Bronze Sculptures

Mussolini Portrait is an artwork realized by Aurelio Mistruzzi in 1930s. The artwork is a bronze plate depicting the portrait of Benito Mussolini.

ABOUT A pair of original bronze clad dog bookends with original felt on the bottom. Designed and stamped Paul Herzel. Both bookends are in good condition and have retained their fin...

A large patinated bronze sculpture "Salome" by Charles Octave Levy . Modeled in the orientalist style holding a sword in her hands, standing on a shaped plinth. Beautifully cast and ...

19th Century Italian large Bronze Statue by Ettore Ximines Ettore Ximines, Italy, 1855 (Palermo)-1926 (Rome) Man carrying woman on shoulderIn fabulous condition The patina of the s...

Standing figure of nude pan playing pipes. After the antique.

This very colorful and exotic bronze is typical of the work of Franz Bergmann. While it does not bear his foundry mark, it has all the ear marks of his work. The subject, the qualit...

This Stunning Bronze and Marble Roman Soldier on Chariot with Horses is a magnificent representation of ancient Roman history captured in exquisite detail. The sculpture showcases a ...

Patinated bronze sculpture of Icarus, marble base, Art Deco style, 21st century. Sculpture of Icarus in patinated bronze, marble base, Art Deco style, 21st century. h: 47.5cm, w: 26...

Victor Gutierrez (Mexican, Born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

This is a striking large antique gilt bronze figural sculpture titled "The Water Carrier" (L'acquaiolo) by Vincenzo Gemito, (Italian 1852-1929), dating from Circa 1880. The bronze i...

Garniture of bronze figures, depicting a scene of hunters with an elephant with a dead tiger strapped securely on top of it, accompanied with one hunter and another at his side with ...

Tibetan bronze standing gilt bronze buddha offering protection China, 20th century A fine example, the Buddha standing on lotus base with the "no fear" abhaya mudra, the figure is ...

Late 19th Century Pair of beautifully cast bronze figures of Creugas and Damoxenos. They were two Greek wrestlers who fought in the 2nd century that ended in a tie. Great pieces to...

We are delighted to offer for sale this stunning and very rare early 19th century solid bronze with marble base Grand Tour model of the Arc De Triomph by the world renown French company of LeBlanc Freres...

- The bust in in good condition - Wonderful details on face.

ANDRÉ-VINCENT BECQUEREL silvered bronze circa 1930. 7 swallows on a weather vane mounted on a surfine black marble base from Belgium. Note 2 small chips on the marble . Total height...

Bronze, Ed. 5 H53 X W55 X D46 cm

Art Deco gilt bronze sculpture of the 'Theban Dancer' by CJR Colinet French, circa 1925 Measures: Height 55cm, width 59cm, depth 23cm The important Fr...

A late 19th century bronze sculpture by Emmanuel Fremiet depicting Prince Royal Louis 1st Duke of Orléans. A later cast of the original sculpture erected in the courtyard of the Chât...

Bronze sculpture of a Gaulish chief, signed FREMIET. Bronze sculpture signed FREMIET, representing a Gaulish chief, 19th century, Napoleon III period. H: 37cm, W: 26cm, D: 8,5cm

Elegant pair of large heron sculptures cast in patinated bronze with a rich green finish, dating from the 20th century. Each bird is rendered with graceful posture and a high level o...

Large and remarkable, alabaster and brass elephant sculptures pendant light. This rare and remarkable, 8-light chandelier was made in the European Art Deco era (around 1920-1930) an...

A lovely bronze animal sculpture. This charming bronze sculpture depicts a characterful terrier, most likely a Scottish Terrier, captured in an alert and proud stance. Crafted in the...

Antique (late 19th century) patinated bronze bust of a lovely female after the original model by the French master, Etienne Henri Dumaige, mounted on light blue marble plinth. 25 by...

This elegant cast bronze deer statue showcases timeless craftsmanship and serene beauty. Rendered in solid bronze, the sculpture features a graceful posture and finely balanced propo...

We buy many Vienna bronzes by the Bergman foundry. They do capture our imagination. We can safely say that this one is most unusual and whimsical. It's not the children that is part...

Pair bronze greyhound dogs in the art deco style Very well cast, wonderful patina to the bronze and of course being bronze these can live outside with no fear of rusting The artist h...

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

19th century antique bird paperweight/hunting trophy in chased and patinated bronze on a gold marble base. Signed HINGRE (Louis Théophile Hingre...

Important Sculpture "Saint George in Bronze" Bernt Notke ( 1440 – before May 1509) sculpture from the 18th/early 19th century. 75*47*h 83cm good condition Bernt Notke Bernt Notke ...

Art Deco Jacques Cartier horse bookends bronze sculpture. c 1925 France. A stunning pair of art deco stylized bookends. Silvered plated bronze Art Deco h...

Pair of bronze sculptures of cats from the Art Deco period in France. Each showcases Egyptian stylization which was popular during the Art Deco period. They showcase the original pat...

