The Beauty of Susanna - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
and 1969. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after water
1960s Contemporary Figurative Prints
Lithograph
The Beauty of Susanna - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
and 1969. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after water
Lithograph
$27,000
H 30 in W 22 in
Mythology: Leda and Swan (Leda et le Cygne), Published 1963 -1965
By Salvador Dalí
Located in Santa Monica, CA
A lovely work from the artist, a excellent piece to own from their popular body of work.
Etching
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H 35.63 in W 27.96 in D 1.78 in
Salvador Dalí ( 1904 – 1989 ) – Athene – heliogravure and drypoint etching -1965
By Salvador Dalí
Located in Varese, IT
mixed media incorporating heliogravure and drypoint etching on Arches paper , edited in 1965
Paper, Drypoint, Etching
The Face in the Windmill, Lithograph by Salvador Dali, 1965
By Salvador Dalí
Located in Long Island City, NY
Artist: Salvador Dali Title: The Face in the Windmill Date: 1965 Medium: Lithograph on Arches
Lithograph
Da Mihi Bibere - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after water-color
Lithograph
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H 15.75 in W 13.19 in D 0.04 in
Amen - Original Lithograph attr. to Salvador Dalí - 1965
By Salvador Dalí
Located in Roma, IT
Amen is a lithograph by Salvador Dalí (1904 – 1989) from the volume "Pater Noster" published by
Lithograph
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H 19.1 in W 13.78 in D 0.04 in
Filiae Herodiadis Saltatio - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between
Lithograph
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H 19.1 in W 13.78 in D 0.04 in
Lochusta et Bruchus - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Locusta et Bruchus ("The Grasshopper") is an original artwork realized by Salvador Dalí in 1965. It
Lithograph
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H 19.1 in W 13.78 in D 0.04 in
Jesus Carrying the Cross - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Jesus carrying the Cross is an original artwork realized by Salvador Dalí in 1965. It is part of
Lithograph
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H 18.9 in W 14.06 in D 0.04 in
Jesus Carrying the Cross - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Jesus carrying the Cross is an original artwork realized by Salvador Dalí in 1965. It is part of
Lithograph
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H 22 in W 30 in
Les Fleurs et Fruits Salvador Dali Currier & Ives lithograph 1965 signed
By Salvador Dalí
Located in Paonia, CO
Ives as interpreted by Salvador Dali” published by Phyllis Lucas, New York. There are six original
Lithograph
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H 13.78 in W 19.1 in D 0.04 in
Elias per Turbinem in Caelum - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
artwork realized by Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by
Lithograph
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H 14.02 in W 18.9 in D 0.04 in
Elias per Turbinem in Caelum - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
artwork realized by Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by
Lithograph
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H 19.02 in W 14.14 in D 0.04 in
Et Post Buccellam Introivit in Eum - Original Lithograph by Salvador Dalì - 1965
By Salvador Dalí
Located in Roma, IT
original artwork realized by Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published
Lithograph
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H 19.18 in W 14.02 in D 0.04 in
Creatio volatilium - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
illustrated by Salvador Dalí with a suite of 105 colored lithographs after water-color artworks. The paper
Lithograph
Sold
H 19.06 in W 14.26 in D 0.04 in
Filiae Herodiadis Saltatio - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between
Lithograph
Sold
H 18.94 in W 14.06 in D 0.04 in
Sanguis Novi testamenti - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ edition published by Rizzoli-Mediolani between
Lithograph
Sold
H 19.1 in W 14.1 in D 0.08 in
The Beauty of Susanna - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
The Beauty of Susanna is an original artwork realized by Salvador Dalí in 1965. It is part of
Lithograph
Sold
H 19.1 in W 14.18 in D 0.08 in
Cadaver in sepulchro Elisei - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between
Lithograph
Sold
H 19.3 in W 14.41 in D 0.04 in
Sanguis Novi testamenti - Original Lithograph hand signed by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
before the blacks, realized by Salvador Dalí while he was working to the printing of the "Biblia Sacra
Lithograph
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H 19.1 in W 13.78 in D 0.08 in
Uxnor Lot in satuam salis - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
Uxnor Lot in satuam salis conversa is an original artwork realized by Salvador Dalí in 1965. It is
