Bronze Sculptures

Monumental Paolo Soleri Brutalist Bronze Bell with Cast Aluminum Spine, 1960 A striking and monumental work by Paolo Soleri, this sculptural bronze bell is suspended from a cast alum...

1930s French Art Deco bronze figural sculpture on a black marble base, signed by Alexandre Ouline.

Henry Moore (British, 1898-1986) "Reclining Figure: Stiff Leg" Patinated Bronze Sculpture, 1977, signed "Moore" and numbered edition "3/9". 5.5" H x 10.5" W x 7.25" D. Provenance: P...

ERNEST DUBOIS French, 1863-1931 "Le Pardon" (The Return of the Prodigal Son) Patinated sand-cast bronze Signed Ernest Dubois, foundry cachet for Casa Bellas Artes Avda De Mayo 625 ...

Fletcher Benton Bronze Sculpture, "Folded Circle Zig Zag 1994", Signed. Medium scale Hard-Edge abstract bronze sculpture, mounted on a swivel granite base, by Californian sculptor, F...

A small figural male nude verte green bronze Greek God 'Bacchus' sculpture statue, circa mid-20th century. Bacchus was known as the 'wine' God. Piece is made of sold bronze or brass ...

Mid-century bronze Italian sculpture with black marble warrior on horseback

Figurative sculpture of a man Made of bronze Made in the mid 20th century signed "JCB" Beautiful craftsmanship

Art Deco Carl Kauba Automaton Bronze Nude with Mechanical Cape 1920’s Austria A captivating and rare Art Deco automaton bronze sculpture by Carl Kauba (Austrian, 1865–1922), depicti...

An exceptional late 19th century bronze figure by H. F. Moreau (1832-1917) and P. Lecourtier (1851-1924), 'Hunter with Hounds', depicting a finely dressed French huntsman...

Set of 4 Russian (19th Century) monumental bronze Egyptian figures emblematic of the Months on painted bases after those by C. Cameron & M. Alexandrov for the Egyptian Vestibule at P...

Vintage pair of crane or heron figurines is made of polished brass with sculptural, minimal bodies and abstract round bases. The patterned bases curve ...

A monumental nude sculpture of a femme torso in bronze by Hattakitkosol Somchai, signed, circa 1970. A striking rarity of Somchai’s oeuvre, this piece stands at nearly twenty-six inc...

A nice neoclassical grand tour souvenir of a Nymph giving Pan a drink of water. Nicely cast and mounted on a marble base. Beautiful patina. The piece is well done and in good overall...

Art Deco / Midcentury Silvered Bronze Bust - France 1930´s. Silvered Bronze Head mounted over Onyx Marble. Very nice Sculpture, perfect for a desk or a side table. We have speciali...

Vintage midcentury Asian bronze horse sculpture, Han dynasty flying horse Offered for sale is a striking vintage midcentury bronze horse sculptur...

Extraordinarily powerful and poignant, this sculpture depicts a powerful nude helmeted soldier carrying and pulling his brother to safety after a serious injury on the battlefield. ...

Bonze artwork by Mexican artist Sergio Bustamante, known for his surrealist style. Artists proof, one of a kind with original COA. Please look at pictures for overall condition, whic...

A good Belle Epoche bronze modeled as a young boy beside a large amphora or vase. Stylistically informed by Orientalism and various Revival movements active in Europe at the end of the 19th century. Mounted on a rouge marble base. Base bears a W. Uhlmann signature in the cast for Waldemar Uhlmann and a Gladenbeck...

Presenting a beautiful large vintage Japanese bronzed sculpture of Toba on his Mule. Some might say ‘Monumental’ .. being 34 inches tall ...

This engaging abstract bronze sculpture was created by the Italian artist Franco Zazzeri. The title is "Sfera Stratificata" translated in " Stratified S...

This is a large French Grand Tour bronze sculpture of Pan the Roman fertility God of the forest issued by the "Musee de Naple" , circa 1870 in date. The sculpture features Pan danc...

