Bronze Sculptures

Our Magnificent Art Deco Edouard Marcel Sandoz silver bronze, Rabbit is in Beautiful conditions! it has a marble base and it is signed on the base Ed. M. Sandoz and Susse Freres Pari...

THIS ITEM CAN BE PICKED UP FROM EITHER PARIS OR LONDON AND WE OFFER FREE DELIVERY TO PARIS OR LONDON. Aristide Patsoglou’s Reconciliations is a striking bronze sculpture that captur...

This is a dashing, collectible antique pair of Marly horses. A French, bronze equine statue in the manner of Guillaume Coustou (1677-1746), dating to the late 19th century, circa 1900. Excellent representations of the famous Marly horses, on display in the Louvre Each displaying a desirable aged patina, pleasingly natural finish Appreciably heavy bronze in very good original condition Weighing 7.74kg and 7.70kg respectively (approximately 17lb each) Two horses rear up as their grooms struggle to contain their inherent power The majesty of each horse resplendent with their sense of dynamism Defined, muscular haunches beneath detailed horse tack Further embellished with flowing manes and swishing tails Each groom with a look of surprise and fear at the ensuing situation Representative miniature leather reigns unite them with the animal The originals commissioned by King Louis XV, for the gardens of the Chateau de Marly Standing upon a detailed base and bearing the signature of the original sculptural artist Coustou This is a striking and eternally collectible antique pair of Marly horses. Considered a masterpiece of French sculpture, the large marble originals skilfully represented here in quality, heavy bronze. With the originals displayed in the Musee de Louvre...

Belle Époque austrian/viennese group of cold-painted small bronze sculptures of band/musician frogs By: unknown Material: bronze, paint, copper, metal Technique: cast, cold-painted, hand-painted, molded, painted, metalwork Dimensions: 1 in x 1 in x 1.5 in Date: late 19th century, circa 1890 Style: Belle Époque, Jugendstil, Art Nouveau, Vienna Secession, Arts and Crafts Place of origin: Austria This late 19th century austrian bronze sculpture depicts a band of diminutive, hand-painted frog musicians...

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

In this listing you will find a rare Mid Century Modern bronze sculpture of a large flamingo manufactured by Gilde Handwerk. Made in West Germany in 1960s. Very good vintage condit...

Vintage "Panther" in patinated and sculpted bronze. 1970s

French Art Deco bronze figure of nude female dancer on a square black marble base (attr: Marie-Louise Simard)

An exquisite Thai cast bronze Buddha head, Sukhothai kingdom, circa 15th century, Thailand. The Buddha's pleasing face, with its narrow, oval ...

Austrian Erotic Bronze Nymph & Satyr, Style of Bergman Austria, circa 1900s A well executed two piece bronze, that presents the naked female figure f...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

This Orientalist bronze was done by Franz Bergman and does bear his signature. Meticulously cold painted and highly detailed make this one of his best examples. The camel and the boy...

Modernist bronze sculpture by St. Louis artist Mary Bolte circa 1950s Abstract depiction of two figures in lacquered solid bronze mounted to a wood base Signed and numbered 18/100 8...

ANTOINE-LOUIS BARYE French, 1796-1875 "Dromadaire Monté par un Arabe" Nuanced green and black patinated bronze signed in base "BARYE" cold-stamped foundr...

Pair of Large Silverplated Bronze Pheasant Table Ornaments/Sculptures Italy, Circa 1960s A striking pair of large silver-plated bronze pheasant table ornaments or sculptures, mad...

20th century Bronze whippet sculpture. Beautifully executed Hollywood Regency bronze whippet or greyhound statue or figure from the Mid-20t...

French bronze sculpture of Cupid after Auguste Moreau (1834-1917)

NIKOLAI LIEBERICH [after] Russian, 1828-1883 A Resting Bear Sand-cast patinated bronze with concrete core signed in Cyrillic to the underside (editeur ...

This striking vintage bronze rooster sculpture is a fine example of African tribal artistry, originating from the cultural regions of Ife and Benin in Nigeria. Crafted with a primiti...

FRANZ VON STUCK (German, 1863-1928) There is a tension between the Apollonian and Dionysian in Stuck’s work. Nietzsche’s contemporary and a kindred spirit, Stuck valiantly searched f...

MEIJI PERIOD BRONZE OKIMONO OF ELEPHANT BEING ATTACKED BY TWO TIGERS Workshop of Omori Mitsumoto (kôgen), 大森光元, Japan, circa 1900 Cast and patinated bronze, hardwood base, two carve...

A traditional gilt bronze sculpture by Emmanuel Frémiet standing on a marble base, portraying St. Hubert riding a horse while he shows a flag depicting Jesus crucified, symbolizing h...

A bronze egg displayed on a brass stand. Designed and made by Illums Bolighus in Copenhagen, Denmark circa 1960. The egg is hollow and rather light. Markings to the base reads: Illum...

Baccarat Style French Crystal Gilt and Patinated Bronze Floral Topiary Cachepot, France, Circa 1960s  An exuberant Baccarat-style French crystal gilt and patinated bronze floral top...

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...

Bofill silvered bronze owl - Hibou Desk Paperweight / Car Mascot / Hood Ornament. France 1910-15. Silver plated bronze, signed. Excellent original conditions. HIBOU Par Antoine ...

Art deco bronze sculpture athlete with bow, archer. By Pierre Le Faguays. Bronze with green patina on Portor marble base. France 1930. Signed and with foundry mark Les Neveux de Lehm...

