Sanctus Raphael et Tobias - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
Animam et Corpus Trado pro Patriis Legibus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
Iudit Abscidit Caput Holoferni - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
The Family of Mattathias - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Sanctus Hieronymus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
In the Beginning - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$682
H 18.9 in W 13.78 in D 0.04 in
Cadaver in sepulchro Elisei - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
The Blood of the New Covenant - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
Angelus Excussit Flammag Ignis - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
Ecce Quasi Filius Hominis in Nubibus us Caeli - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Susannae Pulchritudo - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
Ex Aegypto Vocavi Filium Meum - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
The Great Day of the Lord - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
Ieremiæ Prophetia Contra Regem Ioachin - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$576
H 18.9 in W 13.78 in D 0.04 in
Iosas Sepultus in Mausoleo Patrum - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Ecce Homo - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Filius Prodigus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Turris Babel - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$541
H 18.9 in W 13.78 in D 0.04 in
Abraham, Pater Multarem Gentium - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Peccatum Originis - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
Antequam Exires De Vulva ... - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$470
H 18.9 in W 13.78 in D 0.04 in
Aquae Diluvii Super Terram - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Abraham, Abraham! - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Seduxisti Me, Domine - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Faciamus Hominem - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Rubus Incombustus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Mane, Thecel, Phares - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Ego Sum Deus Tuus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
The Creation of Things - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
De Petra Exivit Aqua - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Gloria Vultus Moysi - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
And You Child, the Prophet of the Most High - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$646
H 18.9 in W 13.78 in D 0.04 in
Trulla Caementarii in Manu Domini - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Iesus Super Mare Ambulans - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Took The Body Of Jesus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Vanitas Vanitatum - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
Et Ligaverunt Corpus Iesu Linteis cum Aromatibu - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$576
H 18.9 in W 13.78 in D 0.04 in
Tolle, Tolle, Crucifige Eum - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Ecce Homo - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Veni, Domine Jesu - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$576
H 18.9 in W 13.78 in D 0.04 in
Asperges me Hyssopo et Mundabor - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Proelium Magnum in Caelo - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$658
H 18.9 in W 13.78 in D 0.04 in
Nummularii de Templo Eiecti - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$470
H 18.9 in W 13.78 in D 0.04 in
Jonah in the Belly of the Whale - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$588
H 18.9 in W 13.78 in D 0.04 in
Stultae et Prudentes Filiae - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Noli me Tangere - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
The Resurrection - Lithography - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$564
H 18.9 in W 13.78 in D 0.04 in
Vere, hic Homo Iustus Erat - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Come Forth - Lazare - Lithography - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$411
H 18.9 in W 13.78 in D 0.04 in
Filiae Herodiadis Saltatio - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Lesus Flagellatus - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
$646
H 18.9 in W 13.78 in D 0.04 in
Many Sins Are Forgiven To The Sinful Woman - Lithography - 1964
By Salvador Dalí
Located in Roma, IT
Surrealists considered recruiting Dalí into their circle. In the next years, Dalí’s paintings illustrated his theories about paranoia.
Lithograph
Tertia Die Resurrexit - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
The spontaneous Bulletism process and the richiamo colors in the image truly highlight Dali’s range of creativity and use of space. The lithograph is part of the imponent work Biblia...
Lithograph
The Beauty of Susanna - Lithograph - 1965
By Salvador Dalí
Located in Roma, IT
The lithograph is part of the imponent work Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a suite of 1...
Lithograph
$635
H 18.9 in W 13.78 in D 0.04 in
Leo Quasi Bos Comedens Paleas - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
The lithograph is part of the imponent work Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a suite of 1...
Lithograph
$694
H 18.9 in W 13.78 in D 0.04 in
Hircus Caprarum Super Faciem Terrae - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Hircus Caprarum Super Faciem Terrae is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 196...
Lithograph
$705
H 19.3 in W 13.78 in D 0.08 in
Muliere Peccatrici Remittuntur Peccata - Lithograph - 1964
By Salvador Dalí
Located in Roma, IT
Muliere peccatrici remittuntur peccata is an artwork realized by Salvador Dalí in the 1960s. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967...
Lithograph
In the wake of World War I’s ravaging of Europe, artists delved into the unconscious mind to confront and grapple with this reality. Poet and critic André Breton, a leader of the Surrealist movement who authored the 1924 Surrealist Manifesto, called this approach “a violent reaction against the impoverishment and sterility of thought processes that resulted from centuries of rationalism.” Surrealist art emerged in the 1920s with dreamlike and uncanny imagery guided by a variety of techniques such as automatic drawing, which can be likened to a stream of consciousness, to channel psychological experiences.
Although Surrealism was a groundbreaking approach for European art, its practitioners were inspired by Indigenous art and ancient mysticism for reenvisioning how sculptures, paintings, prints, performance art and more could respond to the unsettled world around them.
Surrealist artists were also informed by the Dada movement, which originated in 1916 Zurich and embraced absurdity over the logic that had propelled modernity into violence. Some of the Surrealists had witnessed this firsthand, such as Max Ernst, who served in the trenches during World War I, and Salvador Dalí, whose otherworldly paintings and other work responded to the dawning civil war in Spain.
Other key artists associated with the revolutionary art and literary movement included Man Ray, Joan Miró, René Magritte, Yves Tanguy, Frida Kahlo and Meret Oppenheim, all of whom had a distinct perspective on reimagining reality and freeing the unconscious mind from the conventions and restrictions of rational thought. Pablo Picasso showed some of his works in “La Peinture Surréaliste” — the first collective exhibition of Surrealist painting — which opened at Paris’s Galerie Pierre in November of 1925. (Although Magritte is best known as one of the visual Surrealist movement’s most talented practitioners, his famous 1943 painting, The Fifth Season, can be interpreted as a formal break from Surrealism.)
The outbreak of World War II led many in the movement to flee Europe for the Americas, further spreading Surrealism abroad. Generations of modern and contemporary artists were subsequently influenced by the richly symbolic and unearthly imagery of Surrealism, from Joseph Cornell to Arshile Gorky.
Find a collection of original Surrealist paintings, sculptures, prints and multiples and more art on 1stDibs.
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.