Alexandre Cabanel Art

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

Title: Immaculate Conception Author: Anonymous Period: 20th Century Technique: Oil on canvas Dimensions: 25.6 x 21.3 in Signature: "Karmel" (lower right) Condition: Good Descr...

You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...

"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of artist' life and work. A sculpture, an antique head and a painting that remin...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

Emperor Napoléon I was and remains one of the most legendary military and political figures in history, having held, for a brief period, the fate of the Western world in his hands. Composed by the French painter Joseph Franque...

Title: Woman Selling Fruit Author: Rosendo González Carbonell Technique and Support: Oil on canvas Dimensions: 31.9 x 25.6 in (unframed) Period: 1970s Style: Costumbrist realism with impressionist influences Condition: Part of a private collection Description of the Artwork The painting portrays a woman holding a basket filled with fruit, notably apples and pears, focusing on warm and dark contrasts that add depth and realism to the composition. The artist creates an intimate atmosphere, skillfully manipulating light to highlight the woman's facial features and the textures of the fruit. The figure’s attire evokes a classical style, likely inspired by costumbrist themes. Rosendo González Carbonell, renowned for his focus on traditional scenes and female figures, employs in this piece loose yet precise brushstrokes, creating dynamism that enhances the composition. The warm hues of the fruit and the serene expression of the woman reflect the artist’s intention to capture a moment of everyday life with sensitivity and expressiveness. Author’s Biography Rosendo González Carbonell (Barcelona, 1910 - 1984) was a Spanish painter recognized for his focus on female figures, portraits, and landscapes. He studied at the Acadèmia de Belles Arts de Sabadell under the mentorship of Mayoral and Antoni Alsina i Amils and also attended the "Llotja" art academy in Barcelona. He was a disciple of Bonaventura Puig Perucho and maintained a close friendship with painter Alejandro Huerta Lucas. He participated in the National Fine Arts Exhibitions held in Barcelona in 1942 and 1944. His work reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, as well as influences from impressionist masters like Claude Monet and Camille Pissarro. González Carbonell often depicted small villages, rural churches, and tranquil landscapes, balancing meticulous detail with impressionist brushstrokes that bring his compositions to life. Similar Artists González Carbonell shares artistic sensitivities with other renowned painters who captured the essence of landscapes and human figures through light and color: Joaquim Mir: Renowned for his luminous interpretations of the Catalan landscape. Santiago Rusiñol: Famous for his delicate depictions of rural scenes and local architecture. Josep Amat...

"Zeus and Ganymede", oil and silver leaf on canvas, 39x39in / 100x100cm Inspired by the legend of Zeus and Ganymede. Part of my NeoMythology project. Shipped as it is, stretched. "Z...

Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...

William-Adolphe Bouguereau 1825-1905 French La fille du pêcheur (The Fisherman’s Daughter) Signed and dated “W-Bouguereau-1882” (middle right) Oil on canvas William Bouguereau's...

Title of the Artwork: Odalisque with Tray Artist: Rosendo González Carbonell Technique: Oil on canvas Dimensions: 24 x 20 inches Frame: Unframed Style: Figurative, focusing on the fe...

Very well executed portrait of Jacob Dolson Cox. See the sitter’s biography below. Signed top right and dated 1881. Relined canvas, very good condition. The portrait is housed in a contemporary replica of a period frame. Overall framed measurements are 33.25 by 28.25 inches. Provenance: A East Hampton, Long Island collector. Biography George Peter Alexander Healy was born in Boston on July 15, 1813, the first of five children of William Healy, an Irish immigrant and captain of a merchant vessel, and his wife Mary Hicks. Healy showed an early artistic interest: by 1830 the self-taught painter had opened a portrait studio from which he hoped to help to support his family. Although commissions were at first sparse, young Healy received important encouragement from Thomas Sully (1783-1872)) who advised him to make painting his profession. His fortunes also improved in 1831 when Mrs. Harrison Gray Otis, a leader in Boston society, granted him permission to paint her portrait and recommended his talents to other potential patrons. In 1834 Healy went to France where he studied with Baron Antoine-Jean Gros (1771-1835). A year later he traveled through Italy, visiting museums and churches in the company of Lady and Sir Arthur Faulkner who soon provided his introduction to London society. It was in England that Healy met and, in 1839, married Louisa Phipps. The couple settled in Paris where Healy embarked upon the beginning of a long and happy marriage and thriving career. His diplomatic and affable demeanor, together with his obvious skill, brought him tremendous success throughout Europe and the United States. Prolific, as well as talented, he had by 1867 produced more than six hundred portraits. The constant stream of commissions included dignified, imposing portraits of such celebrated figures as Pope Pius IX and Queen Elizabeth of Romania, the latter of whom developed a warm friendship with Healy and his family. Although Healy, sometimes accompanied by his wife, traveled to the United States several times during the 1840s and early 1850s, it was not until 1856 that the entire family settled in America. They took up residence in the booming city of Chicago, which Healy used as a base for his work in Boston, Philadelphia, New Orleans, and other cities. During the Civil War years he often traveled to Washington to paint military figures and members of the President's cabinet. The family returned to Europe in 1867, but George Healy...