Bronze Sculptures

A simple and elegant Roman bronze hand mirror, late Republic Period, circa 1st century, Italy. The bronze mirror of simple form. The round face with a pierced border design. The openwork handle...

Pair of French mid-century Greek neoclassical patinated bronze female figures designed as torchieres each measuring 45 1/2 inches tall with polished variegated round marble bases mea...

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre, Paris born, was a member of the school of Animalier painters, active in the late 19th Century. He studied with was born in Paris, France on March 29th 1829. He was an important member of the Animalier school in late 19th century Paris, and the last two years of his career, introduced cast iron as a legitimate material for sculpture. Delabrierre studied art under the painter Eugene Delestre...

A 20th Century British showroom display bronze of the legendary Rolls-Royce mascot which was designed by Charles Sykes R.A, the dark patinated bronze sculpture is set on a shaped mar...

A captivating vintage bronze sculpture by acclaimed Mexican artist Victor Gutierrez, titled "Mujer Sentada" (Seated Woman), executed in 1989 and offered as an Artist's Proof (P/A – P...

A finely cast bronze foot fragment from an ancient Roman statue with a wonderful green patina consummate with age. Provenance from the Mintici collection, Belgium 1970's-1990's.

A classic example of fine, beautifully-crafted Art Deco design, this sculpture depicts a golden, streamlined diver plunging toward a circular pool with stepped-back edges and steps t...

Patinated bronze sculpture representing Joan of Arc in armor, brandishing her sword Sculpture signed Contenot on the base (Henri Daniel) Joan is a young French woman of peasant...

Mathurin Moreau (French, 1822-1912) Patinated Bronze Sculpture of a Seated Woman, late 19th century, the semi-clad figure seated on a rocky outcropping, clutching a bouquet of flower...

This exceptional cast bronze sculpture, inspired by the celebrated work of French artist Antonin Mercié, depicts the iconic biblical moment of David triumphing over Goliath. Rendered...

This superb decorative piece rests on a metal pedestal and reproduces in bronze a detail of the marble sculptural group entitled Laocoon and His Sons...

FRANZ VON STUCK (German, 1863-1928) There is a tension between the Apollonian and Dionysian in Stuck’s work. Nietzsche’s contemporary and a kindred spirit, Stuck valiantly searched f...

Graceful even when standing still the Bronze Eagles in Flight with Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Eagles in Flight ...

This 19th-century French sculpture features a young drummer, captured in a moment of intense focus and energy. Rendered in rich patinas of bronze, the figure is dressed in historical...

Early 1950s - 1960s Austrian Walter Bosse Figurine An elegant early 1950s - 1960s figurine, crafted in Austria and exemplary of mid-century Austrian bronze design. The piece display...

This is a rare and very well done bronze sculpture depicting a cowboy who is standing in the soil and has finally conquered a bucking horse in a rodeo. T...

This wonderful, whimsical, and naughty bronze by the Bergman Foundry is a real joy. Highly detailed casting and meticulously painted bronze has the added feature of a toy, you can p...

These fabulous pop art cast bronze eyeglass sculpture are made by an artist named Manuel Ferreiro from 2005. The title is called "La Mirada" which means the gaze. All hallmarked as s...

A special statue of the Tibetan Bodhisattva Maitreya, the Future Buddha. Depicted sitting on a high lotus throne, wearing a large decorated crown before a flame-shaped mandola and pair of flower posts, long earrings that touch the shoulders and ornate necklace...

A vintage bronze horse which is unsigned. Great quality. Mounted on a wood base. The base has some losses. Bronze is in good condition, with some minor ag...

by Matthew Holleman, 2023 Standard size, 37" L, 33" H 95cm L, 85cm H Brass, Nickel and Bronze options available. This piece is handmade from our Swedish workshop and fully customi...

This antique cow sculpture composition was created in France, circa 1895. Set on an oval base, the bronze sculpture features a standing cow looking at its baby calf suckling milk. Th...

Signed Loet Vanderveen Bronze Antelope Sculpture, Vintage. ***NOTE: Our 1stDibs store is closing soon and items will not be available thereafter.*** This mid-century modern Bushbuc...

A tremendous early 20th century Art Deco bronze group of a strong athletic man holding the leashes of four powerful hounds as they strain to be released. The bronze exhibiting a rich green patinated surface with excellent hand finished surface detail, signed ?Kelety ?and numbered '10' Alexandre Kéléty...

This exceptional Art Deco bronze sculpture represents Penthesilia, Queen of the Amazons, created by renowned French sculptor Marcel André Bouraine (1886–1948). Cast by the prestigiou...

Extraordinarily powerful, and very rare, this large bronze sculpture of a nude male figure by Arthur Dupagne shows him stretching and straining upwards,...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Italian classical bronze sculpture of the Dancing Faun of Pompeii. Fauns were an example of spirits of untamed woodland, often connected to Pan...

One of a kind bronze sculpture by Abel Reis " enlacement" one of a kind bronze sculpture numbered 1/1 signed dated 1998.  

Pair of bookends in bonze, made in Denmark. Great original condition.

