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Loetz Glass Vase Brass

Loetz Streifen Und Flecken Brass Mounted Art Glass Vase
By Loetz Glass
Located in Bishop's Stortford, Hertfordshire
Stunning Bohemian Secessionist brass mounted glass vase with 'Streifen und Flecken' decoration by
Category

Antique Early 1900s Austrian Art Nouveau Vases

Materials

Brass

Glass Vase with Brass Fitting Koloman Moser Loetz circa 1901 Blue Green
By Loetz Glass
Located in Klosterneuburg, AT
Glass vase with brass fitting, Koloman Moser, manufactured by Johann Loetz Witwe, Streifen und
Category

Early 20th Century Austrian Jugendstil Glass

Materials

Glass

Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille
By Loetz Glass
Located in Verviers, BE
Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown
Category

Early 20th Century Czech Art Nouveau Vases

Materials

Brass

Vase with etched Decoration Josef Hoffmann Loetz ca. 1911 Jugendstil Black White
By Josef Hoffmann, Loetz Glass
Located in Klosterneuburg, AT
vase, Josef Hoffmann, Johann Loetz Witwe, Weiss Opal außen Schwarz decoration, glass, mould-blown
Category

Vintage 1910s Austrian Jugendstil Vases

Materials

Brass

Jugendstil LOETZ Vase Austria ca. 1900 Iridescent Blown Glass Franz Hofstoetter
By Franz Hofstotter
Located in Ciudad Autónoma Buenos Aires, AR
Jugendstil LOETZ vase; Austria, ca. 1900. Iridescent blown glass. An iridescent blown glass vase
Category

Antique Early 1900s Austrian Art Nouveau Vases

Materials

Brass

Recent Sales

Vase with a Brass Mounting Johann Loetz Witwe Decor PG 1/473, circa 1901
By Loetz Glass
Located in Vienna, AT
1800s Loetz began experimenting with colorful and highly iridescent art glass. The technique of
Category

Antique Early 1900s Austrian Art Nouveau Vases

Materials

Art Glass

Vase in brass mount Bohemian Glass Loetz Krasnik Pink ca. 1900 Vienna
By Loetz Glass
Located in Klosterneuburg, AT
Small but elegant glass vase in a polished brass mount. The vase was designed by Antoinette Krasnik
Category

Antique Early 1900s Austrian Jugendstil Vases

Materials

Metal, Brass

Antique Loetz Art Glass Iridescent Flower Vase Arranger Brass Lid Potpourri Jar
By Loetz Glass
Located in Philadelphia, PA
Antique Loetz art glass Iridescent flower vase Arranger brass lid potpourri jar. Item features a
Category

Antique 19th Century English Art Nouveau Vases

Materials

Brass

Loetz (attributed). A green swirl glass flower holder with decorative brass top
By Loetz Glass
Located in London, GB
Loetz, attributed. An Art Nouveau green glass flower holder with circular swirling decoration to
Category

Early 20th Century European Art Nouveau Vases

Materials

Glass

Vase Loetz Widow Klostermuehle Bohemia Art Nouveau Decor, circa 1903
By Loetz Glass
Located in Vienna, AT
- 501 Vase Loetz (Lötz) Widow Klostermühle Bohemia Art Nouveau Outstanding Loetz Vase of museum
Category

Early 20th Century Austrian Art Nouveau Vases

Materials

Brass

Vase etched Josef Hoffmann Loetz Orange ca. 1911 Vienna Jugendstil
By Josef Hoffmann, Loetz Glass
Located in Klosterneuburg, AT
Cylindrical glass vase with etched decoration. The vase was designed by Josef Hoffmann, co-founder
Category

Vintage 1910s Austrian Jugendstil Vases

Materials

Metal, Brass

Antique iridescent glass Pique Fleurs' vase by Loetz' with Grille
By Loetz Glass
Located in Verviers, BE
Antique iridescent glass flower holder vase Pique Fleurs LOETZ  with Grille, 1920s Subtle, hand
Category

Early 20th Century Czech Art Nouveau Vases

Materials

Brass

Art Nouveau iridescent glass Pique Fleurs' vase by Loetz' with Grille
By Loetz Glass
Located in Verviers, BE
Art Nouveau iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown glass
Category

