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Medium: Engraving
5 Salvador Dali Photolithographs from LES DINERS DE GALA, Priced Each
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Salvador Dali (Spanish, 1904-1989)
Marking(s); notes: signed; ed. 34/195; 1977
Materials: photolithograph and engraving on BFK Rives paper
Dimensions (...
Category
1970s Surrealist Art by Medium: Engraving
Materials
Engraving, Lithograph
Two lovers in a garden above Paris
Located in Genève, GE
Ed: 31/300
Work on paper
Golden wooden frame with glass pane
68 x 85.5 x 2.5 cm
Category
Mid-20th Century Art by Medium: Engraving
Materials
Engraving
In a tavern. Paper, engraving, 21x25 cm
Located in Riga, LV
In a tavern.
engraver Jan De Visscher (1933-1692)
Paper, engraving, 21x25 cm
Category
17th Century Realist Art by Medium: Engraving
Materials
Paper, Engraving
70s Bronze Flower Sculpture Plaque limited edition Signed, Berkley Arts Foundry
By Ruth Asawa
Located in New York, NY
Ruth Asawa
Bronze Flower, 1979
Cast Bronze relief plaque with original presentation box
5 1/4 × 6 1/4 × 1/4 inches
Numbered from the Edition of 2500
Signed and dated 'Asawa 1979' (lo...
Category
1970s Abstract Art by Medium: Engraving
Materials
Bronze
Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
By Mary Cassatt
Located in Storrs, CT
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Category
19th Century Impressionist Art by Medium: Engraving
Materials
Watercolor, Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Cats, German animal antique engraving print
Located in Melbourne, Victoria
'Katzen'
(Cats)
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category
2010s Realist Art by Medium: Engraving
Materials
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
Composition III
Located in Paris, FR
Engraving
Handsigned by the artist in pencil
Edition : 13/95
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper)
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image)
Arches paper
A...
Category
1970s Abstract Art by Medium: Engraving
Materials
Engraving
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Art by Medium: Engraving
Materials
Laid Paper, Handmade Paper, Engraving
"Antonin Proust" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...
Category
1890s Art by Medium: Engraving
Materials
Drypoint, Etching
Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist.
Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category
Early 20th Century Realist Art by Medium: Engraving
Materials
Handmade Paper, Drypoint
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Art by Medium: Engraving
Materials
Paper, Drypoint, Etching
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Art by Medium: Engraving
Materials
Engraving, Woodcut
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Art by Medium: Engraving
Materials
Handmade Paper, Etching, Drypoint
Picasso, Pour Roby, Noir (Bloch 680; Cramer 57), L'Âge de Soleil (after)
Located in Auburn Hills, MI
Engraving on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'Âge de Soleil, 1950. Published by Robert J. Godet, Paris; rendered by ...
Category
1950s Modern Art by Medium: Engraving
Materials
Engraving
William Hogarth . Original engravings 155 pсs., 1 piece with blend. 1822 London
Located in Riga, LV
William Hogarth (1697-1764)
Original engravings 155 pсs., 1 piece with blend. 1822 London
From A. Neibergs collection
Category
1820s Realist Art by Medium: Engraving
Materials
Paper, Engraving
Set of Four French Antique Marine Prints
Located in Lake Worth Beach, FL
Set of Four Antique Marine engravings plates hand colored.
Each measure 18x21x1 framed.
Benard Direxit is a French 19Th Century artist, engraver. Benar...
Category
Mid-19th Century French School Art by Medium: Engraving
Materials
Engraving
Monkeys, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Monkeys
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
1730s Realist Art by Medium: Engraving
Materials
Engraving
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Art by Medium: Engraving
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Jorge Castillo - EROTIC COMPOSITION Etching on paper Spanish Surrealism
Located in Madrid, Madrid
Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition)
Date of creation: 1977
Medium: Etching on paper
Edition: 75 + 20 E.A.
Size: 50 x 65,5 cm
Condition: In perfect conditions an...
Category
1970s Surrealist Art by Medium: Engraving
Materials
Engraving, Etching
Seals, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Seals
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller
Engraving on hand made laid paper wit...
