Lina By Tacchini

Gianfranco Frattini is widely regarded as a mid-century master of Italian modern design. He was an award-winning architect and designer, and specialized in creating furniture and decor that is both decorative and practical — Frattini’s vintage desks, armchairs, nesting tables and other works are celebrated for their sophisticated merging of function and form.

Born in Padua in 1926, Frattini studied architecture at the Polytechnic University of Milan. He later apprenticed with his teacher and mentor, Gio Ponti. Through Ponti — arguably the most important figure in 20th-century Italian architecture and design — Frattini met many notable modernist designers such as Oscar Niemeyer and Le Corbusier, but an introduction to famed Italian entrepreneur Cesare Cassina would prove incredibly significant in helping launch his career.

During the mid-1950s, Frattini began to collaborate with Cassina’s eponymous company. He designed the brand’s acclaimed leather and walnut Model 849 lounge chair — a winner of the Compasso d’Oro award — the Marema nesting tables and the iconic Sesann collection. The latter, an enduring 1970s suite of impossibly welcoming leather-covered seating, is now produced by Tacchini. In addition to Cassina, Frattini created furniture and lighting for other manufacturers such as Bernini, Arteluce, Artemide, Knoll and more.

While many of his designs incorporate glass, tubular steel and other materials, Frattini loved working with wood. The sculptural Albero bookcase — an innovative floor-to-ceiling structure made in walnut that swings on a 360-degree vertical swivel axis — is a striking example of Frattini’s dedication to traditional woodworking techniques. In the early 1970s, he traveled to Japan with friend and collaborator Pierluigi Ghianda — a master Milanese cabinet maker — in order to study the work of artisans in Kyoto. The trip inspired his design of the Kyoto table, a work of solid beech with Canaletto walnut inserts that is part of the permanent collection of the Milan Triennale’s Design Museum. The Kyoto and Albero have been revived by Poltrona Frau.

Frattini’s designs are in the permanent collections of prestigious museums such as the Museum of Modern Art and the Cooper Hewitt, Smithsonian Design Museum.

Find vintage Gianfranco Frattini furniture, lighting and decor on 1stDibs.

While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.

Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.

Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.

The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.

On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.