Warp And Weft

weaving is double-ikat (called Tate-Yoko Kasuri in Japanese), in which both wefts and warps were pre-dyed

A pure silk ( silk warp and cotton weft ), ikat panel in rather good condition. Lined with a cotton

material with the way that the weft and warp has been woven creating both matte and satin finishes to bring

. Tapestry is a weft-faced, in which all the warp threads are hidden in the completed work, unlike most woven

visible even if the warp and the weft are of the same color of yarn. The exquisite pattern is subtle and

very traditional way on a frame using cotton warp and woolen weft, she dyes the wool herself. Each work

very traditional way on a frame using cotton warp and woolen weft, she dyes the wool herself. Each work

very traditional way on a frame using cotton warp and woolen weft, she dyes the wool herself. Each work

both decoration and upholstery and are made from eco-nylon in the warp and cotton in the weft. To

both decoration and upholstery and are made from eco-nylon in the warp and cotton in the weft. To

metallic thread transforms into sewing thread and continues on to weft and warp creating a singular harmony

metallic thread transforms into sewing thread and continues on to weft and warp creating a singular harmony

the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically

the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically

distinct, regular structure emphasised by a slight difference in the colour saturation of the weft and warp

distinct, regular structure emphasised by a slight difference in the colour saturation of the weft and warp

. Expressed through six cotton warp threads and a 100% wool weft, the textile combines visual richness with

burgeoning merchant class. Materials: Hand-woven using wool for the structural warp and most of the weft

warp vertically and weaving the weft horizontally, resulting in a flatter and less textured surface

both decoration and upholstery and are made from eco-nylon in the warp and cotton in the weft. To

quality of the linen has been optimized to create the new, modern color palettes. Contrasting warp

metallic thread transforms into sewing thread and continues on to weft and warp creating a singular harmony

techniques. It’s commonly made by interweaving the warps threads and weft threads on looms, using antique

Born in Brownsville, Texas, in 1955, Clare Kirkconnell spent a number of years in Mexico City before returning to Houston to finish high school. She developed an interest in the arts...

: approx. 100 - 120 knots per square inch / 160,000 - 200,000 / m² Material (warp and weft): 100% cotton

cotton warp and weft. It is decorated with flowers and plants. It was made in the 1960s in Bucarest

wool, warp and weft wool • Traditional design with Ram Horn, very unique rug, typical abrash color

fringe and selvedge. • Beautiful vintage rug • All handmade, hand knotted • Pile pure wool, warp and

fill) Technical Details: Material: 100% natural silk (warp, weft, and pile) Technique: Hand-knotted

warp and Weft. Oil on canvas. 20 x 19 in

square inch. The wool pile is on a silk warp and weft. The classic Isphahan medallion is on an ivory

Western Persia, circa 1900. Cotton warp and weft, woollen pile. Excellent condition.

China, 1940’s Hand knotted with polychrome wool; woollen warp and weft

Deco Carpet China, 1940’s Hand knotted with polychrome wool; woollen warp and weft

Antique Persian Heriz, 100% Wool pile on Cotton Warp and Weft, Hand Woven NW Iran (Persia)

Antique Persian Mahal, 100% Wool Pile on Cotton Warp and Weft, Hand Woven in West Iran (Persia).

Antique Persian Tabriz, 100% Wool on cotton warp and Weft, Hand Woven in NW Iran. Finely knotted

Classic Mughal shrub design in typical antique Agra colors, Agra, India, circa 1880. Cotton warp

All-over blossom-lattice design, North-Eastern Caucasus, circa 1900. Woollen warp and weft, woollen

All-over Herati design on a red field. North-West Persia, circa 1910. Cotton warp and weft, woollen

-West Persia, circa 1900. Woollen warp and weft, woollen pile. Excellent condition.

, circa 1890. Woollen warp and weft, woollen pile. Excellent condition.

Karabagh, Caucasus, circa 1890. Woollen warp and weft, woollen pile. Good condition, minor losses to ends.

, against a background of 'cane stripes'. South-West Persia, circa 1890. Woollen warp and weft, woollen pile

, Southern Persia, circa 1890. Woollen warp and weft, woollen pile. Good condition; low pile, original kilim

century Kashan. Kashan, Central Persia, circa 1900. Cotton warp and weft, woollen pile. Very good

, enclosed within a pale blue border. North-West Persia, circa 1870. Woollen warp and weft, woollen pile

its central image. Wool warp and weft, cowrie shells, and dyed dog hair. Nagaland India.

1920-1960s blanket of cotton warps and wefts of thinly twisted used cotton rag cloth naturally dyed

the warp and weft are also silk, circa 1950. The rug is 3-3 x 4-9.

woven date of AH 1226, circa 1811, but more likely woven mid-19th century. Woollen warp and weft

Prefecture, circa 1900. Natural indigo, warp and weft ikat (tate-yoko kasuri).

Neutral tones and warp and weft are the starts in this new collection, handwoven, from the GAN team

cotton warp and weft, and approximately 7’9 x 9’7. Muted color floral stems branch into a bronzed ivory

Neutral tones and warp and weft are the starts in this new collection, hand-woven, from the GAN

Neutral tones and warp and weft are the starts in this new collection, hand-woven, from the GAN

. The design is an all-over floral motif on a ivory field. The pile is silk and the warp and weft are