Category
Early 17th Century Old Masters Art by Medium: Engraving
Materials
Handmade Paper, Laid Paper, Engraving
Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Art by Medium: Engraving
Materials
Engraving, Lithograph
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Art by Medium: Engraving
Materials
Engraving, Watercolor, Laid Paper
LOVE replica sculpture Artist Copyright Indianapolis Museum & Foundation Stamped
Located in New York, NY
Robert Indiana
LOVE (Official Artist Copyright and Foundation Stamp), 2011
Brushed Aluminum sculpture (Red)
Stamped by artist's estate, Stam...
Category
2010s Pop Art Art by Medium: Engraving
Materials
Metal
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching, Aquatint
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Art by Medium: Engraving
Materials
Engraving, Woodcut
The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833)
" The Dentist ", 1806
Hand Colored Engraving
Published by Bowles & Carver
Sight Size: 6 3/4" x 8 5/8"
Overall Size: 14 3/4" x 15 3/4"
Light foxing to the print as well as the matt, losses to the frame.
A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’.
**Please check my other listings for MORE SATIRICAL DENTAL prints...
Category
Early 19th Century Art by Medium: Engraving
Materials
Engraving
Maerten De Vos, Baptista Vrints, Christ Baptism, Engraving, Old Master
By Maerten De Vos
Located in Greven, DE
Maerten de Vos after
J Baptista Vrints
Baptism Scene
Engraving
Category
17th Century Renaissance Art by Medium: Engraving
Materials
Engraving
Tribute to Rodin 5 by Zhang Hongyu - contemporary painting, black
By Zhang Hongyu
Located in Paris, FR
Tribute to Rodin 5 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, pastel, acrylic, engraving and collage on cardboard mounted on canv...
Category
2010s Contemporary Art by Medium: Engraving
Materials
Pastel, Ink, Acrylic, Cardboard, Engraving
Island of Philae, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments'
(Island of Philae : View of the east building and other monuments)
Elephant folio engraving, by Baltard after...
Category
Early 19th Century Other Art Style Art by Medium: Engraving
Materials
Engraving
Lebanese Arabic Modernist Abstract Etching Color Engraving Arab Art Halim Jurdak
Located in Surfside, FL
Halim Jurdak, (1927-2020)
Color etching and engraving
Hand signed 'H. Jurdak' and numbered 3/15 and marked 'E. A.' in pencil on on lower margin. Frame, approx. 23 1/4" x 15 1/2". Plate size, approx. 10" x 8 1/2".
This might be an aquatint or it might have hand applied watercolor painting.
Halim Jurdak, Lebanese Artist. (1927-2020)
Born in 1927 in Ain El Sindianeh, (Shoueir) Matn, North Lebanon, Halim Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953. He is the first Lebanese artist to work in the medium of etching and engraving on an equal footing with painting and drawing. His work has won many prizes, including the first prize for Engraving at the Annual Exhibition of the École Nationale Supérieure des Beaux-Arts, Paris. He has participated in numerous international and regional exhibitions and began teaching at the Institute of Fine Arts of the Lebanese University in Beirut in 1966. This work bears the influence of Stanley William Hayter and the Atelier 17
Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953 and went on to receive his Master’s Degree in Fine Arts from “Ecole Nationale Supérieure des Beaux-Arts” in Paris. He attended the Atelier Brianchon pour la peinture, et Atelier Cami et Bercier pour la gravure. He also frequented l’atelier of Surrealist Henri Bernard Goetz and l’atelier Yves Brayer at the Académie de la grande Chaumière. He also studied at L’Académie Andre Lhote.
He travelled extensively, visiting Munich, Stuttgart, Basel, Dornoch, London, Bruges, Rome, Athens, Quebec, Montreal, Los Angles, Chicago, Milwaukee and New York. Made contacts with artists and galleries and showed regularly. He also began making abstract sculpture.
Select Solo Exhibitions
1959: Alumni Club of the American University of Beirut.
1961: The hall of Rudolf Steiner House in Stuttgart – Germany.
1962: Gallery Maison des Beaux-Arts Rue des Beaux-Arts, Paris.
1963: «Gallery Triades Rue de la Grande Chaumière, Paris.
1963: «Gallery Michel Harmouche Starko Center, Beirut.
