Bronze Sculptures

A fine early Thai Lopburi figure of a crowned and adorned Buddha, cast bronze, mid-13th century. The unusual figure of the Buddha sits in virasana upon a stylized lotus pedestal. He is dressed in the traditional monastic robes, but also adorned with a crown and jewelry, including earrings, a necklace, and jeweled belt. His hands in an atypical combination of mudras. His right hand in bhumisparsha mudra, reaching down to touch the earth, while his left hand held somewhat outwards, seemingly in varada mudra, the gesture of granting favours or wishes. The palm of his outstretched hand marked with the dharmachakra, the Wheel of the Law, representing Buddhist teaching. The bronze with a beautiful silvery patina. Lopburi was an independent Mon kingdom with strong ties to the Khmer Angkor...

A pair of spheres in brecciated marble Paradise, resting on a circular bronze base with a wavy profile and a central excrescent disk. Italy, late 19th century.

Important Sculpture "Saint George in Bronze" Bernt Notke ( 1440 – before May 1509) sculpture from the 18th/early 19th century. 75*47*h 83cm good condition Bernt Notke Bernt Notke ...

Dancing Faun with candle holder. Materials: Patinated bronze Brown, signed and justified EA on the base. Made in France by Patrick Laroche, Meilleur Ouvrier de France award in the Sc...

Bronze sculpture "Flying Mercury", after Giambologna, mounted as a lamp, on a green marble column base decorated with a bronze frieze, with allegories of the Arts. Wear and tear ...

"Cellist" by Bernard Kim A striking mid 20th Century modernist bronze study of a seated man playing a cello with very fine colour and detail ADDITIONAL INFORMATION Height: ...

Art Deco Jacques Cartier horse bookends bronze sculpture. c 1925 France. A stunning pair of art deco stylized bookends. Silvered plated bronze Art Deco h...

Guiraud-Rivière 1881-1947 A tall, exquisite, original French Art Deco sculpture in silvered bronze with parcel gilt accents. This largest rendition of the sculpture is truly a rarit...

Vienna cold painted bronze Egyptian attendant, attributed to Bergman With exquisite detail the standing Egyptian attendant standing on a Persian rug holding a ceremonial staff...

Antique (late 19th century) patinated bronze bust of a lovely female after the original model by the French master, Etienne Henri Dumaige, mounted on light blue marble plinth. 25 by...

Vintage Pair of Art Deco Baby Elephant Bookends. Crafted from sturdy metal with a rich bronzed finish, these delightful bookends showcase baby elephants in a playful, seated pose—eac...

1960s Curtis Jere 3 Birds In Flight Sculpture On Stone Base with Label Lobster shown on wire net that completes the nautical sculpture

Pair of bronze sculptures of cats from the Art Deco period in France. Each showcases Egyptian stylization which was popular during the Art Deco period. They showcase the original pat...

This signed Philippe Jamin bronze sculpture is a striking example of Mid Century Modern art, capturing the elegance and abstraction that defined the era. The composition depicts thre...

Cabela's replica bronze sculpture of two fighting bears tiled "Fierce Encounter" by Michael Hamby. Great condition, no chips or cracks. Dimensions: 13...

William H Turner born 1943. A patinated and cold painted whimsical bronze of a fox on top of a hollowed log and a rabbit peering out of the other side...

GIRL WITH GOSLINGS From our Antique Bronze Sculptures collection, we are delighted to offer this German Bronze Figure by Hermann Gladenbeck. The Bronze beautifully cast with a dark...

Antique Viennese cold-painted bronze sculpture with a camel by Bergman Austrian, c. 1910 Height 39cm, width 31cm, depth 20cm Franz Xaver Bergman (1861-1936) is the artist behind this unusual sculptural desk piece. A camel stands majestically atop a rocky road. His rider, dressed in a flowing, cream garment holds a rope in one hand and a spear in the other. The male figure is looking towards the other male, who is dressed more vibrantly in shades of blue and red. Next to the camel is a large container, surrounded by two urns. The container can be used as a stationary holder...

