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Boutet De Monvel

Charles Boutet de Monvel Art Nouveau Peacock Pendant
Charles Boutet de Monvel Art Nouveau Peacock Pendant

Charles Boutet de Monvel Art Nouveau Peacock Pendant

Located in London, GB

A beautiful documented Art Nouveau Peacock pendant by Charles Boutet de Monvel. The mirrored image of the bird creating a heat shaped pendant.

Category

Antique Early 1900s French Art Nouveau Drop Necklaces

Materials

Emerald, Pearl, Ruby, Silver

Charles Boutet de Monvel Art Nouveau Opal Diamond Gold Bat Maiden Ring
Charles Boutet de Monvel Art Nouveau Opal Diamond Gold Bat Maiden Ring

Charles Boutet de Monvel Art Nouveau Opal Diamond Gold Bat Maiden Ring

Located in London, GB

Illustrated in our book: Beatriz Chadour-Sampson & Sonya Newell-Smith, Tadema Gallery London Jewellery from the 1860s to 1960s, Arnoldsche Art Publishers, Stuttgart 2021, cat. no. 6 ...

Category

Antique Early 1900s French Art Nouveau Cocktail Rings

Materials

Diamond, Opal, Gold, 18k Gold

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CHARLES BOUTET DE MONVEL Symbolist Serpent Ring
CHARLES BOUTET DE MONVEL Symbolist Serpent Ring

CHARLES BOUTET DE MONVEL Symbolist Serpent Ring

Located in London, GB

The Hooded Cobras are clutching a blue green cabochon 'World'. The crystal is a natural amalgam of malachite and lapis lazuli, long considered to have Metaphysical and Healing Prop...

Category

Antique Late 19th Century Art Nouveau More Rings

Materials

Lapis Lazuli, Malachite, 18k Gold

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A Close Look at Art Nouveau Jewelry

Art Nouveau — generally considered to have begun in the late 1800s and ended with the start of World War I — was a movement in the decorative arts that drew inspiration from natural forms, such as trees, flowers and, of course, the human figure. The three main themes present in Art Nouveau jewelry and watches were flora, fauna and women.

Art Nouveau, which reached its pinnacle in the year 1900, spawned from artists who rejected the historicism of their predecessors to create an entirely new visual vocabulary. As compared to Art Deco jewelry’s geometric patterns and sharp lines, the extravagant style of antique Art Nouveau jewelry is characterized by curvilinear forms and whiplash lines, vibrant materials and dramatic imagery.

The first art and design movement of the 20th century, Art Nouveau was also a reaction against the Industrial Revolution, and took its inspiration from the theories of the Symbolists, the art of the Pre-Raphaelites, the ideas of John Ruskin and his follower William Morris and, most importantly Japanese crafts. (The country was a fertile ground for inspiration after it was opened to the West in 1854.) The Art Nouveau style touched all manners of the arts, including the most exultant jewelry.

Nature was a favorite muse for artists going back to the 18th and 19th centuries, but in the hands of 20th-century artists, it was depicted in new ways. For example, a withering flower was considered just as beautiful as one in full bloom. Winged creatures, such as insects and birds, were also a popular subject. Dragonflies and butterflies were particular favorites because they morphed so dramatically in different life stages.

This was also a reference to women, whose role in society was evolving. It was not uncommon to see a piece of jewelry that would at once reference a woman as a winged creature (think René Lalique’s famous Dragonfly brooch, circa 1897–98, at the Gulbenkian Collection in Lisbon). However, just as women’s roles were ambiguous, so was their image, as the femmes nouvelle were simultaneously eroticized and romanticized.

In addition to Lalique, vital figures in Art Nouveau jewelry included Louis Comfort Tiffany in the United States, Vladimir Soloviev, who designed jewelry for Peter Carl Fabergé in Russia, Fuset Grau of Spain, Karl Rothmuller of Germany and Philippe Wolfers of Belgium.

Art Nouveau jewelers used every “canvas” imaginable, looking beyond brooches and necklaces to belt buckles, fans, tiaras, dog collars (a type of choker necklace), pocket watches, corsages and hair combs. Multicolored gems and enamel could complete this vision better than diamonds. Jewelers also favored pearls, particularly baroque pearls, for their large size and irregular shape. However, opal was the most popular stone — its iridescence harmonized perfectly with the enamel, and it could be carved into any shape. Art Nouveau jewelry was primarily set in yellow gold.

Find a range of antique Art Nouveau jewelry today on 1stDibs.