1970: House of Art and Literature (Dar El Fan Wal Adeb), Beirut.
1987: Gallery Janine Rubeiz, Beirut.
1991: The hall of Goethe Institute , Beirut.
2002: Studio – Gallery of the painter George Khayralla, El – Mtayn – Lebanon.
2009: Mar Mikhael, Bikfaya, Lebanon.
Represented Lebanon at the following Art Festivals and Exhibitions:
1967: Exhibition of Peintres-Graveurs de l’Ecole de Paris organized by Brigitte Chehadeh, in honor of the late French painter George Cyr who lived in Beirut. The exhibition included works for the following artists: Antoni Clavé, Massimo Campigli, Marcel Fiorini, James Guitet, Aurelien Ortega,
Pierre Louis Maurice Courtin, Marino Marini, Arthur Luiz Piza, Kumi Sugai, Johnny Friedlander, Ossip Zadkine and Amedeo Modigliani.
1974: Festival International de la Jeunesse Francophone in the city of Quebec - Canada.
1994: Exhibition of The love encounter of the Arab Plastic Artists in the city of Latakia under the patronage of the syrian Prime Minister Mahmoud El Zuoubi and Madame Najat El Attar Minister of culture. From each Arab Country, one artist was chosen for this encounter.
Arabic Biennales and Exhibitions:
1967: Arab Art Exhibition organized by the British company for tobacco Eight paintings were chosen for eight artists belonging to each of the following arab countries: Lebanon, Syria, Jordan, Irak, Kuwait, Bahrain and Egypt. The exhibition took place successively in London, Paris, Rome, Cairo, Manameh, Amman, Kuwait, Baghdad, Damascus and Beirut.
Jurdak’s style has evolved greatly over his long career, from academic realism to cubism, from figurative abstraction, to non-figurative abstraction, in which he focused on forms, patterns, colour and composition. His most recent works have centered on the elemental qualities of the human figure. Jurdak has written numerous artistic and literary articles and has written several books on art theory, including The Metamorphosis of Line and Colour in 1975 (dealing with the psychological reasons underlying modern and contemporary fine art movements) and The Eye of Contentment, published in 1995. His work is held in many private and public collections such as the Ministry of Culture and Fine Arts” - UNESCO Palace, Beirut; King Khaled collection of Islamic art, Riyadh, Saudi Arabia; Academie Libanaise des Beaux-Arts, Beirut; Institut du Monde Arabe, Paris and AUB, Beirut.
He is included in Arab Print volume IV, Showcasing a variety of techniques such lithography, etching, engraving and photogravure, included are works by Shafic Abboud, Etel Adnan, Huguette Caland...
Category
20th Century Modern Art by Medium: Engraving
Materials
Engraving, Etching
Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Art by Medium: Engraving
Materials
Engraving
Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category
Early 19th Century Renaissance Art by Medium: Engraving
Materials
Engraving
Mexican Artist ¨Transición sepia¨ signed limited edition original art print
Located in Miami, FL
Juan Sebastian Barbera (Mexico, 1964)
'Transicion sepia (b/n)', 2004
engraving on paper Guarro Super Alpha 250g.
19.7 x 27.6 in. (50 x 70 cm.)
Edition o...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery.
Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...
Category
21st Century and Contemporary American Modern Art by Medium: Engraving
Materials
Mezzotint
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Art by Medium: Engraving
Materials
Watercolor, Engraving
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Art by Medium: Engraving
Materials
Laid Paper, Drypoint, Etching
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Art by Medium: Engraving
Materials
Engraving, Mezzotint
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Art by Medium: Engraving
Materials
Engraving, Etching
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833)
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Engraving
23 x 32 cm
Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Category
Early 19th Century Art by Medium: Engraving
Materials
Engraving
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Art by Medium: Engraving
Materials
Drypoint, Etching
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Art by Medium: Engraving
Materials
Drypoint, Etching
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Art by Medium: Engraving
Materials
Engraving
Serie 23 no. 14-4, Serigraph, edition 157 of 200
Located in Miami, FL
"Serie 23 no. 14-4" 1971
Serigraph in color
Edition 157 of 200
30 x 30 in
Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...