Three-week duration, striking half and full hours. The enamel dial signed 'Dartois Fils à Paris'. Dartois was, just like Galle, Ledure, Raviro and Thomire, one of the leading and mos...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

1970s Bronze Tiger Sculpture with Brown Finish

François-Christophe-Armand Toussaint (1806-1862) A large pair of French mid-19th century gilt and patinated bronze figural torchères: Esclave Indien and Esclave Indienne cast by F. Barbedienne (before 1869) from models by Toussaint dated 1850 the male and female figures each holding aloft glass flame shades, on panelled chamfered rectangular black marble plinths, the bronze pedestals of cylindrical baluster form with acanthus leaf collars and four engaged foliate scroll corbel supports with fluted ornament, on circular socles cast in the form of ribbon-bound laurel garlands, each signed A.Toussaint 1850 and Fondeur F.Barbedienne, 36cm wide, 36cm deep, 217cm high (14in wide, 14in deep, 85in high). the figures 112cm high (44in high Armand Toussaint first exhibited a plaster model at the 1847 Salon in Paris entitled "Un esclave indien portant une torche" along with its female pendant...

This cold painted Austrian bronze dates from the late 19th century and is extremely detailed. The figure is signed, or titled on one edge of the carpet, but we could not determine th...

A 19th-century English brass doorstop shaped like a lion’s paw and ankle sitting on a hefty leaded base for weight and stability. The long handle makes it easy to move.

Bronze sculpture ‘Vela’ (eng. sail) by Giò Pomodoro (1930-2002) on a black stone pedestal. Signed and numbered at the back. Giò Pomodoro was the younger brother of Arnaldo Pomodoro. ...

Hippolyte Francois Moreau (1832 - 1927) French. "Mignon" young girl with mandolin. Rich brown patina. Signed original 19th century Bronze. Br...

The sculpture is modelled as a nude man and woman embracing, 35cm high, each signed R Cameron Like Asian Yin and Yang, this large sculpture merges masculine Renaissance and mythologi...

A beautiful gilt bronze statue of Tibetan Green Tara. The Goddess is seated in lalitasana on an elaborately incised double-lotus base with the pendant foot ...

Modernist parrot sculpture by Hattakitkosol Somchai circa 1970s Solid bronze parrot on perch with verdigris finish mounted to white marble base Signed and numbered 5.5 inch width 5 ...

Harry Marinsky (1909-2008) "The Ride" incised with the artist's signature and number; stamped with the foundry mark (on the base) bronze 24 by 23 in. 61...

A French bronze bust depicting a classical female of elegant form, crowned with a laurel wreath. The bust has a rich brown patina revealing golden undertones at the tips of the laure...

Classic early 1910s Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale in Vienna...

Bronze crabe Padua, 18th century bronze 2 x 10 x 7 cm (One of the crab’s legs is missing its end) This finely cast bronze sculpture of a crab reflects the enduring interest in natur...

Mid-19th Century Grand Tour Bronze Figurative Sculpture 'The Dying Gaul', Italy By: unknown Material: bronze, copper, metal Technique: cast, molded, polished, metalwork, patinated D...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese, near Padua Italy. He lived and worked in Padova where he teached at the School...

American bronze figure on horse gong down a steep incline on green oval-shaped base (later 20th Cent.recast of "Mountain Man" by Remington) Condition: Good; Wear consistent with age...

Brilliantly sculpted and cast with very fine detail with a rich, lustrous patina, this celebrated bronze of a fully nude male archer was sculpted by Ernst ...

This vintage bronze duck tabletop statuette is a charming and intricately detailed piece, showcasing the exquisite craftsmanship of the lost wax process. The fine details on the feat...

Exquisite large unicorn bust sculpture in cast resin with inlaid bronze mane, solid engraved brass alicorn, and gold leaf ears on a sculptural solid brass base by Roberto Estevez, Am...

Elegant ballerina dancer in bronze with multi-colored patina, on her toes, mounted on a marble base This sculpture is signed H Fournier (Hippolyte, 1853-1926) Light wear to the pat...