Incredible J A Houdon model bronze 1790 representing "Diane" with bow and arrow by Barbedienne founder.

A cast bronze Impala skull, this accent piece has been patinated and then burnished to bring out each unique nuance in the material and skull. This decor...

Solid bronze sculpture. This piece features the female form. A beautiful display piece for a shelf or paperweight. Signed G. Shaw. Dimensions 2.5" width x 1.25" depth x 4.25" height...

A Large and Important Multi-Patinated Bronze Figure of an Arab Warrior by Henri Honoré Plé. Signed Henri Plé to the base. The figure is finely modelled as an Arab warrior, with sw...

Bronze crabe Padua, 18th century bronze 2 x 10 x 7 cm (One of the crab’s legs is missing its end) This finely cast bronze sculpture of a crab reflects the enduring interest in natur...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly s...

Great cast bronze elephant sculpture mounted on a marble base. Elephant has wonderful details and appears the tusks were replaced over time. Base has one tiny edge chip. Elephant has...

This exquisite mid-20th century gilt bronze sculpture by the renowned artist Decoury Taylor is a striking example of masterful craftsmanship and artistic expression. The composition features three intricately detailed gilt bronze fish...

Cast bronze woman bust "Bohême Orientale" signed R. Colombo, Paris, 1884. (Renzo Colombo 1856-1885). Bronze plaque at front "Bohême Orientale par Colombo".

Elegant and simplistically constructed desk ornament or paperweight in bronze. The obelisk can be perceived as a phallic symbol, a creating force or even a symbol of the sun. Its cle...

1960s Curtis Jere 3 Birds In Flight Sculpture On Stone Base with Label Lobster shown on wire net that completes the nautical sculpture

This cold painted Austrian bronze dates from the late 19th century and is extremely detailed. The figure is signed, or titled on one edge of the carpet, but we could not determine th...

This famous statue always brings a smile, as a young boy with hands in pockets is whistling and is titled "Mousse Siffleur". Nicely cast, and signed by the Polish artist Victor Szcze...

Grand Tour 19th century bronze sculpture of Narcissus after the original found in 1862 at Pompeii. When first found in Pompeii it was identified as Narcissus. Years later it was identified as Dionysus. Mounted as a lamp. Early 20th century. Beautiful marble finial.

This exquisite mid-nineteenth century sculpture features a nude woman in silvered bronze with parcel gilt accents. The female figure embodies grace and allure, reminiscent of the god...

Laila Pullinen, sculpture/medal, bronze, signed LP, numbered 3898. "The three faces of misery", 9,5 x 9,5 x 9,5 cm.

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A delightful pair of patinated bronze statuettes, originally candelabra, after Clodion (Claude Michel Clodion 1738 – 1814), depicting a young satyr and satyress. Mounted on truncated columns of fluted white marble, and marked with the Clodion signature (of questionable authenticity) these figurines now show no trace of the original candelabra screw fixtures. The original models for these figurines are attributed to Clodion (for the young satyr) and to Louis Felix de la Rue...

Beautiful antique bronze tazza, a bowl on a high foot. The bowl is decorated with graceful flowers and dates from the late 19th century. Multicolored patina. The bowl is signed Oudry, a well-known French designer of bronze statues and ornamental objects. The tazza is of a very fine quality and in good condition. L. Oudry & Cie stands for Leopold Oudry...

This miniature cast bronze architectural desk thermometer sculpture of a European monument dates to the 19th century to commemorate one of the Grand T...

Made in Italy, the work of one of the most renowned companies in the sector, the "Ticke" company. Intact, 37 cm high, has a bronze base. Worked entirely by hand.

A Fine Pair of Bronze Figures Entitled 'Avant le Combat' and 'Apres le Combat', Cast from the models by Etienne-Henri Dumaige (1830 - 1888). Signed H. Dumaige, with title plaquet...

Pair of Large Silverplated Bronze Pheasant Table Ornaments/Sculptures Italy, Circa 1960s A striking pair of large silver-plated bronze pheasant table ornaments or sculptures, mad...

"Cellist" by Bernard Kim A striking mid 20th Century modernist bronze study of a seated man playing a cello with very fine colour and detail ADDITIONAL INFORMATION Height: ...

Classic early 1950s Austrian Bosse cat Figurine Collectible. Nice addition to your room or just for your collection of Austrian bronze items. Found at an estate sale in Vienna, Austr...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Antique Viennese cold-painted bronze sculpture with a camel by Bergman Austrian, c. 1910 Height 39cm, width 31cm, depth 20cm Franz Xaver Bergman (1861-1936) is the artist behind this unusual sculptural desk piece. A camel stands majestically atop a rocky road. His rider, dressed in a flowing, cream garment holds a rope in one hand and a spear in the other. The male figure is looking towards the other male, who is dressed more vibrantly in shades of blue and red. Next to the camel is a large container, surrounded by two urns. The container can be used as a stationary holder...