Rene Wiley-Janota Art

You are viewing a modernist American acrylic painting depicting a charming but rundown seaside town at night. Robert Noel Blair (American, 1912-2003) was an American artist, paint...

Patrick Vale Evening Shadows acrylic and ink on paper 24h x 18.50w in 60.96h x 46.99w cm PKV006 See What I See Why are Chicago and baseball so perfect for each other? What is it ab...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Robert Glick (American, born 1950) "Summer" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right and the back of the painting. 'Summer' by Robert Glick is a...

Marius Sznajderman Hand signed and dated lower right, with an inscription on the verso 40 X 30 inches Oil or acrylic on canvas. Machu Picchu is an Incan citadel set high in the Andes Mountains in Peru, above the Urubamba River valley. Built in the 15th century and later abandoned. The lost city of the Incas. Expressively capturing the mystique of the famed Incan ruins, this 1983 exprerssionist painting by Marius Sznajderman, titled Machu Picchu Courtyard, showcases his signature blend of bold color and dynamic brushwork. The composition features a stylized interpretation of Machu Picchu's verdant landscape and ancient stone structures, rendered in an abstracted yet recognizable form. Sznajderman's use of undulating greens, deep blues, and earthy tones imbues the work with an almost dreamlike quality, emphasizing the spiritual and historical significance of the site. Marius Sznajderman was a French-born American painter, printmaker, and scenic designer. Born in Paris in 1926 to Polish-Jewish parents, he fled Nazi-occupied France in 1942, eventually settling in Caracas, Venezuela. There, he studied at the School of Fine Arts and co-founded the Taller Libre de Arte, an influential experimental art workshop. In 1949, he immigrated to the United States, earning both Bachelor and Master of Fine Arts degrees from Columbia University. Over his extensive career, Sznajderman explored themes ranging from Latin American culture to Jewish heritage, with his works held in numerous public collections, including the Smithsonian Institution and the Museum of Modern Art in New York. Artist: Marius Sznajderman (French-American, 1926-2018) Issued: 1983 Dimensions: 41"L x 31"H Country of Origin: France/United States Marius Sznajderman was a Jewish Venezuelan painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...

"Shoreline", Modern Coastal Landscape Eucalyptus Trees, Sunset Coastal Landscape Watercolor by Kipp Stewart (American, b. 1928), late 20th century. This vivid scene uses a soft and dreamy polychromatic palette of golden rod yellow, subdued purple, and dark green. Acrylic on natural edge paper. Signed in the lower right, "Stewart". Tag on verso with title ("Shoreline"), artist's name, size, and materials. Presented in a light wood frame, mounted on a white background. Image size: 12.75"H x 17.5"W. Paper size: 23"H x 30"W. Framed size: 30.5"H x 38"W x 1.25"D. Kipp Stewart (American, b. 1928) is an artist, architect, and designer from Pennsylvania. Known to furniture obsessives for the Declaration series he codesigned for North Carolina’s Drexel Furniture, Stewart is most commonly associated with mid-century design movements of his adopted home state of California. There, in 1972, Stewart designed the Ventana Big Sur, a luxury resort near Montecito for which he oversaw architecture, planning, furniture and interior design across 160 acres of land. By the time Stewart spearheaded the Ventana, he was already well versed in furniture design. After briefly serving in the U.S. Navy as a teenager, Stewart enrolled at the Chouinard Art Institute (present-day Cal Arts) in Los Angeles. By the time he graduated, he was steeped in the world of modern seating design, experimenting with new chair models that bridged form and function. Charles and Ray Eames were important influences on his early work, which included a chrome-framed lounge chair whose reclined shape bears a striking resemblance to the Eames iconic lounge. In the late 1950s, Stewart partnered with another West Coast furniture designer, Stewart MacDougall, on a line of modern furniture for Drexel. (The pair were also producing case pieces and more for Glenn of California.) Drexel soon unveiled Stewart and McDougall’s Declaration line, which was constructed entirely of natural walnut and featured the choice of white porcelain or brass drawer pulls and cabinet door handles...

Changing Everything Forever: River #7 Exuberant brushwork, bright colorful abstract landscape Acrylic, w some dirt, some grass, on canvas. Painted at the Blackstone-Seekonk River.

Original Sierra Mountain Cabin Abstract Expressionist Landscape Original acrylic painting depicting a cabin in the Sierra Mountains by Honora Berg (American, 1897-1985), circa 1950....

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Patrick Vale Vienna Beef Guy ink on paper 24h x 18.50w in 60.96h x 46.99w cm PKV005 See What I See Why are Chicago and baseball so perfect for each other?...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...