Category
1970s Art by Medium: Engraving
Materials
Engraving
Chasseur Fortune, Engraving, Van Falenz / Le Bas, Hunter, Decorative Piece
Located in Greven, DE
Le Chasseur Fortune
Engraving
framed
Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...
Category
18th Century Rococo Art by Medium: Engraving
Materials
Engraving
Road To Ampurdam (Rome and Cadaques), Letterpress and Engraving by Salvador Dali
Located in Long Island City, NY
A letterpress and engraving print by Salvador Dali on Japon paper, made in 1973. Numbered as 7/250, this piece was published by EGI and referenced in Field as 73-21.
Road To Ampurda...
Category
1970s Art by Medium: Engraving
Materials
Engraving
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Mezzotint, Aquatint
Wandelaars II, Contemporary Mezzotint by Anne Dykmans
By Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power"
Engraving, third printing...
Category
1870s Symbolist Art by Medium: Engraving
Materials
Handmade Paper, Engraving
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Art by Medium: Engraving
Materials
Engraving, Woodcut
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching, Aquatint
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category
Early 20th Century Realist Art by Medium: Engraving
Materials
Handmade Paper, Drypoint, Etching
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
1920s American Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Mid-18th Century Renaissance Art by Medium: Engraving
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...
Category
1810s Realist Art by Medium: Engraving
Materials
Engraving
Madame Helleu Looking at Watteau drawings at the Louvre..
Located in Storrs, CT
Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
Category
Late 19th Century Impressionist Art by Medium: Engraving
Materials
Drypoint, Color
PERU
Located in Santa Monica, CA
JOHANNES JANSSON (1588 - 1664)
PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2
A nice example of one of the earliest maps of Peru. From the ...
Category
1630s Old Masters Art by Medium: Engraving
Materials
Engraving
'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category
1940s Surrealist Art by Medium: Engraving
Materials
Engraving
Lebanese Arabic Modernist Abstract Etching Color Engraving Arab Art Halim Jurdak
Located in Surfside, FL
Halim Jurdak, (1927-2020)
Color etching and engraving
Hand signed 'H. Jurdak' and numbered 3/15 and marked 'E. A.' in pencil on on lower margin. Frame, approx. 23 1/4" x 15 1/2". Plate size, approx. 10" x 8 1/2".
This might be an aquatint or it might have hand applied watercolor painting.
Halim Jurdak, Lebanese Artist. (1927-2020)
Born in 1927 in Ain El Sindianeh, (Shoueir) Matn, North Lebanon, Halim Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953. He is the first Lebanese artist to work in the medium of etching and engraving on an equal footing with painting and drawing. His work has won many prizes, including the first prize for Engraving at the Annual Exhibition of the École Nationale Supérieure des Beaux-Arts, Paris. He has participated in numerous international and regional exhibitions and began teaching at the Institute of Fine Arts of the Lebanese University in Beirut in 1966. This work bears the influence of Stanley William Hayter and the Atelier 17
Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953 and went on to receive his Master’s Degree in Fine Arts from “Ecole Nationale Supérieure des Beaux-Arts” in Paris. He attended the Atelier Brianchon pour la peinture, et Atelier Cami et Bercier pour la gravure. He also frequented l’atelier of Surrealist Henri Bernard Goetz and l’atelier Yves Brayer at the Académie de la grande Chaumière. He also studied at L’Académie Andre Lhote.
He travelled extensively, visiting Munich, Stuttgart, Basel, Dornoch, London, Bruges, Rome, Athens, Quebec, Montreal, Los Angles, Chicago, Milwaukee and New York. Made contacts with artists and galleries and showed regularly. He also began making abstract sculpture.
Select Solo Exhibitions
1959: Alumni Club of the American University of Beirut.
1961: The hall of Rudolf Steiner House in Stuttgart – Germany.
1962: Gallery Maison des Beaux-Arts Rue des Beaux-Arts, Paris.
1963: «Gallery Triades Rue de la Grande Chaumière, Paris.
1963: «Gallery Michel Harmouche Starko Center, Beirut.
1970: House of Art and Literature (Dar El Fan Wal Adeb), Beirut.
1987: Gallery Janine Rubeiz, Beirut.
1991: The hall of Goethe Institute , Beirut.
