George Nelson Furniture

A rare birch dining or desk chair by Ernest Farmer of George Nelson and Associates for Herman Miller. Professional reupholstery available at pass-thro...

A dark brownish ebony finished five drawer dresser with brushed stainless sculptural pulls . The top and middle drawers contain dividers and plenty of ...

Introducing the iconic Herman Miller typewriter desk return, a testament to the visionary design of George Nelson. This exceptional piece seamlessly combin...

George Nelson Early ‘Coconut’ Lounge Chair enamelled folded steel shell and chromed steel legs recently upholstered in Maharam Checker upholstery 85cm high, 105cm wide, 82cm deep De...

George Nelson rosewood Thin Edge chest or dresser for Herman Miller, U.S.A. Exceptional rosewood grain patterns throughout just ...

A simple and elegant pedestal side table with round top having a natural thin wood trim detail to the edge and cast meat star base . The base with foot pads to protect your floors ha...

Classic model 4672 vanity stool designed by George Nelson. Plush rectangular seat gracefully perched on a brushed aluminum base. Minimal design and compact size makes it an attractiv...

Rare pair of cabinets or chests made by Herman Miller in the early 1950s and designed by American design icon George Nelson. Each cabinet features primavera construction, a form of b...

Pedestal desk designed in 1955 by George Nelson for Herman Miller, USA. Teak wood top with two drawers underneath and polished aluminium bases.

Thin edge dressers by George Nelson for Herman Miller Porcelain handles and metal legs. Dressers have been refinished.  

Part of the Thin Edge series that George Nelson designed for Herman Miller in the 1950s, this wonderful set comprises two dressers in a tawny walnut on either side of a suspended van...

Pair of Steel Frame dressers, designed by George Nelson for Herman Miller. A minimalist philosophy inspired Nelson's design: steel frames offer visual interest, while also eliminatin...

This is a Steel Frame No 4000 Series Dresser, initially designed by George Nelson for Herman Miller in 1954. Its model number is 4013. It features a frame of white powder-coated bent...

Beautiful White and Walnut Chest of Drawers by George Nelson for Herman Miller. This dresser is from the Basic series with its iconic black lacquer wood legs, beautiful walnut case a...

A sculptural birch wood curved arm chair with custom colorful Jack Lenor Larsen fabric upholstery . From the early 1950's Mid Century era the chair is perfectly comfortable for a liv...

This Is A Vintage 1950s George Nelson Steel Frame Sofa For Herman Miller. Original Gray Upholstery, Fabric For Herman Miller. Low, Thin...

This is a Steelframe No. 4000 Series Cabinet, initially designed by George Nelson for Herman Miller in 1950. Its model number is 4033. It features a frame of white powder-coated bent...

c. 1950s. USA. Reupholstered in Pierre Frey “Bourail” Jacquard fabric. Refoamed as well. White laminate side tables with metal frame.

Early George Nelson Action Office 1 desk in original condition with minor wear. George Nelson for Herman Miller, polished aluminum, plastic laminate, w...

simple and elegant black steel frame with white laminate side table on castors. designed by George Nelson for Herman Miller

Rare George Nelson And Associates Mosaic Tile Wall Clock Designed by Irving Harper for George Nelson and Associates and produced by Howard Miller Model 2232 1957 Walnut frame with...

Mid-Century Modern, model 4652, Primavera coffee table by George Nelson for Herman Miller pulls out on each end as an extension of surface or to reveal two stored removable trays 21 x 16 inches with white formica tops. The table top is natural white mahogany...

Iconic and classic Mid-Century Modern dresser designed by George Nelson for the Herman Miller Primavera line, circa 1950s. Iconic piece resulting from the collaboration of these two ...

Sofa by George Nelson for Herman Miller, c.1950s, USA. Newly upholstered in a high pile rich green mohair. The seating system features three cushioned seats and a white laminate side...

A set of four iron armchairs designed by George Nelson and produced by Arbuck, USA, c. 1952. Dimensions: 29” H x 19” W 19” D Seat height: 16.5”

A wonderful example of a mid century design by George Nelson for the Howard Miller clock company, this Chronopak Model 4765A clock is in beautiful condition and running well and keep...

George Nelson walnut and leather accent headboard. 3 piece set, both side tables detach. White leather hidden storage space. No damages or broken ...

Fabulous set of 4 beech dining chairs by George Nelson for Herman Miller # 4669 with caned backs and period fabric for seat covers. In excellent vintage condition with minimal wear. ...

Super rare! George Nelson for Herman Miller steel frame chairs, model 5080 Easy Lounge Chairs. Original painted frames with solid wood arms. Orig...

c. 1960s. USA. Reupholstered in Kvadrat felt wool. Drafting stool.

An all original George Nelson small dresser. In good vintage condition with sign of age and use. Minor chipping of painted drawer fronts, loss of paint, oxidation to frame. Herma...

Rare Glass sliding doors on a walnut display cabinet with adjustable shelves. Chrome legs with original Domes of silence glides. The Herman Miller badge is missing, please see pictur...

