Bronze Sculptures

A wonderful bronze of a seated Venus and Cupid. Modeled with a recumbent Venus attended by Cupid on an oval plinth in the manner of Albert-Ernest Carrier-Belleuse. With finely...

Sculpture Reverto Bronze all in solid bronze in polished finish, Edition of 75, numerated pieces.

Exact origin unknown. Handsome desk accessory.

Bronze sculpture of a cellist on base by Aaron Ashkenazi. Signed with edition number 4 of 5. Measuring 20" tall with base, in excellent overall condition. Aharon Ashkenazi was bor...

Bronze gates by Mary Brogger Unique piece. Dimensions: W 219 x H 219 cm. Materials: Bronze. Custom sizes and finishes available. Mary Brogger is an internationally recognized ...

This bronze horse statue, captures the dynamic energy of a galloping stallion in mid-stride. Every muscle, tendon, and curve is carefully sculpted, reflecting both strength and elega...

Karl Hagenauer, Art Deco bronze horse sculpture, 1930s Elegant Art Deco sculpture of a prancing horse, cast in bronze with a warm patina. The piece features a stylized and minimalist...

Graceful even when standing still the Bronze Sequined Dancing Woman on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Dancin...

A Rare Pair of 18th C. Ormolu Mounted Meissen Porcelain Sheep, Modeled by Kändler. A delightful pair of Meissen porcelain sheep figurines, expertly mo...

F. Barbedienne fonduer Ferdinand Barbedienne (6 August 1810 – 21 March 1892) was a French metalworker and manufacturer, who was well known as a bronze founder. The son of a small farmer from Calvados, he started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniatures of antique statues from museums all over Europe, thus democratising art and making it more accessible to households.[2] From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. With the outbreak of the Franco-Prussian war in 1870 the firm briefly had to switch to cannon founding owing to the shortage of metals but resumed business afterwards. Following Barbedienne's death in 1892, he was buried in the Père-Lachaise cemetery and the firm was carried on by his nephew Gustave Leblanc until 1952. Among the principal artists reproduced by the firm were Antoine Louis Barye and Auguste Rodin. The Dying Galata (Italian: Galata morente...

Late 19th Century Pair of beautifully cast bronze figures of Creugas and Damoxenos. They were two Greek wrestlers who fought in the 2nd century that ended in a tie. Great pieces to...

Charming sculpture of a woman in a relaxed pose, made of bronze with a dark patina and vibrant blue paint details. The generously shaped figure adopts a stretched pose that conveys s...

Reduction series vessels are process driven collectible design, handmade from solid silicon bronze. Our process is as follows: 1) The blank is hand carved by the designer, reduced from a large block of foam 2) Foam is used as a pattern for cutting of sheet bronze that forms the faceted surface 3...

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

Pair of Art Deco Lions The sculpture of a pair of snarling lions embodies the powerful dynamism and majestic presence of these animals. It is masterfully crafted in the Art Deco styl...

Sculpture called "Pro Ingenio" made by Émile Lois Picault (1833-1915), made of Carrara marble, a gilt bronze harp and ivory laurels. The sculpture represents Jupiter and eagle. Signe...

Elegant French Art Deco animalier bronze sculpture depicting a dog attentively observing a squirrel with two small balls placed between them, forming a lively and balanced compositio...

Contemporary hand-forged bronze Brutalist-inspired figural sculpture depicting an obscure human figure in a supportive pose finished in an ebonized patina (PRICED EACH). (\"THE PILLA...

Magnificent large Chinese rooster figure in cloisonné bronze and brass from the 20th century. A highly decorative figure, its surface covered with fine, polychrome cloisonné work. A...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A fine signed bronze sculpture. Entitled: "Elder" By Julia Levitina. Depicting of a full figure male standing erect and barefoot clothed in a full-length trench coat. With chocol...

Sculpture in polished bronze by Perrin & Perrin, French Glass artists represented by Galerie Negropontes Measures: H 18 x L 26.5 x l 21.5 cm Limited edition of 8 pieces.  

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

A flower shoots outward from a tapered stem, one generous curl of iron forms an imitation of a leaf. With the Fior di Loto, Salvino Marsura reduces plant form to its purest geometry....

José Luis Sanchez (Spain, 1926-2018). José Luis Sanchez, a signed and numbered 1000/177 sculpture. Fantastic abstract Brutalist shaped sculpture made and designed by Jose Luis Sanch...

This exquisite bronze figurine from the early 1900s, by renowned French sculptor Emmanuel Frémiet, depicts a seated cat with exceptional elegance and realism. The sculpture captures ...

Very Large French Patinated Bronze Figural Sculpture Apollo After Picault French, Late 19th Century Height 167cm, width 66cm, depth 40cm This late 19th century bronze figure is cra...

Beautifully decorated Empire bronze urns.

This wonderful cast bronze figurative French abstract sculpture is a single breast as the subject matter. It is signed and numbered 100 which is the edition. It has been professional...

The Roman deity Mercury was the god of commerce, communication, and travelers. He is the equivalent of Hermes from the Greek pantheon, and due to his association with communication ...

