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Sally Michel-Avery Art

American, 1902-2003
Born in 1902, Sally Avery knew by the age of five that she wanted to be an artist. After high school, she continued her studies at the Art Students League in New York City. In 1924, she spent the summer painting in East Gloucester, where she met and fell in love with the artist in the next studio, Milton Avery, (1893 - 1965). At this time in his career, Milton Avery was painting Impressionist works and was living with his mother in Connecticut. He soon followed Sally to New York. Two years later, they were married. For the next forty years, the two artists were inseparable. They were each other's model, collaborator, critic and champion. Together they created a style of "high modernist" painting that is most often solely attributed to Milton's hand. Although they painted side by side, their purposes were quite different. Sally made no effort to exhibit or sell her art, but instead managed Milton's career and the Avery household. For many years, it was her work as an illustrator for "The New York Times", children's books, and other publications, which supported the family. During the summer, the Avery family would often spend their vacations travelling throughout New England, Canada, Mexico, and Europe from their home in New York. Their excursions were often in the company of their close friends and fellow artists, Mark Rothko, Adolph Gottlieb and Barnett Newman. By the mid-1950's, their daughter, March, had grown up and Milton's works had finally begun to sell. Both enabled Sally to devote more time to her own painting (still largely for her own pleasure). She exhibited at a handful of shows during the decade. Roberta Smith wrote "Without Sally Michel there would have been no Milton Avery, or at least not as much. They met in 1924 and married in 1926. For much of their marriage, Michel (1902-2003) worked as a freelance illustrator, enabling Avery (1885-1965) to focus on his painting. A painter as well, Michel made this sacrifice because she was convinced of Avery’s greatness. She also adapted the simplified forms from his style, which put her further in his shadow."
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Artist: Sally Michel-Avery
"Bucolic Landscape" Sally Michel Avery, Female American Modernist Bright Pastel
By Sally Michel-Avery
Located in New York, NY
Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...
Category

1980s American Modern Sally Michel-Avery Art

Materials

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"Rushing Brook #2, " Abstract Mid-Century Modern Landscape, Sally Michel Avery
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Sally Avery (1902 - 2003) Rushing Brook #2, 1980 Oil on canvas 50 x 34 inches Signed and dated lower right; signed, titled, and dated on the reverse Provenance: Childs Gallery Boston, Massachusetts Private Collection, Massachusetts Born in 1902, Sally Avery knew by the age of five that she wanted to be an artist. After high school, she continued her studies at the Art Students League in New York City. In 1924, she spent the summer painting in East Gloucester, where she met and fell in love with the artist in the next studio, Milton Avery, (1893 - 1965). At this time in his career, Milton Avery was painting Impressionist works and was living with his mother in Connecticut. He soon followed Sally to New York. Two years later, they were married. For the next forty years, the two artists were inseparable. They were each other's model, collaborator, critic and champion. Together they created a style of "high modernist" painting that is most often solely attributed to Milton's hand. Although they painted side by side, their purposes were quite different. Sally made no effort to exhibit or sell her art, but instead managed Milton's career and the Avery household. For many years, it was her work as an illustrator for "The New York Times", children's books, and other publications, which supported the family. During the summer, the Avery family would often spend their vacations travelling throughout New England, Canada, Mexico, and Europe from their home in New York. Their excursions were often in the company of their close friends and fellow artists, Mark Rothko, Adolph Gotlieb and Barnett Newman. By the mid-1950's, their daughter, March, had grown up and Milton's works had finally begun to sell. Both enabled Sally to devote more time to her own painting (still largely for her own pleasure). She exhibited at a handful of shows during the decade. Roberta Smith wrote "Without Sally Michel...
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1980s American Modern Sally Michel-Avery Art

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"Best Friend, " Sally Michel Avery, American Modernist Art, Woman with Cat
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Sally Michel-avery art for sale on 1stDibs.

Find a wide variety of authentic Sally Michel-Avery art available for sale on 1stDibs. You can also browse by medium to find art by Sally Michel-Avery in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 1980s and is mostly associated with the modern style. Not every interior allows for large Sally Michel-Avery art, so small editions measuring 17 inches across are available. Customers who are interested in this artist might also find the work of Louisa Chase, Stanley Twardowicz, and Luigi Lucioni. Sally Michel-Avery art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $25,000 and tops out at $45,000, while the average work can sell for $35,000.

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