Bronze bust of Salvator Rosa, an Italian Baroque painter, poet and printmaker, known for romanticized landscapes and historical paintings. The well cast bronze bust with a fine deep ...

Hagenauer Bronze & Wooden Dress Sculpture Dancer Wiener Werkstatte, Josephine Baker. Very rare Art Deco 1920´s Josephine Baker dancer sculpture. Silvered bronze and black polished wo...

Gorgeous art nouveau "Shy Girl" bronze by Georges Van der Straeten for Société des Bronzes de Paris, circa 1900s. The bust has wonderful detail and is in very good vintage condition ...

Beautiful antique bookends signed by the french artist "Franjou". Zinc Cast on a marble base.

An interesting and unusual Egyptian bronze seated figure portraying the youthful god Harpokrates (Horus the child). The figure sits unclothed with legs bent and both arms resting by his sides. His face is indistinctly molded with a wide nose and with a sidelock of hair. He wears a Pschent crown. The figure, which is removable, has a later carved and fitted oak throne. The figure has an all over black patina. The figure does have some antique age although may be an Egyptian revival piece and would benefit from further research. We are therefore offering this as a later example and priced accordingly. Harpokrates was one of the most popular deities in the Egyptian pantheon. He was the offspring...

Bronze Incense Burner by Henry Wilson Dimensions: D 6 x H 5 cm Materials: Bronze The Incense Burner was initially designed for Perfumer H. The p...

1920´s Art Deco polo match bronze sculpture. Scene of two polo players on their horses. Made of Silvered Bronze mounted of a Italian Portoro marble base...

Elegant Bronze Sculpture Showing a Hoop Dancer Original Patina 1978 A beautiful sculpture in bronze with original patina showing a figure of a hoop dancer performing a very flexible ...

Large, extremely rare and highly sensuous, this Art Deco bronze sculpture shows a nude male figure, kneeling on his right leg and bracing himself on his left, arching his bow in read...

Bronze sculpture with brown patina by Mathurin Moreau, 19th century, Napoleon III period. Bronze sculpture with brown patina by Mathurin Moreau, 19th century, Napoleon III period. H...

PIERRE-JULES MÊNEFrench, 1810-1879"Chien braque à la feuille"Medium-brown patinated sand-cast bronze raised edge signature cast into base "P.J. MÊNE" pr...

French bronze retiary sculpture by Edmé-Anthony-Paul NOEL, known as Tony Noël, France, ca.1875. Height : 21.85"(55.5cm), Width : 19.5"(49.6cm), Depth : 10.6"(27cm). Signed "Tony Noël...

A captivating early 20th Century cold painted Austrian bronze study of a walking lizard with excellent cold painted colour and very fine hand finished surface detail, signed with th...

Monumental Chandelier Hand-Crafted by Architect Paolo Soleri,Brutalist Design. Bronze Cast from the Arcosanti foundry Yavapai County, Arizona 19...

A fine cabinet-sized bronze bust of a beauty. After Emmanuel Villanis, French (1858 - 1914). Entitled 'Farfalla' Depicting a beautiful woman with raised hair, bare shoulders, and...

An unusual bronze sculpture by noted Tampa FL sculptor Jerry Meatyard, made in 1978 and titles "Hydra". Mounts on the wall and measures approximate 13.5" H, 7" W, 4" D. Very heavy wi...

A pair of beautiful bronze statues of Avalokiteshvara. The Bodhisattvas are seated in lalitasana, the "royal ease", with one of their feet supported on a lo...

Marble mantel clock with bronze figurines. Mantel clock with Garnitures Bronze bird sculptures by Maurice Frecourt, signed Original ...

The 1st century AD marble original of this bronze is now in the Vatican. That marble was excavated in 1865 near the Villa of Livia in the Prima Porta hills outside of Rome but there ...

Cast bronze with gold wash.

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

Rare and possibly unique bronze bust crafted in 1925 by renowned Danish sculptor and author Sofus J. Nervil (1874-1941). This piece exemplifies the elegance of Danish Art Deco, refle...

An early 20th century Art Deco bronze sculpture by Josef Lorenzl of a nude dancer in an elegant pose. Set over original onyx base and signed to bronze. Dimensions: H 33cm W 9cm D ...

Angel Botello sculpture "Denise". Made with bronze. Very decorative. Signed and numbered 6/6. Certificate. Circa 1970, Spain Angle Botello was born in 1913 in the small town of...

An Exceptionally Stylish Pair of Patinated Bronze seated Cats, modelled in the Art Deco Style, after a model by Swiss animalier sculptor and painter Eduard Douard Marcel 1881-1971 ...

Étienne-Maurice Falconet (1716-1791), "The Bather" or "The Nymph Bathing" (1757) Artistic Explanation: The Nymph Bathing is a masterpiece of 18th-century French sculpture, created...

A Fine French Gilt Bronze Study of Two German Shepherd Dogs by Louis Riche This impressive bronze is finely detailed. It portrays two w...

1929 - Mr. Zajac is a California based artist. He is known for large bronze rams horns and skulls in abstract forms. This piece is from a series called 'Resurrections'. Cast Bronze o...

Dancer by Demétre Chiparus 1886 - 1947 Large chrysoelephantine sculpture in gilt bronze Marble base. Signed "D. H. Chiparus". Measures: 36 cms. with base and 28cm alt. total and 19 c...

The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each piece is handmade and hand patinated so there is always a sl...

19th Century French bronze statue of cupid captures the mischievous cherub just after letting his arrow fly. The classic pose inspired by ancient Greek and Roman statuary...