Wood Building and Garden Elements

A Pair of Early 20th Century Square Cast Iron Planters Jardinieres. Measures: 7.5" in width, 7.5" in depth and 6" in height

A contemporary outdoor dining table made in the traditional way, using authentic materials. Bluestone table top can be cleaned regularly with damp cloth. If you need to remove any st...

Beautiful pair 18th century neoclassical carved wooden ornaments. France circa 1780. Weathered, small losses and old repairs. Measurements are individual and include the wooden base....

NOTE: This specific bathtub has been sold. It is presented here as a testament to the monumental, one-of-a-kind functional art we can create. We invite you to contact us to commissio...

Beautiful handcarved giltwood baroque ornament that once adorned a chapel or a church. Italy, circa 1750. Weathered/ small losses. Measurement includes the wooden base. H:42,5cm W:2...

A rare set of Mid-Century carved redwood doors by American company Forms and Surfaces. Produced in the 1970s, this is a large, architectural pair of double doors with an expressive c...

Solid and striking, this pair of antique French oak doors once marked the entry to a stately home. Crafted from richly grained oak, the surface bears a warm medium-toned finish that ...

Authentic oak storage barrel with a robust and rustic appearance. This sturdy barrel is made of solid oak wood and reinforced with iron bands for extra durability. The natural aging ...

French Riviera style folding planter, Italy, 1970s. Wood and rattan structure with 3 folding parts, creating 4 spaces for pots and plants. The diameter of the spaces for the plants a...

2 Vintage reclaimed French painted and fired leadedstained glass windows. Features a Neoclassical botanical garden scene with vinbrant flowers and architecture. Signed E Couet alon...

A reclaimed pair of 2-panel cupboard doors from 19th-century England, crafted from raw pine with classic beveled trim. Whether used to enclose a built-in cabinet or mounted as archit...

This simple and inviting three-seat teak wood bench from Lindsey of England makes the perfect welcome for a front porch or respite in a garden, designed to withstand public and resid...

A vibrant 18th century Italian rococo panel with shaped silhouette, painted in ochre and celadon tones. The central figure—a cherubic child gathering wheat—is framed by ornate scroll...

Beautiful handcarved giltwood baroque ornament that once adorned a chapel or a church. Italy, circa 1750. Weathered condition. Measurement includes the wooden base.

Dating to the early 19th century, this pair of French provincial wardrobe doors offers timeless architectural beauty with their dry-scraped surface revealing soft layers of cream, sa...

Beautiful pair wooden finial ornaments with traces of their original gilding. Italy, circa 1800-1850. Weathered and small losses. H:29cm W:11cm D:11cm

An exceptional pair of diamond pattern stained glass windows. Features an arched form with geometric leaded dimaond pattern. The windows are framed in blue with a ruby diamond patt...

Garden chairs in wrought iron for indoor or outdoor You must indicate if you want the product with the special treatment for outdoor. Price per item Paint: Color Epoxi paint of the...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Oversized Antique French Wagon Wheels– late 18th Century Farm Relic This weathered oak and iron wagon wheel originates from rural France and evokes the craftsmanship and endurance of...

This is an old Japanese door. It is thought to date from the Edo or Meiji period. It was used as the door of a traditional warehouse called a "kura." In Japan, old storehouses are ...

Art Deco Wooden Plant Stand by André Groult, in Good conditions. Designed 1920 to 1949 This piece is designed in the style of the selected designer and/or manufacturer. Additional i...

Japanese antique Itado, thick wooden sliding door made of Sugi Cedar, for both interior & exterior use. Manufactured in circa 1910s -1930s (Taisho to early Showa period), estimate from the style & conditions. Warm dark paint remains on the surface comes from traditional finish with persimmon tannin & burnt pine ink. Random color tones and deep grains by age, only comes from a quality redwood of Sugi Cedar. Antique iron ring...

Introduce a touch of timeless character to your home with this pair of antique salvaged French doors, showcasing an 8-lite over-panel construction. Retaining their original cremone b...

This is an iron plate sliding door made in Japan. It is a rare door made in the Meiji period (1860s-1900s), and the craftsmanship of the time still lives on today. The structure is m...

A reclaimed raised 3-panel configuration French door with grooved and beveled trim detailing and old weathered paint. Instantly add unrivaled character and charm when installing in a...

These European antique carved doors are an elegant pair, showcasing classic craftsmanship and historical charm. We recently purchased them from a ...

A reclaimed raised 2-panel configuration French door with grooved and beveled trim detailing and old weathered paint. Instantly add a layer of unrivaled character and charm when inst...

Japan, a fine set of two shoji "Birds and Dragonfly" bamboo doors or screens recently acquired from a Japanese private collector. The hand carved boards are artistically cut and ins...

Late 20th Century Maitland Smith jardinière plant stand. Made from mahogany with a tripod carved delphin base over reeded bun feet and a reticulated planter top. Dimensions: 19.5" ...

Striking double-sided French doors, crafted from solid oak in the 19th century and reclaimed from a historic property in France. Each panel showcases a different character-rich finis...

19th century French painted barn door with beautiful worn distressed finish. Cream, blue and remnants of ochre colored paint are seen throughout this fabulo...

Very large and exceedingly rare English Renaissance Revival fireplace mantel, circa 1860s. Made of hand carved walnut featuring a gothic cathedral design. The fireplace portion is ...

Stunning Gothic architectural door with strong iron hardware in original frame. This striking and all hand carved door was originally probably part of a church or monastery and the ...

Large Italian Gilded Wood Rococo Fragment or Sculpture. Beautiful Rococo design constructed in gilt as well as silver leaf wood and ornamented intricate scroll motifs throughout. Thi...