Early 20th Century Czech Art Nouveau Vases

Materials

Brass

Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille
By Loetz Glass
Located in Verviers, BE
Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown
Category

Early 20th Century Czech Art Nouveau Vases

Materials

Brass

Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille
By Loetz Glass
Located in Verviers, BE
Art Nouveau Large Green iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand
Category

Early 20th Century Czech Art Nouveau Vases

Materials

Brass

Viennese Hanging Lamp with Loetz Lamp “Blitzglas” Shade, circa 1900
By Loetz Glass
Located in Vienna, AT
hanging lamps. The glass shade was executed by Johann Loetz-Witwe Klostermuhle ca. 1900 and is also in a
Category

Early 20th Century Austrian Art Nouveau Vases

Materials

Brass

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Antique Glass Vase Loetz PG 1/413 Decoration 1901 signed Vienna Jugendstil
By Loetz Glass
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Loetz Glass Vase Brass For Sale on 1stDibs

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the piece of loetz glass vase brass you’re looking for. An item from our selection of loetz glass vase brass — often made from glass, brass and metal — can elevate any home. You’ve searched high and low for the perfect choice in our collection of loetz glass vase brass — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. When you’re browsing for the right object in our assortment of loetz glass vase brass, those designed in Art Nouveau styles are of considerable interest. A well-made option in this array of loetz glass vase brass has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Loetz Glass are consistently popular.

How Much is a Loetz Glass Vase Brass?

The average selling price for a piece of loetz glass vase brass at 1stDibs is $549, while they’re typically $294 on the low end and $9,490 for the highest priced.

Loetz Glass for sale on 1stDibs

Best known to collectors for their magnificent Marmoriertes and Phänomen glass creations, the Loetz Glass company was a leading Art Nouveau producer of fine glass vases, bowls and other decorative objects through the mid-19th and early 20th centuries.

Shortly before his death in 1855, attorney Frank Gerstner transferred sole ownership of his glassworks company to his wife Susanne. The company, which was founded in what is now the Czech Republic in 1836 by Johann Eisner, was renamed Johann Loetz Witwe by Susanne Gerstner as a tribute to her late husband who preceded Gerstner, a glassmaker named Johann Loetz (Loetz was also known as Johann Lötz). 

For 20 years, Gerstner led the company, expanding its manufacturing and distribution capacity. It proved profitable, but the glassworks' popularity didn't start gaining significant momentum until after Gerstner transferred sole ownership to her grandson Maximilian von Spaun in 1879. 

Von Spaun and designer Eduard Prochaska developed innovative techniques and solutions for reproducing historical styles of decorative glass objects, such as the very popular marbled Marmoriertes glass — a technique that lends glass an appearance that is similar to semi-precious stones such as onyx or malachite. Under von Spaun’s leadership, the firm’s works garnered them success in Brussels, Vienna and Munich, and Johann Loetz Witwe won awards at the Paris World Exposition in 1889. In 1897 von Spaun first saw Favrile glass in Bohemia and Vienna. 

The work in Favrile glass, a type of iridescent art glass that had recently been developed and patented by Louis Comfort Tiffany, founder of iconic American multimedia decorative-arts manufactory Tiffany Studios, inspired von Spaun to explore the era’s burgeoning Art Nouveau style — or, as the firm was established in a German-speaking region, the Jugendstil style.

The company partnered with designers Hans Bolek, Franz Hofstötter and Marie Kirschner and thrived until von Spaun passed it down to his son, Maximilian Robert. 

With the Art Deco style taking shape around the world, the company was unable or unwilling to adapt to change. Loetz Glass collaborated with influential names in architecture and design, including the likes of Josef Hoffmann, a central figure in the evolution of modern design and a founder of the Vienna Secession. Unfortunately, the glassworks’ partnerships did them little good, and the company’s mounting financial problems proved difficult to navigate. Two World Wars and several major fires at the glassworks took their toll on the firm, and in 1947 the Loetz Glass Company closed its doors for good. 

Today the exquisite glass produced by Loetz Glass Company remains prized by collectors and enthusiasts alike.

On 1stDibs, find antique Loetz Glass Company glassware, decorative objects and lighting.

