17th Ink Drawings

17th century, pair of ink drawings on paper with studies for grotesques, friezes and helmets

A fine small Italian 17th/18th century sepia ink study of 6 putti in different positions. Paper

medium of ink and wash drawing a rather unforgiving technique and well scaled and executed. The work is

Circle of Domenico Piola (Genoa 1627 – 1703) The Torture of Saint Concordia Black chalk, brown ink

GIACINTO BRANDI (Poli 1621 – 1691 Rome) The Discovery of Moses Pen and brown ink, brown wash 43.2

ink on laid paper, laid down on canvas) realized by a member of the Italian School of the 17th Century

Late 17th-early18th century Drawing Pen and brown ink , brush and gray wash on paper att. to

Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and

Framed & Matted Pen & Ink Drawing, attributed to “Allaert Van Everdinger” (Dutch 1621-1675)

Planimetry of the Vatican After G.L. Bernini is an original China Ink realized by an unknown artist

Allegory of summer. A fine Italian watercolor and sepia drawing with people harvesting, eating and

Plants is a beautiful artwork realized by Jan Peter Verdussen in 1740. pen and watercolour on brown paper. In good codition except for some pencil marks and traces of sealing wax on...

wash drawing on paper (Arms of Amsterdam watermarked) Dutch School, mid 17th century image: 14.3cm x

Pen and ink, brown wash, heightened with white bodycolour Image size: 9 x 10 1/2 inches (22.75 x

Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...

Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and diffused foxings. Hand...

Dog with plants in the garden is a beautiful artwork realized by Jan Peter Verdussen in 1751. pen and watercolour on brown paper. In good codition except for some pencil marks and t...

over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light weight brown laid

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or

over the Mughal Empire. Circa 1690. Gouache and ink with gold heightening on light weight cream laid

Sketch of a Man in Profile 17th Century French School Ink on paper Image Size: 10 1/2 x 7 inches

drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches board: 6.25 x 5 inches

Apostles, ca. 1700 Ink pen and wash on paper. Sheet measuring 11 x 15.5 inches. Framed measurement: 18.5 x

School, 17th century Ink and wash in black, sepia and grayish brown ink with white heightening on wove

. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (210 x 160 mm), the full

around 1652. He later founded a drawing academy there. He mingled with an elite circle of intellectuals

1998 Pen and Grey Ink and Grey Wash. Image 5 x 7.25". Framed 13.5" x 14.25 The work is found to be in

After Sir Peter Lely 1618 - 1680 Anne Hyde, Duchess of York; King James II Pencil, ink and white

of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition

"Cherubs" (B) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and

"Cherubs" (A) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and

Figure Studies Attriubted to Cornelis Schut (1597 - 1655) Flemish ink drawing on paper, inscribed

worked on religious commissions during this time. Carducho was a talented draughtsman, and his drawings

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the ...

, brown-grey wash, heightened with white, partial black ink framing lines, watermark foolscap, 196 x 186

from the Temple Pen and brown ink, brown ink framing lines, 150 x 121 mm (5.9 x 4.8 inch) Provenance

scratch the paper. Few of his drawings can be directly linked to paintings.[2] Pen-and-ink was his

scratch the paper. Few of his drawings can be directly linked to paintings.[2] Pen-and-ink was his

. Pen and ink and watercolor on paper 6¼ x 7¾ inches (16 x 19.6 cm) Framed: 13¾ x 18¾ inches (35 x 47.5

brown ink, brown ink framing lines, partial watermark shield with rampant lion, 135 x 101 mm (5.3 x 4

, Baltimore until the present time We would like to thank Charles Beddington for identifying these drawings

Very fine 17th century Italian Old Master ink drawing attributed to the well known Old Master

Very fine 17th century Italian Old Master ink drawing attributed to the well known Old Master

The imprisonment is an original China Ink Drawing realized by an unkown artist in 17th century

Figures is a drawing in pencil and pen on paper by an Italian anonymous Artist of the 17th Century

Very fine quality early Old Master drawing. The work is executed in pen and ink on parchment paper

Ink and watercolor on paper. Flemish School. On the back there is a lebel of a importantant private

the group of the Holy Family is advancing. This drawing was executed in pen and brown ink wash over

Stefano Della Bella (1610-1664) A small Stefano Della Bella pen and ink figural study, with an

drawing executed on the edge of fantasy, we find the technique of an engraver who knows how to modulate

Italian School beginning of 17th Century A Female Saint with an Angel, Saint Teresa of Avila

Florence. This drawing is presented in a 17th century Italian frame, decorated with oak leaves. Main

This is a very fine study for the painting Apollo and Daphne executed for Louis XIV in 1681 and now in the Musées Royaux des Beaux-Arts in Bruxelles (Inventory no.269).

drawings and etchings, especially those done with pen and ink, they often convey a sense of restless energy

ink wash, indicates, also in French, that this drawing was bought in Florence in 1810, which shows

Holy Family is a superb original drawing: pen and brown ink drawing on ocher-colored wire rod paper