Bronze Sculptures

Maurice Bouval (French 1863 - 1916), Patinated Bronze Figure Of An Art Nouveau Woman Bronze on Marble Plinth.

“Liggend (Reclining)” by Kyle Smith, Bronze Nude with Ponytail, Edition 2 of 9, 1999 Signed, Dated, and Numbered Dimensions: 7” W × 3.5” D × 3.5” H Patina: Dark Engraved Verdigris ...

Antoine Louis Barye Theseus Slaying the Centaur Bienor Black Patinated Bronze Group. A French bronze group entitled 'Thesee combattant le centaure Bienor, esquisse' (Theseus slaying...

Antique sculpture signed by Auguste Cain 1821-1894. Auguste-Nicolas Caïn (born November 10, 1821 in Paris; † August 6, 1894) was a French animal sculptor and medalist. Title of bronze work: "le Chant Du Coq." This model is illustrated in the literature: Pierre Kjellberg...

French bronze sculpture of Cupid after Auguste Moreau (1834-1917)

Bronze sculpture of a cat by Louis Riché, early 20th century. An early 20th century Napoleon III style bronze sculpture of a cat by Louis Riché. H: 26cm, W: 45cm, D: 13cm Please co...

Well casted, heavy bronze, Buddha riding three headed elephant sculpture, circa 1960s. The piece depicts Indra, Hindu deity (god of rain and thunder), riding a three-headed elephant ...

A large and heavy solid Bronze Ashtray in the shape of a Crab. This piece is a compliment as a decorative piece and also has a hinged top to be used as an ashtray for your perfect sm...

ISIDORE JULES BONHEUR French, 1827-1901 "Mare and her Foal" Sand-cast nuanced medium-brown patinated bronze Signed in cast "I. BONHEUR" and cold-stamped PEYROL verso Cast circa 187...

A vintage Art Deco Style French polar bear sculpture made of hand crafted patinated bronze, designed and produced by Pierre Chenet in good condition. The deta...

Jan De Swart (1908-1987) mixed metals abstract sculpture consisting of aluminum, bronze and brass on a wooden base. Using a wax casting method De Swart used branches and other elemen...

A nicely cast bronze Neoclassical Grand Tour souvenir of the Herculaneum Athlete or Runner. It’s nicely done with fine detail and has a Panama Pacific Exposition label on the base, w...

A unique Anne Van Kleeck bronze, table top sculpture of abstracted figures, dancers perhaps. From the artist's estate. A note about the artist: Anne Van Kleeck was primarily known for her works in cast bronze and ceramics. She attended Ohio Wesleyan University (B.A.) and Ohio State University (M.A.) and spent several years as a professor of art in Ohio and Florida. In 1957, Anne traveled to Venice, Italy to study bronze and lost wax casting, beaten iron and mosaic techniques. During that stay she employed an Italian foundry expert and together they established a small foundry on the island of Murano where they cast bronzes for her one woman show in Venice. Van Kleecks work has won multiple awards and is owned worldwide by private collectors and museums, including the Metropolitan Museum and MOMA in New York. She was contemporaries of and exhibited with Ruth Asawa, Gary Knox Bennett...

The Walking Panther statue is a bronze sculpture in the style of Rembrandt Bugatti. This panther statue captures the fluid motion and latent power of the big cat, with a striking tur...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Art Deco bronze sculpture male torso. Bronze, dark green patina on a Portor marble base. France 1930.

Sculpture Gorilla Kong all in solid bronze. Limited edition of 8 pieces, numerated 8/8. By Richard Orlinski. Exceptional piece.

Bronze Roaring Tiger with Terrifying Eyes by TSUNEMITSU, Japan, Meiji Period (1868-1912). This magnificent bronze sculpture of a roaring tiger, created by Japanese artist Tsunemitsu...

Magnificent bronze sculpture, with a visible signature on the base. The work depicts a standing male nude in an upright and dynamic posture, with one hand raised to his forehead, evo...

ANTOINE-LOUIS BARYE French, 1796-1875 "Panthère Saissant un Cerf" (Panther Seizing a Stag, on a terrace with profiles) Sand-cast bronze with verde autumnal patination Signed in bas...

Stunning bronze sculpture envisioned and executed in Puerto Vallarta, Mexico by the listed sculptor, Victor Salmones. This limited edition Bronze Sculpture is titled "La Cuerda Floj...

Small bronze sculpture of a greyhound with a green patina. The dog is depicted in a calm, attentive pose, with finely rendered, anatomical detail. Signed Fratin on the base. A charac...

Victor Gutierrez (Mexican, born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

Elegant Art Deco Panther sculpture by Secondo from France circa 1930. Beautiful green patinated bronze with carvings that create the illusion of fur. Standing on a rectangular green...

Graceful even when standing still the Bronze Horse on Marble Base is a striking addition to any setting. Using traditional lost wax casting meth...

An August Moreau bronze table sculpture. This lovely art nouveau table sculpture features a full cast bronze construction, sitting atop a beautiful tapered marble base. This vase dep...

Antique French Art Deco Bronze Vide Poche or Catch All signed Loys, Max Le Verrier Style Bronze Vide Poche Bronze vide poche in the manner of Max Le Verrier pieces. This charmin...

Antique Pair of Matching Solid Gilt Bronze Female Winged Griffins Sphinx, Greek Egyptian Harpies, each holding a shield with wing torch, Harpies can refer to figures in Greek mythol...

