Wood Building and Garden Elements

### Description This impressive antique Spanish door is handcrafted from solid wood and showcases exceptional traditional craftsmanship. Its striking design features eight raised ge...

A Lloyd Loom lounge or deck chair, synonymous with Classic English style, featuring a flowing, squared back of painted woven wicker and wire over a wood frame. Perfect for an indoor...

A square display pedestal from France, late 19th century, coated in plaster as a hand-made finish to mimic the qualities of stone. The top surface is an ideal height for elevating or...

Beautiful handcarved giltwood acanthus leaf ornament that once adorned a chapel . Original period piece that due its high age has a beautiful weathered look. Italy circa 1780/1850 , ...

Beautiful handcarved giltwood floral ornament that once adorned a chapel .Original period piece that due it’s high age has a wonderful weathered look. Italy circa 1780/1850 , weathe...

Beautiful weathered Neoclassical pedestal with its original silver-leaf gilding. Great to use as a display for a small collection or just with some candles. Italy, circa 1780. Weathe...

An infinitely useful square display pedestal from France, 19th century, covered on three sides in meticulously hand-painted faux marble of gently swirled veins blending white and gra...

Designed By Bonne Choice Using Ettore Sottsass Veneer. The veneer created by Ettore Sottsass in the 1980s – utilized for the first time in the Memphis collection – now becomes part ...

A rare and exceptional reclaimed large two part leaded stained glass French Door / Window. Features a large rectangular frame with two 2-part hinged doors with separate operating win...

Ernesto Valabrega for Studio Vittorio Valabrega, decorative fireplace mantel, lacquered wood, plaster, glass, iron, Italy, 1930s This striking decorative fireplace mantel, presumabl...

SUPERB Antique English Fireplace Mantel Surround ~~Renaissance Revival~~HIGHLY CARVED OAK~~c. 1920s-30s This HANDSOME statement piece will add charm and character to your home or ca...

ANTIQUE POTTERY WATER CLOSET/TOILET/LAVATORY A truly stunning and possibly the finest example of a Victorian toilet we have seen, the sought after Simplicitas model from Doulton & ...

2 Vintage reclaimed French painted and fired leadedstained glass windows. Features a Neoclassical botanical garden scene with vinbrant flowers and architecture. Signed E Couet alon...

Unique carved oak Baroque altar niche with its original color and gilding. France, circa 1650-1700. Weathered, small losses Measurement includes the wooden base. H:65cm W:27,5cm D...

Solid and striking, this pair of antique French oak doors once marked the entry to a stately home. Crafted from richly grained oak, the surface bears a warm medium-toned finish that ...

Impressive 16th century Prison Door from Grasse, France. Soundly constructed from in oak and hand forged iron hinges, bolts and lock. Serves perfectly as an entry to a wine cellar ...

A beautifully handcrafted mid-19th century pine garden trug, hand hewn and assembled with traditional wooden peg construction. Rich surface wear, tool marks, and a naturally aged pat...

Nice couple of two small gilded Baroque style wooden ornaments, Italy, circa 1850. Weathered and small losses. Measurement here below of the largest one and includes the wooden base....

Striking double-sided French doors, crafted from solid oak in the 19th century and reclaimed from a historic property in France. Each panel showcases a different character-rich finis...

18th-century French oak wardrobe doors with deeply timeworn character and hand-incised X and diamond motifs across each of the three panels. Layers of original white paint have been ...

Pair of doors coming from an authentic moroccan house. Each door can be opened onto a smaller Moorish-style opening. The side with the Moorish shape was the inside of the house. The...

This southern bar cart would make a great addition to your home. It is made from bamboo wood and features a vintage finish that gives it an authentic look. It has three shelves, the ...

A large Scottish antique 19th Century well figured red Rossa marble fireplace surround in a typical Scottish design. A generous top shelf with a bu...

A beautiful reclaimed 19th-century 2-panel French door that would make a lovely pantry or linen door. The original “French blue” paint, raised panels, and double layers of grooved tr...

An antique French Renaissance Revival mirror crest, meticulously carved from wood and adorned with a rich gilt finish, dating to circa 1890. This finely crafted architectural element...

Argentella is a sophisticated bath set that blends functional excellence with contemporary refinement and gives a distinctive personality to any bathroom. Featuring a soap dispenser,...

Antique French jardinière planter, elegant and finely crafted in richly figured walnut with refined neoclassical influence. The rectangular ...

Black Swan Bench France, 1880 Painted cast iron swan bench with wooden seat and back rest. 78.75”L x 24"d x 35"h x 16" seat Ref. GARD831 $ 17,000

These European antique carved doors are an elegant pair, showcasing classic craftsmanship and historical charm. We recently purchased them from a ...

Stunning Gothic architectural door with strong iron hardware in original frame. This striking and all hand carved door was originally probably part of a church or monastery and the ...

A Japanese antique Kurado, a large, thick iron-plated wooden door for the entrance of Kura (a traditional storehouse), made of solid Keyaki Zelkova. It was manufactured in the 1870s–1900s (Meiji period) based on its style and condition. The front panel is fully covered with iron sheets that have been nailed down, and a warm patina has developed on the black rust. The surface is partly rough with red rust. This piece's distinctive feature is its large door lock plate, which is not commonly found on traditional Kurado pieces. This lock plate shares similarities with the decorative lock plates attached to Tansu furniture...