2002: Studio – Gallery of the painter George Khayralla, El – Mtayn – Lebanon.
2009: Mar Mikhael, Bikfaya, Lebanon.
Represented Lebanon at the following Art Festivals and Exhibitions:
1967: Exhibition of Peintres-Graveurs de l’Ecole de Paris organized by Brigitte Chehadeh, in honor of the late French painter George Cyr who lived in Beirut. The exhibition included works for the following artists: Antoni Clavé, Massimo Campigli, Marcel Fiorini, James Guitet, Aurelien Ortega,
Pierre Louis Maurice Courtin, Marino Marini, Arthur Luiz Piza, Kumi Sugai, Johnny Friedlander, Ossip Zadkine and Amedeo Modigliani.
1974: Festival International de la Jeunesse Francophone in the city of Quebec - Canada.
1994: Exhibition of The love encounter of the Arab Plastic Artists in the city of Latakia under the patronage of the syrian Prime Minister Mahmoud El Zuoubi and Madame Najat El Attar Minister of culture. From each Arab Country, one artist was chosen for this encounter.
Arabic Biennales and Exhibitions:
1967: Arab Art Exhibition organized by the British company for tobacco Eight paintings were chosen for eight artists belonging to each of the following arab countries: Lebanon, Syria, Jordan, Irak, Kuwait, Bahrain and Egypt. The exhibition took place successively in London, Paris, Rome, Cairo, Manameh, Amman, Kuwait, Baghdad, Damascus and Beirut.
Jurdak’s style has evolved greatly over his long career, from academic realism to cubism, from figurative abstraction, to non-figurative abstraction, in which he focused on forms, patterns, colour and composition. His most recent works have centered on the elemental qualities of the human figure. Jurdak has written numerous artistic and literary articles and has written several books on art theory, including The Metamorphosis of Line and Colour in 1975 (dealing with the psychological reasons underlying modern and contemporary fine art movements) and The Eye of Contentment, published in 1995. His work is held in many private and public collections such as the Ministry of Culture and Fine Arts” - UNESCO Palace, Beirut; King Khaled collection of Islamic art, Riyadh, Saudi Arabia; Academie Libanaise des Beaux-Arts, Beirut; Institut du Monde Arabe, Paris and AUB, Beirut.
He is included in Arab Print volume IV, Showcasing a variety of techniques such lithography, etching, engraving and photogravure, included are works by Shafic Abboud, Etel Adnan, Huguette Caland...
Category
20th Century Modern Art by Medium: Engraving
Materials
Engraving, Etching
Ballet dancer
Located in Palm Beach, FL
Beautiful drawing by Jean-Baptiste Valadie, hand-signed, museum frame
Category
2010s Romantic Art by Medium: Engraving
Materials
Engraving, Drypoint, Lithograph
Arrest of Christ, Engraving, a. Karel van Mander, p. by Gheyn, Passion of Chris
Located in Greven, DE
The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander
The scene is out of a set of 13 engravings "Passion of Christ"
Engraving
Published by: Jacques de Gheyn...
Category
17th Century Northern Renaissance Art by Medium: Engraving
Materials
Engraving
Reuben
Located in Boston, MA
Artist: Dali, Salvador
Title: Reuben
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Unframed Dimensions: 25.75" x 20"
Framed Dimensions: 33" ...
Category
1970s Surrealist Art by Medium: Engraving
Materials
Drypoint, Stencil
18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers.
This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75".
Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category
Mid-18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category
1870s Art by Medium: Engraving
Materials
Engraving
'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Art by Medium: Engraving
Materials
Drypoint
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
1820s English School Art by Medium: Engraving
Materials
Engraving
Hildegarde of Bingen, gorgeous Cloisonne Brooch, jewelry The Dinner Party signed
By Judy Chicago
Located in New York, NY
Judy Chicago
Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987
Limited Edition Cloisonne brooch/pin with clasp on the back and Judy ...
Category
1980s Feminist Art by Medium: Engraving
Materials
Metal, Enamel
"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954)
"Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004
Engraving, aquatint on paper...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Ink, Etching, Aquatint
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Art by Medium: Engraving
Materials
Engraving, Etching
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.
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