Henry Moore (British, 1898-1986) "Reclining Figure: Stiff Leg" Patinated Bronze Sculpture, 1977, signed "Moore" and numbered edition "3/9". 5.5" H x 10.5" W x 7.25" D. Provenance: P...

Description: Hercules in gilded bronze. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Tags: Ercole in bronzo dorato Period: ...

For the art nouveau lover, or anyone who loves beauty, here is a life size bronze beautifully cast young maiden finished in a warm rich patina. The young woman's countenance is so l...

1930s Art Déco cold-painted chryselephantine bronze and bone woman sculpture by Roland Paris, France By: Roland Paris Material: bronze, copper, metal, bone, paint Technique: cast, m...

Made by the Yoruba Tribe from Benin it dates back to the 19th century. Created for the royal family.

Classic early 1910s Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale in Vienna...

A fine silver bronze statue of the Tibetan teacher Tsongkhapa. Je Tshongkhapa is the teacher of Tibetan Buddhism whose activities formed the Gelug sch...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

Mathurin Moreau (French, 1822-1912) rare gilt and silvered bronze of a young maiden seated on a rock with three birds, conceived 1898. The semi clad figure seated on a rustic outcro...

SELKET - Art Deco gilt bronze Egyptian Revival Goddess on marble base - mid 20th century. Good vintage condition - as found/photographed - bends and gilding loss from age and use. Size - 2" Square x 5" High. SELKET - Selket (Selkit) was the divine scorpion who ruled over medicine and magic and protected the coffins of the dead. Selket was the wife of Ra and aided Isis, Nephthys, and Neith in guarding the canopic jars...

Pair of Italian bronze figural cachepots with decorative grapevines, fruit trees, floral swags and gadrooning motif, Early 19th Century. Cachepot...

Presenting a beautiful large vintage Japanese bronzed sculpture of Toba on his Mule. Some might say ‘Monumental’ .. being 34 inches tall ...

Incredible giant bronze statue of the famous Mercury statue The original version of this was by Italian artist Giambologna This version is over five fee...

Vintage pair of large sculptures features elegantly rendered standing figures of egrets. The birds are done in patinated bronze with slight verdigris effect; they are mounted on prom...

For the art nouveau lover, this is certainly worth one to ponder, for all others, here is fine example art nouveau. The two color patina makes this very desirable. Her beautiful gold...

One of the most celebrated figural sculptures of the 20th century, and one of the finest depictions of the male figure from the 1920s and 30s, this extremely rare bronze by Cecil de Blaquiere Howard depicts two boxers, one triumphant and one defeated, in the heat of the match. Each of the two nudes is beautifully captured in a scene that is compact and complex, with the standing figure stepping over and around the fallen figure below. The sculpture is depicting a dramatic moment in the boxing ring, but it is also presenting two male figures at their peak of physical perfection. Howard was born in Canada, brought up in America, and trained under sculptors such as James Fraser...

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Excellent color and details Collector’s item, hand finished On a Desk as garniture on a mantle fireplace, on a side table or a library , placed on a console or inside a niche . Decorative accent in any home , on top of a chest-of-drawers or credenza . As a special gift item small object that adds a touch of history or as a whimsical accent finishing touches. A Great Holiday season Gift or a house warming present. on a bedroom nightstand, or to make it part of the bibelot in a library . What sets this piece apart from other productions is the quality of the bronze casting, the level of attention to details, the depth and the character reflecting the passion of the maker. Over the decades you can see signs but overall good condition. For your office desk elegant space , a man's den , living room or entry way, this fun piece is very versatile. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench...

A powerful 19th-century bronze sculpture of the Roman goddess of the hunt, Diana, captured mid-motion by the celebrated French artist Edouard Drouot. This patinated bronze figurine ...

This beautiful young nude has a timeless look. She sits on an oval piece of marble and contemplates. Rich, clean gilding really bring her to life. Done in such a manner that it look...