Vase Brazil

Pair of Ginga vases by Gustavo Dias Zara chair Wood: Different Woods are available Designer

Hand bronze sculpted vase by Gustavo Dias Bronze Designer: Gustavo Dias Dimensions: H 15 cm x W

Ita 3 - Soapstone vase by Alva Design Materials: Soapstone, solid wood, Dimensions: 24 (Ø) x 32 (H

Large Sculptural Vase "Causucanas" by Ernesto Sanchez (Signed), with abstract and sinuous shapes

Contemporary Brazilian thick glass vase with triangular shaped opening Black glass with amber

Pair of Ginga vases by Gustavo Dias Zara chair wood: Different woods are available designer

V3 vase - Monstera by Paulo Goldstein, Brazilian contemporary design is part of a series of vases

Vase in dark bronze by FAKASAKA Design Dimensions: W 34 x D 8 x H 17.5 cm Materials: Dark bronze.  

V3 vase - Monstera by Paulo Goldstein, Brazilian contemporary design is part of a series of vases

ELO G vase by Paulo Goldstein, Brazilian contemporary design, blown glass and steel is part of a

These vases comprise a set of three complimentary, organic, modernist vases by the noted Brazilian

V1 vase by Paulo Goldstein, Brazilian contemporary design, blown glass and steel is part of a

Round Vase in Dark Bronze by FAKASAKA Design Dimensions: W 35.5 x D 15 x H 41 cm Materials: Dark

Long vase in dark bronze by FAKASAKA Design Dimensions: W 19 x D 12 x H 41.5 cm Materials: Dark

Cup vase in dark bronze by FAKASAKA Design Dimensions: W 16 x D 16 x H 35.5 cm Materials: Dark

ELO medium vase by Paulo Goldstein, Brazilian contemporary design, blown glass and steel is part of

Jaca Vase No. 17 in Black Organic Textured Ceramic by Hanna Englund Dimensions: D 27 x W 29 x H 46

Jaca Vase No. 17 in Offwhite Organic Textured Ceramic by Hanna Englund Dimensions: D 27 x W 28 x H

This vase is part of the series of Eternit fiber-cement vases designed by Willy Guhl (1915–2004

This vase is part of the series of Eternit fiber-cement vases designed by Willy Guhl (1915–2004

from Brazil, stands as a testament to the sleek and organic forms characteristic of the era. The vase

Jaca Vase No. 17 in Petrol Blue Organic Textured Ceramic by Hanna Englund Dimensions: D 27 x W 28 x

Cristais di Murano 24K Gold Infused Translucent Glass Vase w/Glass Applications Offered for sale

Once again, designers Leonardo Lattavo and Pedro Moog materialize the shape of a drop of water in a product. Following a design line that makes use of formal mimesis of nature, the R...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

Atelier Forjaz Brazilian Ceramics - Vase, c. 1950 Signed "Forgez" under the base Enameled ceramic

based in São Paulo, Brazil.

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

just… be? In diverse sizes and in two chromatic versions, the vases are perfect stands in several

Brazilian artists Nicole & Luiza Toldi, created in 2024 as part of their ongoing exploration of landscape

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

very similar, but unique piece. all pieces are created in high-quality Brazilian wild clay, high

similar, but unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

similar, but unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature

be a very similar, but unique piece. all pieces are created in high-quality Brazilian wild clay, high

similar, but unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature

unique piece. all pieces are created in high-quality Brazilian wild clay, high-temperature ones are

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

The shapes of Faus’s receptacles and recipients are, by themselves, objects of free assimilation, that comes into existence through a process of assemblage, rather than from a previo...

to a strong relationship with their Minas Gerais and Brazilian origins. In the execution phase, the

to a strong relationship with their Minas Gerais and Brazilian origins. In the execution phase, the