Triptych Polaroid

Long Way Home (Stranger than Paradise) - 1999, 3 x 58x56cm, installed 58x180cm, (sold out Edition of 10), this is THE last Artist Proof 3/3. 3 Analog C-Prints, hand-printed by th...

Crow Burial (Sidewinder), triptych - 2005, 38.5 x 38 cm each, installed 38.5 x 124cm, Edition 1/5, analog C-Print, hand-printed by the artist in September 2018, based on 3 Polaroi...

This is a series of 3 unique photographic works of Donald Baechler taken by Andy Warhol. Donald Baechler is an American painter and assemblage artist who came into recognition amid t...

Wanderlust (Self Portrait), triptych, 2018, Edition 1/10 plus 2 Artist Proof, 20x45cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted .

Shadowplay, triptych, 2017, Edition of 7 plus 2 Artist Proofs. 20x24cm each, 20x82cm installed including the gaps.

Sidewinder, triptych - 2005 38.5 x 38 cm each, installed 38.5 x 124cm, Edition of 5, Analog C-Print, hand-printed by the artist, based on the 3 Polaroids Artist Inventory 3017.01, ...

Gasoline I (Stranger than Paradise) - 1999 3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm, Edition 1/5 (only Edition 1 and 2 are still available) Anal...

Strange Love - triptych, 3 pieces - 2005 Edition 1/5, 80x80cm each, 80x260cm installed, including gaps, 3 analog C-Prints, hand-printed by the artist, based on the 3 original Pol...

Untitled (Oilfields) 2004, 60x60cm each, installed 60x200cm, Edition 6/10. Analog C-Print,s based on an expired Polaroids. Certificate and Signature label. Artist Inventory No 1212...

Henry Illuminated (Stay), triptych - featuring Ryan Gosling - 2006 Edition of 10, plus 2 Artist Proofs.

Dream girl (Stranger than Paradise) - 2000 Edition of 10 3 x 58x56 x 0.1 cm, 58 x 188 cm installed. 3 Analog C-Prints, hand-printed by the artist. based on the 3 Polaroids. Signat...

Gasstation (Stranger than Paradise) - 2000 Edition of 9/10. 3 x 58 x 56 x 0.3 cm, 58 x 188 cm installed. 3 Analog C-Prints, hand-printed by the artist based on 3 original Polaroids....

Memories of Green I, triptych, - 2003 Edition of 5, each 58x56cm, installed with gaps 58x178cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on ...

Horizon (Zuma Beach) - 2004 38x37cm each, 38x121cm installed with 5 cm gaps, Edition of 5, 3 Analog C-Prints, hand printed by the artist, based on the Polaroids. Mounted on Alumi...

Blue House (29 Palms, CA) - 1999 20x20cm each, 20x68cm installed with gaps, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on the 3 original Polaroids. Signature...

Aimless - It all began quite simply I was very happy - (Wastelands), triptych - 2003 Edition 2/5, 57 x 56 cm each, installed 57 x 180cm, 3 analog C-Prints, hand-printed by the art...

As with the previous triptych, this describes some sort of melancholy story, but without furnishing us with supplemental data.

OK Corral (Stranger than Paradise), triptych - 1999 Edition of 10, each 58 x 56 cm, together with gaps 58x185cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Arch...

Like faded dreams or half-remembered encounters, her Polaroid images exist in a liminal space where past and present bleed into one another, never quite whole, never truly lost.

The artist flaunts, uses, and exposes the unknown using expired Polaroid instant film intentionally. Presents it. What you do with that is up to you.

Wild Things (Till Death do us Part) triptych - 2005, 20x20cm each, 20x70cm installed, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on the 3 Polaroids.

Cries and Whispers (Till Death Do Us Part) triptych - 2007, 20x24cm each, 20x80cm installed, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on 3 Polaroids. Cert...

Long Way Home (Stranger than Paradise), 1999, 3 x 38x36cm, Edition 1530, 3 Archival C-Prints, based on the 3 original Polaroids Certificate and Signature label. Artist Inventory ...

Leaving (Sidewinder) - 2005, triptych each 38x37cm, (installed with gaps 38x125cm), Edition 3 of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, base...