An original French Art Deco bronze sculpture of a nude dancer with a veil by Armand Lemo 1881-1936 An exceptional and rare French Art Deco statue showcasing a polychrome figure of...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

A striking Chinese bronze incense burner rendered in an archaistic style, inspired by the powerful ritual bronzes of ancient China. The vessel stands on four dramatic clawed feet, gi...

Lot of three ornately cast and cold-painted antique Austrian bronze miniatures of whimsical cats. These highly detailed sculptures date from circa 1900-1920. Approximate dimensions of figurines: (L/W/H) Cat Porter/Bell Hop...

After the antique, his helmet decorated with centaurs and panthers. In Homer’s Illiad, he is described as a hero of colossal frame who was trained by the...

Black coral sea fan embellished with green tourmaline mounted on a 19th-Century French bronze doré fragment. This is a lovely objet d'art to add to your collection or cabinet. Durin...

Brutalist style bronze figure holding a small heart in his hand.

Art Deco Bronze Sculpture of a Gymnast D.H. Chiparus, on Onyx Base Elegant Art Deco bronze sculpture depicting a gymnast in motion, signed Demétre H. Chiparus, one of the most renow...

19th Century Bronze Figure of the Greek Poetess Sappho after James Pradier (1790-1852)/Cast by Susse Frères A 19th century bronze figure of the Greek poetess Sappho, seated on a lo...

Classic 1910s Vienna bronze figurine, expertly crafted and beautifully detailed in the tradition of Austrian cold-painted bronzes. This charming polychromed bronze sculpture showcase...

Classic 1910s Vienna bronze figurine, expertly crafted and beautifully detailed in the tradition of Austrian cold-painted bronzes. This charming polychromed bronze sculpture showcase...

Classic 1910s Vienna bronze figurine, expertly crafted and beautifully detailed in the tradition of Austrian cold-painted bronzes. This charming polychromed bronze sculpture showcase...

Art Deco Bronze Capricorn Motif Vide Poche by Max Le Verrier Bronze vide poche by Max Le Verrier. The symbols are absolutely beautiful, they represent the Capricorn zodiac motif or ...

An untitled bronze sculpture depicting a horse and greyhound. Beautiful bronze work, standing on realistic base, signed on the back of the base: J. Moigniez (French 1835-1894). This ...

Antique Figural French Bronze Spinario Boy With Thorn 10.5" Sculpture. Circa Late 19th Century. Measurements: 10.5" H x 7.5" W x 8.5" D.

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Sourced from a French collector.

An exquisite early 20th Century Art Deco gilt and enamel painted bronze of an erotic dancer from the Paris Dance Halls posing with a hoop. The sculpture with fine colour and excelle...

Accessorize a man's office or desk with this elegant antique bronze figure. Crafted in France circa 1895, the large sculpture features a pheasant with long tail standing on rocky grounds; the artwork is signed on the base by French artist J. E. Masson. The bird's head is lifted in full attention, with right foot forward in a walking position. The bird figure is in excellent condition, commensurate with age and use, and adorns a beautiful and rich two tone patinated bronze finish. Jules Edmond Masson (1871-1932) was born in Paris in 1871. He was the son of Clovis Masson, who was also a renowned sculptor and a pupil of Barye. J.E. Masson specialized in depictions of animals, as well as equestrian monuments...

A French Patinated Bronze Bust of Jesus Christ, Circa 1858, Signed J. Clesinger, Rome 1858 & F. Barbedienne Fondeur This French bronze bust of Jesus Christ, crafted circa 1858, stan...

PAIR OF BRONZE KOI SCULPTURES Probably American, circa 1960s 23 3/8" H x 14" D x 21" W A pair of large bronze koi sculptures, each modeled with mouths agape and tails curled beneat...

This is a striking large antique gilt bronze figural sculpture titled "The Water Carrier" (L'acquaiolo) by Vincenzo Gemito, (Italian 1852-1929), dating from Circa 1880. The bronze i...

Bronze Equestrian Sculpture of a Jockey After Isidore Jules Bonheur Description Bronze equestrian sculpture depicting a jockey mounted on a walking horse, after the model by Isidore...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

An exception French Art Deco Bronze Statue of Pheasant on Marble Base, circa 1920s. Features the flamboyant bird in a more relaxed mood, ...

Joaquim Anglés Cané (1859-1911), a Spanish sculptor. "Un Philosophe". Large bronze sculpture in solid bronze. Late 19th century. Beautiful patina. Marked with the foundry stamp, art...

Classic mid-century 1950s Vienna bronze figurine by Walter Bosse. Found at an estate sale in Vienna, Austria.

Khadim Diop, the Senegalese artist renowned for his bronze sculptures that adorn many private collections worldwide, has crafted two captivating and expressive pieces that showcase his mastery of the medium, a rare find in the market outside Africa! The first sculpture portrays a dynamic figure playing the Djembe drum...

Classic early 20th century Austrian signet, Engraved with AK initials. Nice addition to your desktop or just for your collection of Austrian bronze miniatures. Found at an estate sal...

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Classic early 1950s Austrian Bosse cat Figurine Collectible. Nice addition to your room or just for your collection of Austrian bronze items. Found at an estate sale in Vienna, Austr...