the English artist Henry Charles Bryant, this lively scene is typical of Bryant’s oeuvre. Bryant specialised in market and farmyard scenes, inspired by 17th century Dutch genre painting which similarly depicted vignettes of everyday life. Bryant’s realistic painterly style also recalls these Dutch genre scenes, which in turn were inspired by the form and content of Early Netherlandish...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...