Lithograph
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H 19.38 in W 13.35 in D 0.08 in
Sponsabo te mihi in sempiternum - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
realized by Salvador Dalí between 1964 and 1967. It is part of Biblia Sacra vulgatæ editionis published by
Lithograph
Sold
H 18.9 in W 14.06 in D 0.04 in
Inter Filios Dei Affuit Etiam Satan - Original Lithograph by S. Dalì - 1965
By Salvador Dalí
Located in Roma, IT
artwork realized by Salvador Dalí in 1965. It is part of Biblia Sacra vulgatæ editionis published by
Lithograph
Blue Cavaliers - Original signed etching - 1965
By Salvador Dalí
Located in Paris, IDF
Salvador DALI Blue Cavalier, 1965 Original etching Plate signed On Japan paper 28 x 38 cm
Etching
Jesus Carrying the Cross - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
Jesus carrying the Cross is an artwork realized by Salvador Dalí in 1965. It is part of Biblia
Lithograph
Uxnor Lot in Satuam Salis - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a
Lithograph
Sold
H 19.1 in W 13.78 in D 0.04 in
Da mihi bibere - Original Lithograph from "Biblia Sacra" - 1965
By Salvador Dalí
Located in Roma, IT
Da mihi bibere is an original artwork realized by Salvador Dalí in 1965. It is part of Biblia Sacra
Lithograph
Instantly recognizable by his waxed, upturned mustache, the flamboyant Salvador Dalí is one of modern art’s most distinctive figures. He is also one of the icons of the 20th-century avant-garde Surrealist movement, whose dreamlike images, drawn from the depths of the unconscious, he deployed in paintings, sculptures, prints and fashion, as well as in film collaborations with Luis Buñuel and Alfred Hitchcock.
Dalí was born in Figueres, Catalonia, and even as a youngster, displayed the sensitivity, sharp perception and vivid imagination that would later define his artworks. In these, he conjured childhood memories and employed religious symbols and Freudian imagery like staircases, keys and dripping candles to create unexpected, often shocking pieces.
Dalí's use of hyperrealism in conveying Surrealist symbols and concepts that subvert accepted notions of reality is epitomized in what is perhaps his most recognizable painting, The Persistence of Memory (1931), in which he depicts the fluidity of time through melting clocks, their forms inspired by Camembert cheese melting in the sun. His artistic genius, eccentric personality and eternal quest for fame made him a global celebrity.
“Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”
Find original Salvador Dalí paintings, prints, sculptures and other works on 1stDibs.
In the wake of World War I’s ravaging of Europe, artists delved into the unconscious mind to confront and grapple with this reality. Poet and critic André Breton, a leader of the Surrealist movement who authored the 1924 Surrealist Manifesto, called this approach “a violent reaction against the impoverishment and sterility of thought processes that resulted from centuries of rationalism.” Surrealist art emerged in the 1920s with dreamlike and uncanny imagery guided by a variety of techniques such as automatic drawing, which can be likened to a stream of consciousness, to channel psychological experiences.
Although Surrealism was a groundbreaking approach for European art, its practitioners were inspired by Indigenous art and ancient mysticism for reenvisioning how sculptures, paintings, prints, performance art and more could respond to the unsettled world around them.
Surrealist artists were also informed by the Dada movement, which originated in 1916 Zurich and embraced absurdity over the logic that had propelled modernity into violence. Some of the Surrealists had witnessed this firsthand, such as Max Ernst, who served in the trenches during World War I, and Salvador Dalí, whose otherworldly paintings and other work responded to the dawning civil war in Spain.
Other key artists associated with the revolutionary art and literary movement included Man Ray, Joan Miró, René Magritte, Yves Tanguy, Frida Kahlo and Meret Oppenheim, all of whom had a distinct perspective on reimagining reality and freeing the unconscious mind from the conventions and restrictions of rational thought. Pablo Picasso showed some of his works in “La Peinture Surréaliste” — the first collective exhibition of Surrealist painting — which opened at Paris’s Galerie Pierre in November of 1925. (Although Magritte is best known as one of the visual Surrealist movement’s most talented practitioners, his famous 1943 painting, The Fifth Season, can be interpreted as a formal break from Surrealism.)
The outbreak of World War II led many in the movement to flee Europe for the Americas, further spreading Surrealism abroad. Generations of modern and contemporary artists were subsequently influenced by the richly symbolic and unearthly imagery of Surrealism, from Joseph Cornell to Arshile Gorky.
Find a collection of original Surrealist paintings, sculptures, prints and multiples and more art on 1stDibs.
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.