James Bonstow Art

A striking cityscape by Bruce Marion. It is mounted inside a dark wood frame with a raised/floating effect. This original painting is created with multiple layers and is a unique com...

This is a 40" tall by 60" wide original contemporary oil painting in an abstract oil painting landscape style, typical of the artist's Anthropocene body of work. A realistic landscap...

This is a signed 72" x 60" contemporary abstract landscape oil painting on canvas. IT suggests the idea of trompe l'oeil, a French phrase that means "to deceive the eye". It's an ar...

This is a 60" tall by 48" wide contemporary original oil painting in an abstract landscape style, typical of the artist's Anthropocene body of work. A realistic landscape was painte...

This painting was created using layered washes of black acrylic as a backdrop, with bold applications of oil paint and oil sticks worked energetically across the surface. It depicts ...

This is a 72" tall by 96" wide (6' x 8') original oil painting in an abstract oil painting floral style, from an ongoing floral series the artist has been working on since late 2022...

An abstract contemporary painting by Joyce Weinstein. "City-Morning-Skyscape" is a captivating painting from 1982 that flaunt the artist's early brilli...

This is a 48" x 48" contemporary abstract landscape painting in oil. The piece comes wired for hanging and is in a simple contemporary float frame. The depth of the frame is 2.5” We once viewed “nature”  as the broad, creative and controlling force in the universe. Tania Dibbs...

​Helen Taylor (Contemporary) A Short Walk to Europe Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

​Helen Taylor (Contemporary) Watching Blue Prisms Signed with monogram, inscribed with title verso Oil on board 10 x 10 inches 11x 11 inches including the frame Helen Taylor’s pract...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...

​Helen Taylor Par Avion Oil on canvas 100 x 76 cm Unframed Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the...