Pair of Pisgah woodland planter boxes hand-crafted by artist Raleigh Adams using kiln-dried sugar maple hardwood and poplar bark inspired by the proportional forms of classical art a...

Large late 19th Century arched stained glass window in a wood frame. This is a beautiful window with great colors, decorative ribbons and a shield in the center. Salvaged from a larg...

Enhance your modern home with this pair of reclaimed solid oak raised panel doors, featuring a hand-scraped finish. Originally offering passage inside a stately French home, these do...

This is a wall decoration using an old Japanese door. It is thought to date from the Edo to Meiji period. Originally it was a very heavy door with earth and plaster on the surface,...

5099 English heroldry wall panel . Hand painted Oil on wood Latin Inscribed "Dieu Et Mon Droit" God and My Right

An impressive antique Victorian Neoclassical style leaded stained glass window. Features beautiful ribboned and scrolled motif with leaded, slag, swirl and pebble glass. Features c...

Reclaimed large arch shaped church stained glass window made of multicolored textured glass panels arranged as scrolling vines, foliate and leaves with raised jewel accents. The fram...

An original, vintage French rustic hand cart in dark green-black paint, in good condition. The sides have metal panes with glass inserts, and the front and back have a sunburst desig...

A monumental set of Renaissance Revival figural leaded stained glass French / double doors of the highest quality. Features a nobleman courting a lady. Both are poised on top of a Do...

Our knife beam bench in walnut utilizes salvaged walnut wood logs for a rustic bench. Narrow and backless, the simple lines express the natural texture of the end grain of each species. The 12" x 12" beam is milled and finished to sit raised by a mild steel base with a black patina. The beam bench brings rustic beauty at a variety of lengths. Cracks, knots, saw marks and variation is part of the beauty of these pieces. The wood will continue to move and the finish to patina over time. The knife walnut beam bench makes a cozy coffee table in a den or living room or low table in a mud room or entry hall for flexible use as a place to place packages and bags or to remove shoes. With the oiled finish used on the knife walnut beam bench, we do not recommend putting this bench outside...

Beautiful weathered oak panel depicting a baroque angel on an acanthus curl. Weathered and small losses, most likely it was once part of a larger panel. France circa 1750. treated ag...

A beautiful early 20th Century glazed hardwood door with Japanese inspired stained glass panels depicting a parrot and other birds seated on branches of stylised blossom.

A pair of reclaimed 2-panel cupboard doors having beveled trim details. Enclose a built-in cabinet with this charming pair of doors to add warmth and infuse your home with a touch of...

A single reclaimed provincial cupboard door with carved details. Enclose a built-in cabinet with this charming door to feel as if you’ve been transported to the French countryside. ...

Antique Spanish 19th century cupboard rustic doors with lattice and carved panels, early 19th century. These antique doors come from a cottage house in Galicia at the North coast of Spain. They were part of an antique lattice...

Huge fish gong bell- first we have seen in this rare large scale size, 22 inches in length Immediately useable. Crafted using the ancient lost wax technique, this bell is a Japanes...

Primitive Hollowed Tree Trunk Vessel, Belgium ca. 1900 A powerful example of primitive craftsmanship, this hollowed tree trunk vessel from Belgium is carved from a single solid sect...

18th century French weight-driven roasting jack made of wrought iron, wood, rope and its leaden weight. It was used for cooking in a kitchen fireplace. T...

A substantial indoor/outdoor table defined by its clean lines, sculptural base, and timeless modern design. Handmade with care, it features a long-lasting Belgian Bluestone top resti...

Radial sunburst walnut. Made to order by History Never Repeats LLC. Designed by Aaron Saxton & Maria Armada. Custom produced double doors. As shown 84" tall and 72" wide. Single and ...

Model HNRCSEB Sunburst Atomic Made to order by History Never Repeats LLC. Designed by Aaron Saxton & Maria Armada. Custom produced and size can be varied for each order from 14" to 56" wide and up to 120" tall. Model shown in 36" wide and 84" tall in "poolside blue". The video shows a set of double doors that highlight the materials coupled with lovely hardware and a smoothness obtained by the quality paint we use. Highest quality construction with the best hinges, woods and hardware that can be used. All hand made in the United States. Shown in the first images in blue is a special version of our door with 12 radial bars rather than the usual 13; the later images show available other options. We build elegant custom interior and exterior passage and entrance doors with a Mid-Century Modern style. Because our doors are individually crafted they can be customized to meet any requirement for use as an interior or exterior door, single or double. They can be produced with all manner of hardware for commercial applications if needed. All sales include pre-hung jambs and units are ready to be installed on-site. Our doors are built superior to any production line series and all are handmade with no two the same. Starburst radial design with solid half inch by quarter inch bar raised over colored door. We offer a background in any color desired or wood including oak, walnut, rosewood etc. and the bars can be produced from either brass, aluminum, colored aluminum or wood (walnut, ash, etc) or Stainless Steel. Price includes the entire assembly with door jamb, weather stripping, threshold, doors, starburst to one side of doors, deadbolt, keyed entry knobs...

This is an old Japanese sliding door with galvanized metal cladding, crafted during the Meiji period (1860s–1900s). A rare surviving example, this piece showcases the ingenuity and a...

SUPERB Antique French Fireplace Mantel Surround ~~Renaissance Revival~~HIGHLY CARVED OAK~~c. 1880s This HANDSOME statement piece will add charm and character to your home or castle~...

Two square high gloss bird's eye maple planters by prominent Italian furniture and product designer Giovanni Offredi and made by Italian furniture house Saporitii in the 1970s. These...

Classic style, round column in wood with black, green faux marble painting. If there is no shipping price listed to your place of residence, please do not hesitate to ask me for a go...