House Art

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Graham Noble Norwell, Canadian, 1901-1967 Untitled watercolour on paper 7 x 13 in (sight) Signed lower right framed

Collegio delle Fanciulle VI - Milano 2015 C-print Signed, numberd and dated on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches editio...

Coco Sits on Her Mirrored Stares, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

Palazzo Reale, Naples 2013 “Beauty is never given. For Listri it is sought for, recognised, crea- ted.” (Cesare Cunaccia) “His photographs are theorems of human absence ...” ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Castello di Rivoli III - Torino "What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how t...

Artist Commentary: Combining Mondrian's "Composition # 11" painted in 1927 with an historic barn on Cherry Hill farm in Falls Church. VA. Acrylic, watercolor and ink on Fabriano. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

Home of architect Arturo Pani, Acapulco, Mexico, 1971 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) w...

Ed. of 7 For over a decade, Joshua Jensen-Nagle has captivated the viewer with his evocative large-scale photographs. Best known for his dreamy aerial ...

archival pigment print, 30"x30" edition of 5 This photograph is from the series "Nearly West". In this series, Pickering reflects on the subtleties in the landscape and culture...

Biennale, Sao Paulo, 2012 C print 100 x 120 cm (40 x 47 inches) Edition of 5 120 x 150 cm (47 x 59 inches) Edition of 5 180 x 225 cm (71 x 88.5 inches )...

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

Nicholas Berger Biography American, b. 1949 Nicholas Berger’s career as an artist spans three decades and has brought him national and international acclaim for his paintings. A lis...

A substantial, antique landscape showing a view of a picturesque rustic cottage standing beside a pond at late sunset. An unusually large and atmospheric watercolor with exceptionall...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

Caption: Crowds watching a military parade outside Buckingham Palace, London, circa 1949. Estate stamped and hand numbered edition of 150 with cert...

Represented by George Billis Gallery, NYC & LA --From the artist statement, "My artwork centers on mid-century American architecture and design, once revered for its groundbreaking i...

El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain, 1971. Slim Aarons worked mainly for society publications, taking pictures of t...

Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. From Elemen...

Collegio delle Fanciulle VI - Milano 2015 C-print Signed, numberd and dated on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches editio...

This painting presents an evocative depiction of the Palacio de La Magdalena, located on the peninsula of the same name in Santander. A dirt path visually guides us toward the majest...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

"St. St. Petar and Pavel Monastery" is an impressionist painting by Maestro Krassimira Mihaylova. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edi...

Edition of 25 Signed and dated in black ink on print verso by Peter Brown Paper size: 20 x 24 in., Image size: 16 x 20 in. Published: West of Last Chance (2008) Available in additio...

"Folded Glass" is a color photograph on Etching Rag archival paper. It's a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is a striking composition, and typical of the artist there are only a few elements at play but they are powerfully at play. The hard line geometry of the glass solar panels in a larger zigzag pattern – notice the reflections too add rectilinear patterns that intersect the whole. Shooting on the streets of New York, looking up and looking for often-missed city/sky collisions, Bob Krasner...

"East Village Abstract #1" is a color photograph on Etching Rag archival paper. It is a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is a striking compos...

Venezia, I Tetti (roofs), platemark mm 593 x 392. Rif. 541 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrosp...

David Burdeny Sassi Matera, Italy, 2022 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

"The Golden Hour" is a colorful and vibrant fall foliage landscape in a warm autumn color palette by American Impressionist painter Albert Van N...

An atmospheric impasto painting by the contemporary artist Daniel Nichols, depicting a lake district cottage in the pass of Gray Crag. Signed with initials to the lower left. On canv...

Artist Commentary: A farmstead far from Reyjkavik on a lonely landscape. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

"Stone House and Windmill" by W.A. Slaughter is a rare original oil on canvas painting measuring 24x36 in. The sun is going down on the Texas Hill country creating shadows among a sm...

"Bleak House 4-5-20" is an architectural watercolor painting featuring hues of blue, tan, pink and green. Kathryn Keller is inspired by the works of Georg...

"A Village High Street" by Sir Herbert Tripp. Sir Herbert Tripp c.b.e 1883-1954 was a painter poster artist draughtsman illustrator and writer. Regular exhibitor Royal Academy. Assis...

"Birthplace of Henry Clay, Hanover County, Virginia" is an original hand-colored lithograph by Kelloggs & Thayer. The piece features a homestead and farm anima...

This silver gelatin print is signed, titled, dated, numbered and stamped on the front of the mount. Printed in 2022.

Mario Reggio is a contemporary Roman painter with an extraordinary ability to interpret his hometown in an innovative and metaphysical way. While Mario Reggio’s favorite subject is h...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Rebecca Skinner’s “Sanctum” was photographed in an abandoned monastery. The 24 x 16 inch black and white photo is of a staircase and stained glass window in a state of decay. The ima...

Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a blue wrought iron staircase in an abandoned school. With satin fini...

Rebecca Skinner’s “Discarded” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch color photo of a yel...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable wood panels, he created about sixty scenes of daily life, among them this picturesque vignette of a Japanese tea garden...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Oil on canvas Lexi Caiqin or Ding Caiqin is a Chinese artist born in 1987 who lives and works in Nantong. Jiangsu in China. He was born in Daoxiang Village is a village built around...

English School Lower Chedworth 20th Century Oil on board, signed lower right Image size: 19 1/2 x 23 1/2 inches (49.5 x 59.5 cm) Original frame In this painting, the winding countr...

From a series of similar photographs by Rosemary Ellis. To see the others, scroll down to "More from this Seller" and below it click on "See all from this seller" and search for Elli...

Unframed

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

David D. Howlett (b.1955), [Untitled], c.1991. Signed lower center: "David D Howlett". This painting depicts Newbury Street, Boston.

David Burdeny Ca Rezzonico II, Venice, Italy, 2012 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

"Scotland 0109" Landscape Photography 24" x 18" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...

David Burdeny - Ca’Rezzonico, Venice, Italy, 2012 59 x 73.5 inches Edition of 5 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to l...