A fantastic large fifteen inch tall Benin patinated bronze head from an estate sale in Phoenixville. Weighs approximately 10 pounds.

The Rattlesnake, a cast bronze sculpture after American artist Frederic Remington on marble base. Filled with a tremendous dramatic tension, this bronze sculpture depicts a scene fro...

Very large mid-century period bronze sculpture of a parrot perched on tree branch after after Jules Moigniez (1835-1894), measuring 53 by 24 by 12 inches. Apparently unsigned.

A unique, bronze sculpture of a man with outstretched hand, with timeless, Prehistoric feel by Anne Van Kleeck. From the artist's estate. A note about the artist: Anne Van Kleeck was primarily known for her works in cast bronze and ceramics. She attended Ohio Wesleyan University (B.A.) and Ohio State University (M.A.) and spent several years as a professor of art in Ohio and Florida. In 1957, Anne traveled to Venice, Italy to study bronze and lost wax casting, beaten iron and mosaic techniques. During that stay she employed an Italian foundry expert and together they established a small foundry on the island of Murano where they cast bronzes for her one woman show in Venice. Van Kleecks work has won multiple awards and is owned worldwide by private collectors and museums, including the Metropolitan Museum and MOMA in New York. She was contemporaries of and exhibited with Ruth Asawa, Gary Knox Bennett...

Bronze abstract sculpture by Bob Bennett (1928-2003) who worked with his twin brother Tom. They started with wire sculpture later to work with bronze casting and in time opened a num...

Pair of Antique Clodion Bronze Cherub Musician Sculptures Signed C1880 Measures - 13.5"H x 5.25"W x 5.25"D

Bronze sculpture by Dutch sculptor Rob Cerneüs (1943-2021) Figurine depicting a woman with flowing garments. Signature on base.

This is a great looking bronze abstract sculpture by Robbie Robins on a moveable black plynth 20 th century

A wonderful example of a hollow-cast bronze crocodile skull. This piece features wonderful detail and resemblance to a real specimen. An exotic piece certain to invoke conversation. ...

An early 'Bibendum Protégé' Car mascot - Hood Ornament, French, circa 1910, Nickel-plated bronze figure of a 'slim' Mr. Bibendum, mounted on wooden black base. Perfect for any Classi...

This is a captivating bronze sculpture of a horse, a collaborative work by the renowned Spanish sculptor Miguel Berrocal (1933-2006) and the esteemed Italian painter and sculptor Bru...

Édouard-Paul Delabrierre (French, 1829–1912), Hind (Deer) Beside a Stump — Fire-Gilt Bronze on White Marble, early 20th century A crisply chased, fire-gilt bronze study of a doe step...

Fine original early 1900s cast bronze Rabbit with a Gold Ormolu finish by Edouard-Marcel Sandoz. Sandoz is well known for his animal sculptures. He apprenticed under the sculptor Ant...

Austrian Diminutive Bronze Statuette of Napoleon Bonaparte Signed KAUBA. 19th century Austrian bronze statuette of the French Emperor Napoleon Bonaparte. It was created in the works...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the black patina. Each bronze is hand crafted in France and is signed. Can be used as vas...

Bronze with brown patina of a nude woman, standing, putting up her hair. Wear and tear on the patina. circa 1900 Height 56.5cm. 20 x 15cm.

Superb movement for this bronze sculpture by J Duval Brasseur. The elegant curved lines and the shape of the base give a strong feeling of this flying eagle. Very unique piece by th...

Whimsical set of four bronze frogs comprising a jazz band. Finished in a verdigris patina. Made by Maitland Smith.

This abstract bronze sculpture is a captivating exploration of form and space, combining organic curves with geometric precision. The composition features a dynamic, asymmetrical sha...

Antoine-Louis Barye (French, 1796-1875) "Guerrier du Caucase" cast bronze sculpture depicting a Caucasian warrior in full armor rendered in fine detail riding on his horse. Cast ci...

Graceful even when standing still the Bronze Sphinx Candle Holder on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Sphinx statue...

This sculpture features a bold, ritualistic silhouette—a flared, altar-like base supporting a vertical shaft capped by a voluptuous, continuous loop handle. The surface is enriched w...

This whimsical little bronze shows 2 young children on a sled riding down a hill of snow and with one youngster waving to us. The bronze is finished in gilt and the sled is mounted on carved marble. That is marble, not alabaster, and if you ever tried to dig your thumb nail into marble vs. alabaster you will see how much harder that stone is comparatively. The bronze is signed by the noted German artist Paul Ludwig Kowalczewski...

Brazilian modern bronze snake sculpture, 1960s.

William Bowie was a prominent sculptor of the American Mid-Century Modern period. A contemporary of Harry Bertoia, Curtis Jere and Bruce Freidle, Bowie is considered a founding figur...

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in Franc...

I love this Japanese okimono ! It is a painted bronze persimmons with a perched bird. These were symbols of good luck and prosperity in Japan. This type of bronze craftsmanship was p...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

Mid-Century Modern Figurative Nude Bronze Sculpture. This small bronze depicts a surrealistic version of two nude figures in dance movement. It was probably created as a study for a...

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Fearsome even when standing still the Bronze Bear on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Bear statue...

Sculpture bull bronze all in patinated solid bronze, lost wax bronze technic.