What's your philosophy behind the art of Polaroid pictures? The 'obsolete' is anything but obsolete.

Deliverance (The Last Stand) - triptych - 2004 20x20cm each. 20x70cm installed with gaps.

I started using expired Polaroid film in 1996. It has the most beautiful quality and encapsulates my vision perfectly.

Fairytales, triptych - 2004 Polaroid - 3 Unique Pieces 1/1, 7.8 x 7,7cm (image area) each 10.7 x 8.7 cm ( including white Polaroid frame).

What's your philosophy behind the art of Polaroid pictures? The 'obsolete' is anything but obsolete.

The first to use expired Polaroid film as their medium and in doing so inspired the resurrection of Polaroid film itself.

'Max Blue', triptych (The Last Picture Show), 2005, each 38x36cm, 38x122cm installed, Edition 1/5, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Achive Paper, matte...

Memories of Green II, triptych, Edition 1/5 , 2003 each 58x56cm, installed with gaps 58x178cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

Enchanted (Dream Scene on Salt Lake), triptych - from the 29 Palms, CA Project - 2009 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardco...

In Dubious Battle (Haley and the Birds) - triptych - 2013 40x125cm, Edition of 10, plus 2 Artist Proofs.

Leaving (Sidewinder), triptych - 2005, Edition 2/5, 38x37cm each, (installed with gaps 38x125cm). 3 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, bas...

Giants (Stranger than Paradise) triptych - 2005 Edition of 10 plus 2 Artist Proofs.

She invites the mistakes in — lets the chemistry misbehave, lets the Polaroid emulsions bleed their own story. Imperfection isn’t a flaw here, it’s the aesthetic.

Archival C-Print, based on the Polaroid Slide. Signature label and Certificate.

I wie Ikarus (Zuma Beach) - Edition 1/10, 43x49cm each, installed with gaps (depending on installation) 80x240cm, 3 analog C-Prints, hand-printed by the artist, based on the 3 Po...

Past the decisive Moment - Stranger than Paradise (triptych) - 2006 3x128x125cm, 120x401cm installed.

'Last night i dreamt that i was dreaming of you' Digital Print based on Polaroid triptych, mounted under Plexi. Signed on verso with Certificate.

Lone Pine Motel II (The last Picture Show) 2005, Edition 1/5, 40x40cm each, installed with gaps 40x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal A...

Gasoline II (Stranger than Paradise) 1999 - 3 pieces, each 50x50cm, installed 50x170cm including gaps. sold out Edition of 150, Artist Proof 4/5. Archival C-Prints, based on the ...

Untitled (Oilfields) triptych, 2004, 40x40cm each, 40x130cm installed. Edition 3/10, analog C-Print, hand-printed by the artist, based on 3 original expired Polaroids. Certificat...

The Dance (The Girl behind the White Picket Fence) Original Polaroid photographs - Unique Piece 1/1, 2016, 10.4 x 10.2 cm each (including white Polaroid frame) together 10.4 x 30.6 c...

3 Stefanie Schneider Polaroid sized unlimited Minis 'Stay' - 2006 - triptych signed in front, not mounted. 3 Digital Color Photographs based on 3 Polaroids.

Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the wor...

The Dance (The Girl behind the White Picket Fence) Original Polaroid photographs - Unique Piece 1/1, 2016, 10.4 x 10.2 cm each (including white Polaroid frame) together 10.4 x 30.6 c...

Long Way Home (Stranger than Paradise), 1999, 3 x 38x36cm, Edition 2/30, 3 digital C-Prints, based on 3 Polaroids Certificate and Signature label artist Inventory Nr. 250.51 not moun...

'Enchanted' (Dream Scene on Salt Lake), triptych, from the 29 Palms, CA Project Edition 3/10.

3 Stefanie Schneider's Minis 'Nudes' - 1999 - signed in front, not mounted. 3 Digital Color Photographs based on 3 Polaroids. Polaroid sized open Editions 1999-2016 10.7 x 8.8cm...

Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the wor...

What is most striking about Schneider's images is the colour which evokes the appearance of expired Polaroid film. Her role in preserving the use of Polaroid is one aspect of her wor...