Woodcut Block

. His methods included woodcuts and relief linoleum blocks From 1948-82, he was Professor of Art at Ohio

politics, portraits, and the Holocaust. His methods included woodcuts and relief linoleum blocks From 1948

, and the Holocaust. His methods included woodcuts and relief linoleum blocks From 1948-82, he was

, and the Holocaust. His methods included woodcuts and relief linoleum blocks From 1948-82, he was

, specializing in subjects such as politics, portraits, and the Holocaust. His methods included woodcuts and

, and the Holocaust. His methods included woodcuts and relief linoleum blocks From 1948-82, he was

subjects such as politics, portraits, and the Holocaust. His methods included woodcuts and relief linoleum

, specializing in subjects such as politics, portraits, and the Holocaust. His methods included woodcuts and

created by Johann Michael Seligmann after drawings mostly by Henry Moon, using a woodcut block

printmaking process he invented. Summers produces his woodcuts by hand, usually from one or more blocks of

woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and

traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block

produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based

Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter

“ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of

he invented. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch

“ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of

Modern interior woodcut print of a Japanese style home. Kiyoshi Saitō (1907 – 1997) Katsura

traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block

Intricate Japanese woodblock print of the sumo wrestler Hibikinada Gorokichi by the popular artist Utagawa Kunisada in the 1840's. Artist Biography: Kunisada was born in 1786 in Ho...

Intricate Japanese woodblock print of the sumo wrestler Kagami-ishi Sukeroku by the popular artist Utagawa Kunisada in the 1840's. Artist Biography: Kunisada was born in 1786 in Ho...

Mabuchi Tōru (1920 – 1994) Pottery and Haniwa Figure 1960. Modern, Japanese style still-life print of an Oribe latern and screen. Signature and seal lower right. Mat board covers ma...

FRANCES H. GEARHART (1869-1958) LAKE TAHOE c. 1933 Color block print, signed and titled in pencil

Graceful mid-century Japanese wood-cut print of two horses by Sonan Noda (Japanese, 20th Century). Signed on upper right corner with artist's chop and previous owner's chop. Presente...

Milton Avery. Dancer, 1954. Woodcut. Signed, dated, and numbered in pencil. A fine impression

Tan Shi Sou, White Snake Temple Raised Line Woodcut Hand-Painted By Bertha Lum, 1924 Bertha Lum

From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book

traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block

”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil

: lithography, block printing (including woodcuts, nailcuts and linoleum cuts) and drypoints. Throughout his

Color woodcut, 1934 Signed in the block Published by the Watanabe Color Print Co. Watanabe seal "C

Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter

edition From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The

Unsigned (as usual for this edition) From: Woodcuts and Linoleum Blocks by Max Weber (32 plates

From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book

Collection), woodcut, 1924. Signed in the block, lower right. Signed, dated, and numbered 'op. 180' in pencil

Utagawa Kuniyoshi between 1845 and 1848. Ukiyo-e colored woodcut, signed in the block with "Ichiyûsai

Snow at Nezu-Gongen Shrine (Nezu-Gongen no yuki) Color woodcut, 1933 Signed in the block Hasui

in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on cream wove paper

produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based

Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter

produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based

Chicago, and was an artist-in-residence at Knox College. He painted, and produced etchings, woodcuts and

total edition of 600 copies) with an extra woodcut printed from the block at the Gehenna Press, for a

2012, 4-plate aquatint with 4 colors, 3-block woodcut with 53 colors, 21 7/8 x 27 5/8 inches

Idyllic landscape wood block print by Toshi Yoshida (Japanese 1911-1995). Depicts a savanna style

This 2008 linoleum block print on paper of a bee in brown and green in a rustic wood frame is by

Twenty-nine-color woodcut made from hand-carved blocks of cherry wood printed on Hosho paper

Thirty-five-color woodcut printed from hand-carved blocks of cherry wood with natural dyes and with

Gold pigment on black paper block print, nude art, framed, signed by the artist. Edition of 20

This 1965 two block woodcut of a blue structure with black winter trees on Japanese paper is by

Color reduction woodcut from 2 blocks and 1 silk screen color on white BFK Rives paper Edition 36

Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK

Color reduction woodcut from 2 blocks and 1 silk screen color on white BFK Rives paper Edition

As a component of the broader ukiyo-e tradition, woodblock prints (known as Hanga) showcase an evolution from craft to a significant art form. Among the myriad printmakers, Kiyoshi S...

This strong image of a tree in Sonoma is a wood block by Byron Randal. A predominantly figurative