Modular 3-seater sofa designed by George Miller in 1956. The sofa incorporates a system of modules that allows you to choose the seating arrangement, the coffee table and chest of dr...

Embrace the iconic mid-century modern style with this exquisite credenza designed by George Nelson for Herman Miller, part of the esteemed Basic Cabinet Series, crafted in the USA circa 1950s. Constructed from comb grain oak, this piece stands out with its original black painted tapered legs, a unique feature of Nelson's designs. The front-facing cabinet boasts two doors with curved steel cabinet...

George Nelson Herman Miller Thin Profile Cabinet. Uncommon little cabinet that does not take up much space. Please request additional photos and condition report. Appears that the ...

Mid-Century Modern Action Office Desk by George Nelson for Herman Miller, 1960s

Introduced in 1946, the slat platform bench was one of Nelson's first designs for Herman Miller after becoming their design director. Intended to serve as a table, a seat, or a base for case goods, its countless imitations over the years are a testament to its functionality and popularity. Herman Miller produced them in a range of sizes to meet a variety of needs. This exceptional vintage example is model 4693. At 102” in length, it’s the largest size slat bench Herman Miller...

A beautiful Half Nelson lamp manufactured by Koch and Lowy circa 1980. This lamp was originally designed in 1949/50 by George Nelson. The lamp is in working condition and is in good condition. There are some minor marks and small spots of paint loss, please see the detailed photos. The top hood is adjustable and will allow a variety of different looks. It is pictured in our gallery resting on a Eero Saarinen for Knoll Tulip table and chair set...

George Nelson Model-4758 wall clock for Howard Miller.

A great set of 6 solid teak ladder back dining chairs by Svegards Markaryd. Chairs are burnt marked Svegards Markaryd made in Sweden. Priced per chair. Multiples of 2 may be purchased. These items are located at our Los Angeles Arts District gallery...

Unusual version of the George Nelson miniature/jewelry chest #5215. This one features the white formica on the bottom of the case not the top as is more typical. Teak wood constructi...

George Nelson for Herman Miller, 1960s, United States. Very fine Modular §seater sofa by George Nelson (1908-1986) for Herman Miller. This sofa has a metal frame with square chro...

Double pedestal desk by Herman Miller. This desk was probably a custom order. There are three wide drawers and three small drawers. The top small drawer has a sliding pencil...

George Nelson & Associates Cabinets, Herman Miller model 4617. Handsome bedside cabinets/nightstands, purchased by Solo Modern, from the estate of famed Mad Magazine cartoonist, Mort Drucker...

George Nelson for Herman Miller Steel Frame Occasional Table on Wheels (1955) Frame: Black or white enamel with minor chips and scratches (consistent with age/use) Surfaces: Oiled wa...

George Nelson vertical chest of drawers commode for Herman Miller model 5517 sideboard 1952 The solid wood Nelson miniature chest, inspired by J...

Listed for sale is an original 1970s Herman Miller Action Office desk with two drawers, designed by George Nelson and Robert Probst. This is a delightful...

George Nelson for Herman Miller mid-century walnut omni wall unit - 4 bay This wall unit measures: 129.5 wide x 18 deep x 95 inches high. All piec...

George Nelson design "Thin Edge" group walnut dresser for Herman Miller. High quality construction and materials featuring 10 drawers with dividers. Newly refinished and ready to ins...

We recently acquired a set of George Nelson Rosewood Thin Edge chests out of an estate. They are vintage 1970’s and still each retain the Herman Miller Label. Please see our other li...

Mid-Century Modern leather perch stool or chair designed by George Nelson for Herman Miller. Versatile chair with adjustable hand-stitched leather seat hav...

A pair of dark ebony toned Mid Century nightstands with pull out bedside table and upper and lower bookcase styled storage . A early designed by George ...

"Thin Edge" chest of drawers by George Nelson for Herman Miller. These make nice nightstands Measures: cabinet 1. 19.5" deep by 34" wide by 33.25" high cabinet 2. 19.5" Deep by 24...

Two-seat Sofa designed by George Nelson. U.S.A., Herman Miller, 1960s. Modular Sofa by George Nelson with a strong metal structure including chrome-plated feet. Two vintage red Moha...

Exquisite matched pair of George Nelson designed four drawer Thin Edge dressers, executed in Rosewood, for Herman Miller circa 1950's. These chests are in very good, original, clean...

Very Rare and highly collectible original vintage George Nelson for Herman Miller rolltop "Action Desk". These early productions of these Herman Miller products hold more value than the more modern productions. This desk is beautiful from all angles. It is a brutalist, post modern, collectible work of art. Measures: Height: 34 inches Width: 54 inches Depth: 30 inches. Note: We do have the Herman Miller Aluminum Group desk chair...

Remarkably iconic and rare pair of walnut bachelors chests designed by George Nelson for the Herman Miller, Primavera line, circa 1950s. We love that these are the same size but hav...

A rosewood Thin Edge dresser designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...