Experimental Chair

These unique neo funk chairs Gallo and Gallina or "Rooster and Chicken" are designed by Finnish designer and interior architect Olavi Hänninen (1920-1992). Postmodern design influenc...

The Gravel Chair is another experimental chair designed and produced by Philipp Aduatz by using solely construction materials.

This first Dutch polyester armchair was made of on piece of molded polyester, a new technique for the Dutch furniture making market. This experimental chair was a success and the sta...

This sculptural chair evokes the essence of a tribal seat—or perhaps even a throne. Crafted from an eclectic mix of solid wood offcuts sourced from the workshop, each element carries...

Often crafted from resin, polyurethane, or other experimental polymers, the “Arl” Chair embodies flexibility, durability, and vibrant color, making each piece unique and visually eng...

Characterized by its bold yet balanced proportions, the chair reflects the experimental spirit of the period while maintaining a timeless presence.

This ceramic crafted Chair displays experimental glaze work dripping and following its unique form, each piece glazing will be unique and different from each other.

This first Dutch polyester armchair was made of on piece of molded polyester, a new technique for the Dutch furniture making market. This experimental chair was a success and the sta...

This ceramic crafted Chair displays experimental glaze work dripping and following its unique form, each piece glazing will be unique and different from each other.

Rare experimental corrugated cardboard side chair from the "Easy Edges" series, designed by Frank Gehry for Vitra, c. 1970s.

The Med chair embodies the experimental approach of Giotto Stoppino and Lodovico Acerbis towards the material and its craftsmanship.

This ceramic crafted Chair displays experimental glaze work dripping and following its unique form, each piece glazing will be unique and different from each other.

Characterized by its distinctive S-shaped silhouette, the chair embodies Panton’s experimental approach to furniture design, combining sculptural form with ergonomic comfort.

Characterized by its distinctive S-shaped silhouette, the chair embodies Panton’s experimental approach to furniture design, combining sculptural form with ergonomic comfort.

Contextual Significance: Ennio Ludovico Chiggio, with his background in Gruppo N, infused the "California Chair" with an experimental dimension, typical of kinetic art and research i...

Ottoman dimensions - 24" D x 20" W x 17" H Chair from the experimental corrugated cardboard series "Easy Edges", designed by Frank Gehry for Vitra, c. 1980s.

The Med chair embodies the experimental approach of Giotto Stoppino and Lodovico Acerbis towards the material and its craftsmanship.

Both functional object and artistic statement, this chair embodies the experimental spirit of late 20th-century Dutch design.

Both expressive and inviting, this lounge chair embodies the experimental optimism of 1960s design, where innovation in materials and form redefined the way furniture related to the ...

This highly recognizable design is celebrated for its fluid, architectural form, created from a single folded structure that seamlessly integrates the seat, backrest, and legs into o...

Defined by its dramatically asymmetrical winged backrest, sweeping organic lines, and deeply inviting proportions, the chair embodies the experimental spirit that characterized the f...

Bold yet refined, the Perrot Cage chair embodies the experimental spirit of 1970s modern design, when furniture often blurred the line between functional object and art piece.

Defined by their dramatic smoked acrylic (“Altuglas”) frames, these chairs embody the experimental spirit of the era where new materials and evolving lifestyles inspired entirely new...

Wammes Lounge Chair by Gerard van den Berg for Montis Natural Cognac Leather Lounge Chair on a Metal Swivel Base Designed in the early 1970s, the Wammes chair represents the experim...

In the days, this experimental chair was produced in limited numbers by Gispen Culemborg, and today extremely hard to find.

Originally conceived in the 1970s, the chair exemplifies Deganello’s experimental approach to form and function, combining sculptural geometry with an irreverent postmodern sensibili...

This first Dutch polyester armchair was made of on piece of moulded polyester, a new technique for the Dutch furniture making market. This experimental chair was a success and the st...

This first Dutch polyester armchair was made of on piece of moulded polyester, a new technique for the Dutch furniture making market. This experimental chair was a success and the st...

Characterized by its bold geometry and graphic composition, the chair exemplifies the experimental spirit that defined the Memphis movement and its rejection of modernist convention.

This distinctive lounge chair reflects the experimental and refined character of 1970s French design.

These distinctive lounge chairs reflect the experimental and refined character of 1970s French design.

Equally suited to sophisticated residential interiors, hospitality projects, galleries, or collector-focused spaces, these chairs embody the experimental spirit of 1970s Italian desi...

The soft Italian velvet cushion adds tactile comfort to the chair’s experimental materiality, while the steel structure ensures durability and stability.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

The series included experimentally shaped chairs made of plywood. Ray (born Kaiser) was born in Sacramento, California in 1912.

The series included experimentally shaped chairs made of plywood. Ray (born Kaiser) was born in Sacramento, California in 1912.

The series included experimentally shaped chairs made of plywood. Ray (born Kaiser) was born in Sacramento, California in 1912.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.

As a consequence, the chair became an icon of both the Neoplastic movement, and of Rietveld’s experimental vision.