Our knife beam bench in walnut utilizes salvaged walnut wood logs for a rustic bench. Narrow and backless, the simple lines express the natural texture of the end grain of each species. The 12" x 12" beam is milled and finished to sit raised by a mild steel base with a black patina. The beam bench brings rustic beauty at a variety of lengths. Cracks, knots, saw marks and variation is part of the beauty of these pieces. The wood will continue to move and the finish to patina over time. The knife walnut beam bench makes a cozy coffee table in a den or living room or low table in a mud room or entry hall for flexible use as a place to place packages and bags or to remove shoes. With the oiled finish used on the knife walnut beam bench, we do not recommend putting this bench outside...

A true one of a kind hand made piece, a true conversation piece. Hand carved out of solid pine with no detail spared. If you're looking for a unique piece, something different, to pu...

For your consideration is a Victorian-style hearth whisk broom featuring a hand-forged twisted vine handle. This decorative and functional broom is handcrafted using natural broomco...

A wonderful set of eight French stained glass windows in four doors with bronze handles. The set of eight panels is in stained glass in polychrome glass with shutters, locks, handle ...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Carved wooden Gothic spire, likely an architectural fragment from an ecclesiastical context. Rising from a square base, the structure tapers vertically into a slender spire, emphasiz...

A fine French console jardiniere planter or plant stand table of cherry-wood with original metal liner, featuring a rectangular two-tiered frame with moulded edge, over a paneled top...

Made to order by History Never Repeats LLC. Designed by Aaron Saxton & Maria Armada. Custom produced and size can be varied for each order from 14" to 56" wide and up to 126" tall. Model shown is a starburst design 36" wide and 83" tall. Multiple variations are available and we invite you to review all our listings for doors. Interior doors will be significantly less than the cost of exterior doors and we invite you to write us about your specific needs. The last 3 image show other models we make and are listed on our storefront. Price includes the entire assembly with door jamb, weather stripping, threshold, doors, starburst to one side of doors, keyed entry knobs...

Glistening and glazed ceramic form gold fish bowl or planter comes complete with its original hardwood display stand which perfectly complements this pl...

This mid-nineteenth century artisan-made Chinese birdcage is constructed of wood and wire and features several compartments accessed by sliding doors....

SUPERB Antique French Fireplace Mantel Surround ~~Renaissance Revival~~HIGHLY CARVED OAK~~c. 1880s This HANDSOME statement piece will add charm and character to your home or castle~...

Rare Bronze Antique Fire Bell With Unique Family History And Provenance One of a kind fine bronze "Hansho" fire bell . This rare bell was used by t...

Radial sunburst Entrance Door in walnut made to order by History Never Repeats LLC. Designed by Aaron Saxton and Maria Armada. Custom produced double doors are as shown 86" tall and...

Solid blackened oak backboard with powder coated hoop and chain. Regulation size, though can be made to custom dimensions or with other wood species. Comes with wall mounting bracket...

Modern production and made to order by History Never Repeats LLC. Designed by Aaron Saxton & Maria Armada. Custom produced and size can be varied for each order from 14" to 56" wide ...

Functional 18th century French Napoleon III weight-driven spit jack made of wrought iron, wood and stone. It was used for cooking in a kitchen fireplace...

M. H. Baillie Scott, attributed An exceptional pair of Arts and Crafts exterior sliding doors, forming part of a larger architectural set by attribution to M. H. Baillie Scott. A s...

A charming early 20th Century Arts & Crafts leaded stained glass window panel. Features a geometric center of green ovoids centered and flanked by amber with diamond shapes in the c...

In designing this bench I took cues from sashimono, seeking a outwardly simple aesthetic which gives way to more elaborate detail upon a closer look. In building this bench I utilize...

Introducing an outdoor dining table, a bold statement piece that comfortably seats over 10 guests. This table, inspired by the raw and powerful aesthetic of the Brutalist movement, is crafted entirely from solid teak with unrefined finish in combination with the beauty of the architecture. 110" x 43" x 2" thick teak wood sealed with outdoor exterior...

Oversized Antique French Wagon Wheels– late 18th Century Farm Relic This weathered oak and iron wagon wheel originates from rural France and evokes the craftsmanship and endurance of...

Contemporary outdoor table with modern design and oval shape. The structure is in painted steel and treated with protective advanced coating. comes with a central cylindrical stem an...

Designed after the incredible work of Billy Joe McCarroll and David Gillespe, these doors are designed after the 'Heroic Sunburst' doors, which now...

France / 1880 / Pair of Doors / pine wood / Rustic / French province A beautiful pair of 19th century hand made monastery doors with original hardware we found in France. The doors...

A pair of circa 1900 antique English leaded glass windows inset in wooden frames. Sold individually. Measurements: Height: 88" Width: 38" Depth: 3.5".

A winged lounge chair with a low-profile design from our Hayworth Collection. Benchmade in Los Angeles, its soft curves pair with a sturdy foundation of outdoor wood in this indoor-o...

A pair of tall, thick and huge antique wooden sliding doors covered with tin-coated iron sheet panels. These types of doors were used at the gate / entrance of western-influenced la...

A vintage wicker cane plantstand with tri-pod base/legs, mid-20th century, circa 1960s-1970s. Plantstand has a round funnel-like cane basket supported by a wood frame/tripod base/leg...

Eolie Daybed from Roda is made from Natural Teak with a sun sling in 2 finishes. 2 Cushions included in hydro draining foam technology with a wide choice of colours in the fabrics. ...