Very fine mid 19th Century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic ba...

Abstract Bronze Sculpture, by Georges Charpentier, France, circa 1960s. Retains warm original patina. It is from a very limited edition of only 8 examples ever created and is signed ...

This is a Bronze Sculpture of A Swaying Dancer after Claire Collinet. It depicts a young girl with dark wavy hair and wearing an exotic short dress dancing over a round bronze platfo...

Pair of Monumental life size French bronze Nickel finish Greyhound statues.

"Peace" patinated bronze sculpture by Erté, depicting a woman figure dressed in a beautiful long robe and wearing a crown/tiara that resembles rays, while also having a dove above he...

Graceful even when standing still the Bronze Parisian Dancer on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Parisian Danc...

Two profiles or medaillon of young women, sculpted in white marble in bas-relief, with a bronze frame. Some wear to the marble, stains and cracks, wear consistent with age to the...

A refined Art Deco bronze figure in the style of Demétre H. Chiparus, one of the most celebrated sculptors of the period, renowned for his elegant depictions of theatrical dancers an...

Art Deco bronze panther sculpture by Georges Lavroff. Signed G. Lavroff in the bronze, Stamped number, 9133. Patinated bronze on a Belgian Black marble base. France 1935. This pa...

Lost-wax bronze sculpture depicting a pig or sow lying in a meadow. The sculpture is mounted on an oval Lavagna slate base. Signed "I. Bonheur." France, late 19th century.

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

Original "Sprawling Bronze" by Harry Bertoia (1915-1978). Rare molten bronze spill cast with three feet to make it free-standing. Green patina adds to the organic feel of the sculp...

EMILE PICAULT French, 1833-1915 "Reveil de la Nature" (The Awakening of Nature) Sand-cast patinated bronze signed to naturalistic base "E. PICAULT" with the title of the work embo...

French Art Deco sculpture from te 1930s period. Original from the period. We can converted in to the table lamp. Extra beautiful sculpture all made...

1940s Gorgeous oriental decorative statue in bronze. Thai Deity. Capture the serene elegance of Southeast Asian artistry with this gorgeous mid-20th-century Thai bronze deity statue....

A scene from Ramakian or Ramayan, the Indian epic Rama and Sita. Large and heavy Antique Indian Temple toy metal camel, bronze camel on wheels. Camel with r...

Tanya Poust (American, XX) Mother and Child Patinated Bronze Sculpture, mounted on a white marble base. 18.25" H x 4.25" W x 5.5" D. Provenance: From a New York City Collection.

Bronze sculpture of the big cat after Fernando Botero, 20th century. Bronze sculpture after Fernando Botero representing the big cat, 20th century. Dimensions : H: 15cm, W: 8cm, D:...

Patinated bronze the "Hugger" after Bruno Zach

Sculpture called “Woman seated with greyhound” by Armand Lémo (1881-1936), made of silver-plated bronze and onyx marble base. LEMO signature with foundry coin Casa Vignes DE M.v. Sa...

"Innocence" by Demetre H. Chiparus (1886-1947). Patinated bronze and ivory on marble base. Alberto Shayo (1993) "Chiparus Master of Art Deco" p. 74.

This 20th century Art Deco bronze sculpture in brown patinated bronze represents a seated female nude figure, modeled with smooth lines and balanced proportions. This bronze nude sculpture...

For the horse lover, this unique life size bronze horse head bust with artist applied patina by California Artist & Sculptor Roy T. “Tom” Bill (1946-2017). Tom received his BA in Art...

"The Golden Wedding" by André Vincent Becquerel (1893-1981). Bronze sculpture on marble base. The sculpture was used as a second prize trophy for a race that was organized by ACA (...

A fabulous limited edition cold painted bronze figure of an elegant beauty dressed in a full length gown looking into her pocket mirror with excellent colour and very fine hand finished detail. Signed Erté, numbered 179/375, dated 1986 and with foundry mark. ADDITIONAL INFORMATION Height: 46 cm Circa: 1985 Foundry: Fine Art Acquisitions Materials: Bronze Book Ref: Erté The Last Works by Eric Estorick Page no. 104 SKU: 9104 ABOUT Erté La Coquette Erté Sculpture Erté La Coquette – Sculpture as such has been a rather late arrival in Erté’s life, but his three-dimensional creativity began long before he started to work with Paul Poiret in Paris in 1913. It began at his house in St. Petersburg in 1897, when he was five years of age and created a little theatre using his mothers empty perfume bottles...

Large Napoleon III Jewelry Casket In chiseled and silvered bronze, decorated with putti scenes in the style of Claude Michel dit Clodion (...

Spectacular Brutalist expression of a standing tree stump log in Bronze. Artist unknown, but definitely from the early 1970s. Amazing artistic craftsmanship. The stump is well balan...

A sensational 19th century skeleton in bronze originating from the Louvain University Of Medicine - Belgium. An excellent addition to any doctor...

Regeneration 03-2 Bronze Sculpture by Kodai Suga Dimensions: W 50 x D 9 x H 30 cm Materials: Bronze Kodai Suga’s work features an evocative modernistic silhouette that has been imbu...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...