A Close Look at Art-nouveau Furniture

In its sinuous lines and flamboyant curves inspired by the natural world, antique Art Nouveau furniture reflects a desire for freedom from the stuffy social and artistic strictures of the Victorian era. The Art Nouveau movement developed in the decorative arts in France and Britain in the early 1880s and quickly became a dominant aesthetic style in Western Europe and the United States.

ORIGINS OF ART NOUVEAU FURNITURE DESIGN

CHARACTERISTICS OF ART NOUVEAU FURNITURE DESIGN

  • Sinuous, organic and flowing lines
  • Forms that mimic flowers and plant life
  • Decorative inlays and ornate carvings of natural-world motifs such as insects and animals 
  • Use of hardwoods such as oak, mahogany and rosewood

ART NOUVEAU FURNITURE DESIGNERS TO KNOW

ANTIQUE ART NOUVEAU FURNITURE ON 1STDIBS

Art Nouveau — which spanned furniture, architecture, jewelry and graphic design — can be easily identified by its lush, flowing forms suggested by flowers and plants, as well as the lissome tendrils of sea life. Although Art Deco and Art Nouveau were both in the forefront of turn-of-the-20th-century design, they are very different styles — Art Deco is marked by bold, geometric shapes while Art Nouveau incorporates dreamlike, floral motifs. The latter’s signature motif is the "whiplash" curve — a deep, narrow, dynamic parabola that appears as an element in everything from chair arms to cabinetry and mirror frames.

The visual vocabulary of Art Nouveau was particularly influenced by the soft colors and abstract images of nature seen in Japanese art prints, which arrived in large numbers in the West after open trade was forced upon Japan in the 1860s. Impressionist artists were moved by the artistic tradition of Japanese woodblock printmaking, and Japonisme — a term used to describe the appetite for Japanese art and culture in Europe at the time — greatly informed Art Nouveau. 

The Art Nouveau style quickly reached a wide audience in Europe via advertising posters, book covers, illustrations and other work by such artists as Aubrey Beardsley, Henri de Toulouse-Lautrec and Alphonse Mucha. While all Art Nouveau designs share common formal elements, different countries and regions produced their own variants.

In Scotland, the architect Charles Rennie Mackintosh developed a singular, restrained look based on scale rather than ornament; a style best known from his narrow chairs with exceedingly tall backs, designed for Glasgow tea rooms. Meanwhile in France, Hector Guimard — whose iconic 1896 entry arches for the Paris Metro are still in use — and Louis Majorelle produced chairs, desks, bed frames and cabinets with sweeping lines and rich veneers. 

The Art Nouveau movement was known as Jugendstil ("Youth Style") in Germany, and in Austria the designers of the Vienna Secession group — notably Koloman Moser, Josef Hoffmann and Joseph Maria Olbrich — produced a relatively austere iteration of the Art Nouveau style, which mixed curving and geometric elements.

Art Nouveau revitalized all of the applied arts. Ceramists such as Ernest Chaplet and Edmond Lachenal created new forms covered in novel and rediscovered glazes that produced thick, foam-like finishes. Bold vases, bowls and lighting designs in acid-etched and marquetry cameo glass by Émile Gallé and the Daum Freres appeared in France, while in New York the glass workshop-cum-laboratory of Louis Comfort Tiffany — the core of what eventually became a multimedia decorative-arts manufactory called Tiffany Studios — brought out buoyant pieces in opalescent favrile glass. 

Jewelry design was revolutionized, as settings, for the first time, were emphasized as much as, or more than, gemstones. A favorite Art Nouveau jewelry motif was insects (think of Tiffany, in his famed Dragonflies glass lampshade).

Like a mayfly, Art Nouveau was short-lived. The sensuous, languorous style fell out of favor early in the 20th century, deemed perhaps too light and insubstantial for European tastes in the aftermath of World War I. But as the designs on 1stDibs demonstrate, Art Nouveau retains its power to fascinate and seduce.

There are ways to tastefully integrate a touch of Art Nouveau into even the most modern interior — browse an extraordinary collection of original antique Art Nouveau furniture on 1stDibs, which includes decorative objects, seating, tables, garden elements and more.

Finding the Right Vases for You

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.