This statuette is a faithful reproduction of the Ombra della Sera, a hallmark of Etruscan art from the 3rd century BCE, originally cast in Volterra, Italy, and preserved at the Museo...

A wonderful, highly erotic, rather fascinating, and somewhat unique large pair of Indian (India) Kama Sutra bronze sculptural figures (The Kama Sutra is an ancient Indian Sanskrit text on sexuality, eroticism, and emotional fulfillment in life.) Nicely detailed with a gorgeous patina that is only acquired over time. From an estate of a world traveler art and artifacts collector. The sculpture is relatively heavy. Would be a great addition to any Indian/ South East Asian art...

Antique bronze sculpture with beautiful patina, mounted on a black marble base, portraying the seated figure of a young woman in pastoral garb with flowers in her lap, designed by A....

Good quality horse racing desk top bronze circa 1990. Fine example of a mid sized bronze which we used as shop decoration for many years.  Depicts a pair of horses racing at full ga...

Sign: Lorenz Josef (Austria, 1892-1950). Sculptor, known for its dancers. Worked along with Goldscheider in Vienna. Materials: Bronxe and onyx with the original patina We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947). Lorenzl was born on 1 September 1882 in Vienna, Austria and died there on 15 August 1950. Little is known about his early years, but more is known about his later life. Lorenzl started his career working at a foundry at the Vienna Arsenal where he learned the techniques of bronze casting. The Vienna Arsenal was a military storage...

One of the most celebrated figural sculptures of the 20th century, and one of the finest depictions of the male figure from the 1920s and 30s, this extremely rare bronze by Cecil de Blaquiere Howard depicts two boxers, one triumphant and one defeated, in the heat of the match. Each of the two nudes is beautifully captured in a scene that is compact and complex, with the standing figure stepping over and around the fallen figure below. The sculpture is depicting a dramatic moment in the boxing ring, but it is also presenting two male figures at their peak of physical perfection. Howard was born in Canada, brought up in America, and trained under sculptors such as James Fraser...

Stunning Pair 18th C Louis XVI French Bronze Recumbent Sphinx Chenets France, circa 1790  A stunning pair of 18th-century Louis XVI French bronze chenets featuring recumbent sphinxes...

J.C. Marin Bronze "Jeune Femme Couronnée De Fleurs " 19th-Century Wear consistent with age and use Antique - Sculpture - decoration Beautiful patinated bronze test after Joseph Cha...

Ancient Italian Pompeii Grand Tour bronze statue of the narcissus M. Amodio A large patinated bronze sculpture of the ancient Roman hunter Narcissus by Michele Amodio from the late ...

Pair of vintage mid-century modern lifesize sculptures of standing greyhound dogs finely cast in bronze with silver patina. Each approximately 31 by 30 by 9 inches.

Style: Art Deco Material: marble and bronze Country: Italy We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Joseph D...

“Art Deco bronze sculpture ‘La Panthère’ by Maurice Prost, executed circa 1930. The stylized panther, in mid-stride, is cast in patinated bronze and set at...

Stunning six-light pendant with gilt bronze arrows and swan head sculptures. This top quality made, early 1900s chandelier could be the perfect lig...

The magnificent 31 lb bronze Buddha statue, crafted in the Ming dynasty style, captivates with its timeless beauty and serene presence. Depicting a young Shakyamuni, the statue exude...

Place this large bronze bull sculpture in an office or a desk. Crafted in France, circa 1860 and beautifully executed, the patinated bovine...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

For Alexander and many English people the frog and toad live in memory as the wonderful characters of Jeremy Fisher from Beatrix Potter, and Toad of Toad Hall from The Wind in the Wi...

A large and heavy casted bronze cow bell manufactured in Switzerland around 1930. The antique bell features high relief motifs of farm animals, human heads and foliages. The bell com...

