Round Table With Fluted Legs

round, fluted spindle legs, each finished with small brass sabots for stability and refinement. The top

This delightful pine side table comes from the Swedish countryside and still maintains the original

brick red painted finish to the base. It is the traditional fluted detailing along the drawer and legs

round, tapering, fluted legs, ending in brass cups. Stock ID: D5843

scrolling legs and worn gilt accents. The combination of faux marble, brass, and cast iron gives the table a

modernist sensibilities. Each table features a round white marble top with subtle veining, framed by a slim

fluted, tapered legs, finished with brass sabots, add balance and sophistication, staying true to the

, carved geometric motifs, tapered legs and fluted accents. Created in France during the 19th century, this

. The table is raised on elegantly fluted legs, which enhance its classical Louis XVI style and add a

. Pierced aprons and turned, fluted legs add elegance. Lower carved tiers raised on scrolled feet unite the

rounded corners, just about the legs. This piece is presented upon four rounded and flute-carved legs

This is a Belle Epoque style Wood and Marble Plant Stand/Table. It depicts a round brown-grey

working mahogany lined drawer and slide with turned brass round knobs. The table features ebony line

Coffee table with three round-angled glass trays. Eight fluted gilt bronze column-shaped legs

the top. The table has fluted corners and rests on tapered fluted legs, all detailed with bronze

"Rustic-style (modern) end table with a round sunburst design top with a fluted edge supported on 3

/center table and console table. The table is raised by five circular fluted tapered legs ending with

A Victorian mahogany lamp or occasional table, rounded rectangular top above a frieze drawer

frieze with a single drawer with lock and key. Circular tapered fluted legs with inset brass. Sabot feet.

maximum table surface with a minimal footprint on the floor, and gracefully rounded ends so no corners are

with turned and fluted legs, dating to around 1840. This refined piece showcases the transition between

characteristic of Louis XVI furniture. Made of walnut wood, the table features a rounded top with a delicate

of neoclassical design. Crafted from mahogany, the table features a round marble top enclosed by a

, showcasing refined craftsmanship and timeless appeal. The table features a round top with clean lines

through its symmetry, clean lines, and restrained ornamentation. The table stands on four tapered, fluted

Sarrancolin marble top with rounded corners above a long single frieze drawer and raised on fluted tapering

A Regency mahogany demi-lune console table, circa 1815. The rounded demi-lune top raised on four

carved design with rounded and fluted legs. Top of table hinges open and can be used for a dining or

extended as a round occasional table. Two drawers are integrated into the frieze, flanked by delicate

carved at each corner above the legs. The table is presented upon four round, slender, and flute-carved

. The tables have joining hardware that combine the demilunes into a round 38 inch diameter center table

A pair of round side tables crafted in a timeless neoclassical style, featuring gilt metal frames

details. Raised on tall slim square fluted tapering legs with spade feet below the frieze palmettes

This is a Lillian August Leather top side table. This round side table has four fluted legs with

A Louis XVI style oval accent table. The caned tabletop is covered with a beveled glass top. Round

by 4 birch tapering legs, with fluted detail.  Rich golden colour Minor surface wear in line with

An intriguing French early 19th century side table from the area of Brittany. Its smooth, polished

with slightly rounded edges.  Carved frieze around the top surface.  Each standing on 4 straight legs

apron interrupted by plinths carved with rosettes over the sturdy tapered and fluted legs. Sometimes

to the touch, with softly rounded edges that mirror the fluted base. Hidden castors make the table

, four dovetailed drawers, faux drawers, solid brass pulls, and round turned and fluted legs which

ball below carved palmettes and the fluted column. The fluted column leads to the round top with an

traditional fluted diamond motifs. It stands on long tapered legs, giving it a light and balanced profile. The

Exceptional George III Period 18th-Century Mahogany, Ebony and Brass Inlaid Centre Table An

side table, modeled after Adam Weisweiler. This elongated octagonal shaped side table is raised by a

featuring a bleached mahogany finish. The round top has a galleried edge. Supported by a turned, fluted

wood. Fluted carved detailing appears throughout, including along the skirt and tapered, fluted legs

frame base on fluted legs. Below connected center bar. Round, low-profile, framed tabletop with marble

crackling, adding texture and depth. Tapered legs support the long, slender form of the table and show

features traditional horizontal fluted carving. The table stands on tapered fluted legs topped with applied

A matching pair of elaborately carved and painted vintage French quarter-round corner tables that

either end by crisply carved rosettes. The tapered, fluted legs are headed with carved blocks and

bronze bands. Finally, the table rests on round fluted legs with round bronze feet. Closed: 43" wide x

to the touch, with softly rounded edges that mirror the fluted base. Hidden castors make the table

to the touch, with softly rounded edges that mirror the fluted base. Hidden castors make the table

'Shoolbred & Co' retailers. Further classical ormolu mounts to the top of the round turned tapering fluted

Irish 19th century carved serving table by Robert Strahan & Co circa 1860. Robert strahan & co