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Jean Louis Prevost

Flowers in a glass, resting on a book
Flowers in a glass, resting on a book

Flowers in a glass, resting on a book

Located in BELEYMAS, FR

Jean-Louis PREVOST (attributed to) (Nointel, 1745 – Paris, 1827) Flowers in a Glass, Resting on a Book Gouache on paper H. 38.5 cm; W. 30.5 cm Unsigned The biography of Jean-Louis P...

Category

1780s French School Still-life Paintings

Materials

Gouache, Vellum

Lantana aculeata (Common Lantana) /// Pancrace Bessa Flower Plant Botanical Art
Lantana aculeata (Common Lantana) /// Pancrace Bessa Flower Plant Botanical Art

Lantana aculeata (Common Lantana) /// Pancrace Bessa Flower Plant Botanical Art

By Pancrace Bessa 1

Located in Saint Augustine, FL

In the early 19th Century, Bessa, Redouté, Jean-Louis Prévost, Lancelot-Théodore Turpin de Crissé, and Madame Vincent raised France to pre-eminence in the genre of botanical painting.

Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art
Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art

Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art

By Pancrace Bessa 1

Located in Saint Augustine, FL

In the early 19th Century, Bessa, Redouté, Jean-Louis Prévost, Lancelot-Théodore Turpin de Crissé, and Madame Vincent raised France to pre-eminence in the genre of botanical painting.

Category

Early 1800s Old Masters Still-life Prints

Materials

Watercolor, Engraving

Recent Sales

PRÉVOST. Print from Collection des Fleurs et des Fruits
PRÉVOST. Print from Collection des Fleurs et des Fruits

PRÉVOST. Print from Collection des Fleurs et des Fruits

By Jean Louis Prévost

Located in London, London

Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies.

Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving, Handmade Paper

PRÉVOST. Print from Collection des Fleurs et des Fruits
PRÉVOST. Print from Collection des Fleurs et des Fruits

PRÉVOST. Print from Collection des Fleurs et des Fruits

By Jean Louis Prévost

Located in London, London

Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies.

Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving, Handmade Paper

PRÉVOST. Print from  Collection des Fleurs et des Fruits
PRÉVOST. Print from  Collection des Fleurs et des Fruits

PRÉVOST. Print from Collection des Fleurs et des Fruits

By Jean Louis Prévost

Located in London, London

Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies.

Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving, Handmade Paper

PRÉVOST. Print from Collection des Fleurs et des Fruits
PRÉVOST. Print from Collection des Fleurs et des Fruits

PRÉVOST. Print from Collection des Fleurs et des Fruits

By Jean Louis Prévost

Located in London, London

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits", a series of 48 stipple engra...

Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving, Handmade Paper

PRÉVOST. Print from a Collection des Fleurs et des Fruits
PRÉVOST. Print from a Collection des Fleurs et des Fruits

PRÉVOST. Print from a Collection des Fleurs et des Fruits

By Jean Louis Prévost

Located in London, London

Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies.

Category

Early 1800s Naturalistic Still-life Prints

Materials

Color, Engraving

Quince

Pancrase BessaQuince, 1808

Sold

H 26.5 in W 20.5 in D 1 in

Quince

By Pancrase Bessa

Located in Florham Park, NJ

In the early nineteenth century, Bessa, Redouté, Jean-Louis Prévost, Lancelot Théodore Turpin de Crissé, and Madame Vincent raised France to pre-eminence in the genre of botanical pa...

Category

Early 19th Century Academic Prints and Multiples

Materials

Archival Paper, Archival Tape, Handmade Paper, Plexiglass, Silk, Watercolor

Cherries

Pancrase BessaCherries, 1808

Sold

H 26.5 in W 20.5 in D 1 in

Cherries

By Pancrase Bessa

Located in Florham Park, NJ

In the early nineteenth century, Bessa, Redouté, Jean-Louis Prévost, Lancelot Théodore Turpin de Crissé, and Madame Vincent raised France to pre-eminence in the genre of botanical pa...

Category

Early 19th Century Prints and Multiples

Materials

Archival Paper, Archival Tape, Handmade Paper, Plexiglass, Silk, Watercolor

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Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

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Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.