Carl KAUBA (1865-1922, Austria): "Salomé" Rare bronze proof with richly nuanced brown patina representing Salomé dancing in an oriental treatment decorated with a loincloth and pa...

Bronze sculpture circa 1925. Crested Tit on an onyx base. Signed on the base: M. Guillemard. In perfect condition. Total height: 44.5 cm Sculpture width: 46.5 cm Base width: 14 cm B...

Designed in 1970; cast edition of 6. Signed Miro 2/6 on the base. Fundició Parellada, Barcelona. LITERATURE: F. Basile, Joan Miró, Bologna, 1997, p. 232 (another proof illustrated i...

Outstanding Benin Oba and his Queen, Lost Wax 'Bronze' Sculptures from the late 20th century Superbly cast and highly decorative contemporary pieces, not historical The centuries ol...

19th century silvered bronze sculpture, Bear with an umbrella, signed Fratin. This exquisite silvered bronze sculpture by Christophe Fratin is a perfect representation of 19th-centur...

Offered is an exceptional antique Benin bronze plaque dating to the 1970s– late 1980s, created in the renowned tradition of the historic Kingdom o...

Wonderful pair of 19th Century Roman Emperor Portrait Busts Representing Marcus Aurelius and Caracalla in Terracotta with Bronze Heads. Italy Naples late 19th / early 20th Century. Life-size busts, the heads cast in bronze with the body of terracotta, modelled with vest without sleeves and toga thrown over one shoulder. Wonderful verdigris patination to the bronze and weathered to the terracotta. Very unusual to have a bronze head coupled with a terracotta body these highly imposing decorative busts are of excellent quality. Depicting the Roman Caesars...

EXCEEDINGLY FINE PAIR OF JAPANESE BRONZE FIGURES OF A HEN AND ROOSTER Japan, Meiji period Each with plaque signed to the underside 秀国作 (Shūkoku saku) Patinated bronze with gilt eyes ...

Fully enamelled and hand-painted shell Features the F.D. monogram A magnificent objet d’art produced in Italy in the purest Art Deco style. This shell is decorated with incredible s...

Initialled: ‘A V’ - this work is likely connected to the famous Roman workshop established by Andrea Valadier (1695 - 1759), with this bronze being cast in the early 19th century. Th...

Rare Gothic revival church crucifix and a wonderful hand crafted work of religious art. Made and marked by Brom, Utrecht (see image 17). Brom of Utrecht was a family (or dynasty) of...

Doris Rucker (German, 1909-1986) "Magische Figur" [Magic Figure] Patinated Bronze Sculpture, 1961, monogrammed and dated to reverse, mounted on grey stone base. 12" H x 3.5" W x 2.75...

Silvered bronze bookends sculptures of a Mermaid and Merman, France, 1900. This enchanting bronze sculpture is the object of many sailors dreams. Silvered bronze sculptures of a merm...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

• Creator: Eugène Lelièvre (French Sculptor, active c. 1890–1910). • Manufacturer: Susse Frères Fondeurs, Paris (Foundry mark present). • Style: Art Nouveau. • Materials: Gilt Bronze...

A fairly large 19th century French bronze statue of the Milo of Croton on a stepped marble base after the original marble statue by sculptor Edme Dumont (1...

A Maasai girl, upon reaching adolescence, undergoes a traditional rite of passage known as "Enkipaata" a ceremony marking her transition into womanhood and preparing her for the resp...

Elegant pair of large heron sculptures cast in patinated bronze with a rich green finish, dating from the 20th century. Each bird is rendered with graceful posture and a high level o...

A fine example from this series of work. The surface of the brass-coated bronze plates show a stunning Patinated irregular surface in rouge reds, gold and Verdi gris green Possibl...

A magnificent 19th century bronze of Ulysses stringing his bow on square base. After Jacques Bousseau (1681-1740). Circa 1830 French Dimensions: H: 35 in / 89 cm W: 11 i...